Issue 31

To Hear

Features

• Chod Damaru: Summoning the energy of a Tantric princess Gary Wornell
• Toha: A harp to summon the return of the sociable weaver birds Victor Gama
• Decolonising the manza xylophones of Azande Adilia On-ying YIP
• The sounds of a geography Kraig Grady
• Sound is as much in the dirt as it is in the air Vicky Browne
• Music of the looms Garland
• Bringing gamelan to the west Neil McLachlan
• Weaving to the beat Sara Lindsay
• sounds of clay and me, making Toni Warburton
• Rongoāoro: The healing sounds of Taonga Pūoro Karen Leef
• Voicing the winds: Kōea O Tāwhirimātea – Weather Choir  Phil Dadson
• Poi: The mesmerising sound of living taonga Isaac Te Awa
• Crafting sonic uncertainty in objects, events and installations Gary Warner
• Sound Before Sound I: One and Three Scores David Chesworth
• A gift of song from the valley Maria Fernanda Paes de Barros
• Weaving song, work and memory in Indian culture MAP Academy
• My lockdown Tonbak: A homemade industrial musical heritage Jahan Rezakhanlou
• Jeepney through the (y)ears Dayang Yraola
• The Listening Biennial Second Edition, inter-Asia plus  Dayang Yraola
• Sensing resonance: Interview with Marikuku Wirrpanda yiḏaki maker Marikuku Wirrpanda and János Kerekes
• Songs of steel and glass: The Osaka World Expo ’70 Baschet sound sculptures Gary Warner
• Crafting sonic uncertainty in objects, events and installations Gary Warner
• Round and round we go: Echoes of protest in sound and weaving Jan Nelson
• Aeolian harps in an acoustic sanctuary Ros Bandt
• Notes on Sound and Making: 03 On Noise Gary Warner
• Notes on sound and making: 01 – Listening to making Gary Warner
• Manchay P’uytu del Mapocho: A proposal to decolonise listening Francisca Gili
• Notes on sound and making: 02 On hearing and listening Gary Warner
• Gamelan is character building Embie Tan Aren
• Unruly voices: Sonia Leber and David Chesworth’s Space-Shifter  Sonia Leber