Paper stories
Elysha Rei ✿ A fish out of water - In the lead-up to the Lunar New Year of the Snake, Elysha Rei speaks with writer Pamela See about her exhibition of papercuts: Yohaku no bi (the beauty of empty space).
Art on a stem: Floral botanical collage decoupage - Anuradha Sahu describes her patented press dry flower technique that channels the life force of nature.
Lucky Charms: The temple returns to the gallery - Jacky Cheng traces the woven Joss paper objects in her Indian Ocean Craft Triennial exhibition back to Malaysia and her fraught role as a dutiful daughter.
A temple without walls - David Cheah works with the monks of the Lao temple Wat Siphoutthabaht to produce an outdoor installation for the festival of Boun Ok Phansa.
Leonie Oakes ✿ Slippage - Leonie Oakes has been awarded our July Laurel for her paper dress that breathes.
Kondo Weaving Mill: Industrial Japanese craftsmanship - Alisa Tietboehl writes about a Japanese weaving mill that sustains its local craft through skill and innovation.
Crafting “natural” conceptions in and of China, of its nationhood and its people - Pamela See considers the key political role played by woodcut prints in Chinese communism.
Jacqueline Rose ✿ Geometry at hand - For Jacqueline Millner, Jacqueline Rose's paper collages humanise geometry and enliven space
The year of the paper tiger 
- 新年快乐. Australian Papercut Artist's New Year Project re-interprets the tiger as a symbol of calm in an anxious time.
Pulp Friction: A paper trail from China - Embie Tan Aren writes about Pulp Friction, an exhibition at Queensland's Artisan gallery of paper works by Pamela See, Christine Ko and Yanqiao Jiang.
Colour thrives: The lokta paper makers of Kathmandu - Gary Wornell is captivated by the spirit of craft in Nepal and the success of Chhongnorbu Sherpa’s paper factory.
Hamza ✿ Enter the circle - Kimsuka Iyer introduces Hamza, a Moroccan brass smith, bookbinder and oud musician.
Kashmiriyat: Craft out of conflict - Harpreet Padam ventures to Kashmir for craft development, but finds the conflict difficult to ignore. He works with local artisans to develop papier maché objects that reflect their daily life.
Fibres for a foodie - Sabrina Sakina has found a way of using the waste produced in cooking the Indonesian food she loves.
Horst Kiechle ✿ Digital weaving inspired by a Thai basket - Selected by Garland contributor Gary Warner, our July laurel goes to Horst Kiechle for his constructed paper object 2020 vPattern Basket.
Wu Wei: “Nothing doing” is the future of Chinese papercutting - At a time of lockdown, Pamela See finds that Chinese papercutting can flourish by adopting the Taoist ideal of wu wei, doing nothing, in response to the apparent threat of new technologies.
Jenna Lee ✿ Folds of memory - Jenna Lee's Memorise series shows how the process of folding can have strong symbolic meaning. It begins with an Instagram challenge...
Making the cut: The effects of the introduction of Computer Numerical Control (CNC) on the Chinese papercutting 2006-2018 - In reflecting on the recent history of papercutting in China, Pamela See identifies the threat to its creative energy posed by CNC cutting.
New space for objects in Sydney: HAKK by Gunjan Aylawadi - The inaugural Object Space exhibition will feature the work of talented paper artist Gunjan Aylawadi. Sydney-based paper artist Gunjan Aylawadi presents HAKK, a large-scale, intricate paper installation.
Hanging issues: Collaboration between photography and Lana paper making - A Kurdish photographer, doing a PhD at Melbourne's RMIT University, learns paper making in a northern Thai village in order to realise the emotions of the images gathered from the conflict in the Middle East. Rushdi Anwar shares the thinking behind this unique artistic alchemy.
Hanji – before and after Korea by Jan Coveney - Han-ji is the word for traditional Korean paper and it's also used to describe the art of making objects out of the paper.
Yoon Jeong-won’s spiritual materialism - The artist Yoon Jeong-won uses storybook imagery to evoke the myriad of traditions in Korean culture. Besides major works for exhibition, she has a daily exercise of drawing on precious Korean paper made by Lee Jong Kuk (Mabeul), from a tree especially planted for her.