Issue 27
Estuary
Features
- Art protects us and our shared world: Two messages from Indigenous Brazil Arassari Pataxó and Kulikyrda “Stive” Mehinaku
- Australia or Bandaiyan? Aunty Munya Andrews
- How we reached the estuary Garland
- dhurrung wurruki nyayl ngarrp – kunang Tammy Gilson
- Tonantsintlalli: Our Mother Earth Desiree Ibinarriaga and David Marcelino Cayetano
- Goahten: At home with Sámi Katarina Spik Skum
- Treasures from Marege: Yolŋu-Makassan trade today Diane Moon and Will Stubbs
- Omar Musa blends words and the wood carving of Borneo to explore beauty, rage and history Kevin Brophy
- Embroidering pugholes Sera Waters
- Assegai: A spear of light across the Indian Ocean Adam Markowitz
- Martin Hill and Philippa Jones: Encircling the world Alasdair Foster
- The Svord Peasant Knife: Thanks to “Heavenly Blue Sky” Bryan Baker
- Garrapara: Deep waters and the cycle of life and death Will Stubbs
- Jenni Kemarre Martiniello’s Freshwater Saltwater Weave Mel George
- The Bung Yarnda Observatorium Josephine Jakobi
- A feed of sacred lotus – Nelumbo nucifera Gary Warner
- Raci’s mangrove apple: A batik message from the coast of Pasuruan to the fashion catwalk Lauren Veronica Sidarsono
- The Outback through Afghan eyes Jahan Rezakhanlou
- Tea with Abbas: Tibetan jewellery in Nepal Gary Wornell
- Pui ✿ Sharing happiness with Sukhothai ceramics Witiya Pittungnapoo
- Manong Ernesto: Carving history in Baguio Stella Maria de Guia
- Chechia: The little red hat that symbolises Tunisia Leila Ben-Gacem
- Samuel Tupou’s Low Resolution Dreamz: Memory in hand-crafted pixels Miranda Hine