Write for Garland
Garland welcomes submissions from writers.
Some things to keep in mind:
Our reader is someone who reflects and enjoys well-made objects. While thoughtful people, our readers are not exclusively academic. They are looking for an authentic voice, based on the writer’s personal knowledge and experience. They are particularly interested in learning something new about the maker, technique, place, culture and tradition.
Following this, Garland does not use footnotes or academic referencing. We do however encourage you to include a Further Reading section where there are references to follow up.
The length is variable depending on the subject-matter, but consider a range of 800-1200 words.
Images could be crisp and at least 1000px wide. Each image should have a caption with the following details: Artist, Title, year, materials, h x w dimensions, photo:
As Garland seeks to locate work in its context, we also need to provide readers with information about the writers. Articles should be accompanied by two or three sentences about yourself, including where you live, what you do and any current or upcoming projects? We’re happy to include a link that helps promote your activity. Please also provide a portrait image, which we will render into a black and white square format. This can be your standard image, but you are also welcome to be a little creative and feature something of your world.
Please submit your idea as a paragraph to the editor at [email protected]
Articles are due on these dates:
- 1 February
- 1 May
- 1 August
- 1 November
At this stage. Garland is not in a position to pay for writing except our quarterly essay. We do offer a free subscription and good karma. We are also happy to work with you to provide letters of support if you’d like to apply for funds towards a writing project.
If you are looking for stylistic guidance, there are few points that are working considering.
You are encouraged to focus as much as possible on the particular. This involves more “showing” the reader the material, rather than “telling” them an interpretation. This kind of writing is often called ekphrastic.
Garland aims to be an enduring archive of thoughtful writing. Besides having a story to tell, the writing should be well-constructed. A shack thrown together from found materials will have an immediate charm, but it is unlikely to survive the storm. A well-constructed building, where each element is carefully chosen and connected, is more likely to endure.
While writing styles will vary greatly, it is useful to have a well-crafted base. This means paragraphs with sentences that work together as an integrated whole, without phrases added in an ad hoc manner. When in doubt, consider breaking sentences up so they retain their integrity. In this way, there is more chance of sustaining the reader’s attention. As we know, attention is a rare commodity these days.
We have a collection of essays online that can offer inspiration here.
Garland publishes around 20 articles in each issue. At least half of these relate to a particular place in the Asia Pacific. There is also a related theme that helps interconnect the articles and engage broader discussion. You can find our latest Garland itinerary here, which outlines the upcoming themes.