Issue 17
North America / Turtle Island

Features
- Editorial: ᏍᎩ ✿
- Dancing with the anvil Michael Winkler
- Quarterly essay: Dancing with the anvil Michael Winkler
- Dear Grandma, Thank you for being a maker: A Cowichan story Damara Jacobs-Morris
- Ruth Woodbury ✿ A Māori-Salish encounter featuring salmon and cedar cloaks ✿
- Spider Woman’s Children: The next generation of Navajo weavers Barbara Teller Ornelas and Lynda Teller Pete
- Crafting hope from the rings of the black ash Kelly Church and Cherish Parish
- Cherokee doubleweave baskets: “The handsomest baskets I ever saw.” Anna Fariello
- Up in a wool bag: Moving material in the Navajo Nation Emily Winter
- Tania Larsson ✿ Hide uncovers the hidden matt lambert
- Maureen Gruben ✿ Delta Trim Tarah Hogue
- Citizens of Craft: The inspiring Canadian model ✿
- Presha’s Coverlet Jeffrey Keith
- Gratitude in the archives Genevieve Weber
- Visiting Tomaquag: The feel of wampum between your fingers Lela Kulkarni
- Ayudha Puja: Time to thank the things on which we depend Kshitija Mruthyunjaya
- Our Paiwan wedding: The importance of a dowry Dremedreman Curimudjuq (Liao Min) and Daniel C. Moore
- Pots in Action: The ceramics project that made Instagram sparkle Ayumi Horie
- JD Harrison ✿ Centerpiece for a crafted future ✿
- A decade of yarn bombing Mandy Moore and Leanne Prain
- Catharine Ellis and the journey of True Colors Keith Recker
- Cracking the colour code: The Maiwa-Khatri partnership Charllotte Kwon and Abdul Jabbar Khatri
- How an island makes its makers: The artisans of Gabriola Phillip Vannini
- The fabric of memory: Story cloth as art and history for Hmong in USA Vincent Her and Mary Louise Buley-Meissner
- Grunge and graffiti repair Lela Kulkarni
- Tying down art in my own public Idaho Lily Martina Lee
- Katie Miller ✿ Seattle lightscapes Melissa Cameron
- To rescue a world on the wane: A clarion call to woodworkers D Wood
- Beyond pink: The moment is the haven Anna Taylor
- Alice Whish ✿ Works from the Understory Helen Wyatt
- Womensemble: Creating female subjectivity in art Ming Turner