Garland Magazine Logo Garland Magazine Logo

  • Issues

    • Current ✿ Oaxaca
    • Quarterly essays
    • Exhibitions
    • Articles
    • Issues
    • Subscribe
      • Garland ✿ Circle
        • Orbit
    • Reading posts
    • Shop
    • About
      • Who we are
      • Write for Garland
      • East West Meet
      • Newsletter
    • Contact
  • facebook twitter instagram pinterest googleplus email

  • Newsletter

  • Loop

    • Made for Parade

    • Why do Koreans use metal chopsticks?

    • Acrylic adventures in Kazakhstan by Martina Dempf

    • Making memory ✿ The Huldremose woman today

    • Sahaj ✿ The Vernacular Furniture of Gujarat book

    • Glenn Adamson ✿ The need for material intelligence

    • Tsukumogami ✿ Call for works in Garland #13 online exhibition

    • Margaret Grafton ✿ Weaving power

    • Jos Mitchell ✿ Entwined

    • The enduring appeal of k-craft

  • Tags

    Aboriginal Adelaide Aotearoa architecture Australia Bali ceramics China collaboration cover design embroidery event exhibition fashion fibre garland glass India Indonesia Iran Japan jewellery Melbourne Mexico model Māori nature New Zealand Oaxaca photography printmaking Queensland sculpture South Korea Sydney Tasmania textiles Thailand Victoria village votive weaving Western Australia wood

    • Other articles tagged Italy

    • An ancient Good Friday all-female rite with a fashion twist  Anna Battista

    • Rosslynd Piggott’s glass in Venice until 3 December  Mari Gold

    • Mirror/ in vapour: Glass in Venice  Rosslynd Piggott

    ISBN 978-0-9875154-3-8

    Garland is a publication of World Crafts Council – Australia, a national entity of the World Crafts Council – Asia Pacific.

    This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.