Loop

“Everywhere it’s the same, and everywhere it’s different: two hands with five fingers each (and other body parts), and a continuous loop of string”

Over time, Garland is gathering a creative community across the Indo-Pacific. This page is where you can stay in the loop with updates from our Friends and Circle. See here if you would like to be featured in this Loop.


Crochet therapy, with soundtrack - The Russian crochet artist Katika explains how she discovered a craft that helped unravel her emotions.
A journey across land with words and thread - Annette Peterson writes about five textile artists who weave a sensitive exhibition from text and thread.
The robot carver: Assistant or master? - Ancient Future by BIG juxtaposes Bhutanese traditional artisans with programmed robot milling arms. The danger is that we will overlook the value of handmade in our pursuit of efficiency and scale.
The geometry of memory: Persian patterns and diasporic identity - Nazila Keshavarz uses felt to reconnect with her Persian roots.
Timi Lantos ✿ Learning from clay in Japan - Liliana Morais writes about a Hungarian potter who moved to the legendary craft town of Mashiko to learn from its soil and people. 
The question of vegetarian craft - LOkesh Ghai wrestles with the ethical balance between nature and society.
Andrea Barker: Memory of a Shard  - Catherine Payne finds archeological resonances in the ceramic works by Andrea Barker.
Steph Wallace ✿ Holding the Void - Our June Laurel has made a vessel that reflects the volcanic and mining cavities that resonate through her second home in Ballarat.
Safe and sound: An exhibition of contemporary Taiwanese amulets in Munich - Anvita Jain marvels at intriguing charms devised by a Taiwanese jewellery collective.
Nelson Jewellery Week 2025: Society, history, story and strength - Jude van der Merwe reviews the premier jewellery event in Aotearoa and finds works with deep historical resonance.
Ben Lignel ✿ Seven steps to authenticity - Ben Lignel shares the insights gained in his new practice as a specialist potter.
US makers react to tariffs: Global craft exchange is a net good - US makers claim the new tariffs will damage a respectful and beneficial relationship with makers in other countries.
Solidarity at hand: Support Vietnamese crafts - The US tariffs threaten Vietnam's unique craft culture, but there are ways we can provide support through our purchases.
Three body problems: New Iranian jewellery - Recent jewellery from Aria Gallery in Iran reflects alternative forms of embodiment.
Studio Calyx Kolkata: Clay in community - Arpita Bhattacharya writes about an art space in Kolkata, West Bengal, which engages the community around clay.
Jeong (정) – Introduction to Korean craft ✿ 27 May - You are invited to a hospitable discussion about the many wonders of South Korean craft today.
Chamak: A tale of embroidered fragments shining again - Bahareh Zaman rescues discarded elaborate textiles from a village in Baluchistan, Iran, to create a precious bag as a symbol of her journey.
The ancestral is in vogue: How do you market authenticity? - A new report from the European Craft Alliance prompts the question of how we promote authenticity.
Khneng embroidery: Weaving the past forward - Nisaphi Lyndem returns to her roots in Meghalaya to celebrate a beautiful craft tradition of the Khasi hills.
Master artisans of Yucatán: Hands, faces and spaces - Photographer Sergio Autrey pays tribute to the artisans of the Yucatán Peninsula.

 

 

 


For earlier posts, see here.