Garland Magazine Logo Garland Magazine Logo

  • Issues

    • Current ✿ Oaxaca
    • Quarterly essays
    • Exhibitions
    • Articles
    • Issues
    • Subscribe
      • Circle ✿
        • Orbit
    • Reading posts
    • Shop
    • About
      • Who we are
      • Write for Garland
      • East West Meet
      • Newsletter
    • Contact
  • facebook twitter instagram pinterest googleplus email

  • Newsletter

  • Loop

    • Namako constructs a Japanese sense of place in Canberra

    • When do stories become designs?

    • Glimpses of the first Indian Ceramics Triennale

    • Bin Dixon Ward ✿ Adding digital to the jeweller’s bench

    • Yhonnie Scarce ✿ Colonisation in black and white

    • Greybilly ✿ Opal for the anthropocene

    • Khadim Ali: Australian fauna made in praise

    • Anxi: A city of rattan and iron

    • Divining a new life: Antipodean Encounters in Perth

    • Anne Jillett ✿ “Sitting on a milk crate each week…”

  • Tags

    Aboriginal Adelaide Aotearoa architecture Australia Bali basketry ceramics China collaboration cover design embroidery event exhibition fashion fibre garland glass India Indonesia Iran Japan jewellery Melbourne Mexico model Māori nature New Zealand Oaxaca photography Queensland sculpture South Korea Sydney Tasmania textiles Thailand Victoria village votive weaving Western Australia wood

    • Other articles tagged editorial

    • Editorial  Mari Gold

    • Editorial  Garland

    • Where is your village?  Editorial

    • New homes for old stories  Editorial

    • Editorial  Garland

    • With nature  Editorial

    • Editorial  Garland

    ISBN 978-0-9875154-3-8

    Garland is a publication of World Crafts Council – Australia, a national entity of the World Crafts Council – Asia Pacific.

    This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.