- Meredith Turnbull, (Greg Daly, No title (stoneware form), stoneware, 1977 and Joan Campbell, No title (spherical vessel), low fired earthenware, 1971), archival pigment print on paper, 2018
- Meredith Turnbull, (Mitsuo Shoji, No title (clay object), stoneware with gold leaf, 1974), archival pigment print on paper, 2018
- Meredith Turnbull, Mauve Room, Closer, Ian Potter Museum of Art, the University of Melbourne, installation view, 2018. Photo: Christian Capurro
- Meredith Turnbull, Coral Room, Closer, Ian Potter Museum of Art, the University of Melbourne, installation view, 2018. Photo: Christian Capurro
Meredith Turnbull developed a striking installation of objects from the collection of the Potter Museum of Art (27 March – 1 July 2018). Closer explored different possible proximities for the viewer with precious handmade objects. It demonstrated the powerful aesthetic potential of gathering together works across time on an open platform.
Related stories
A post-digital threat out of the labyrinth: Christus Nobrega review
Cherokee basket ecology
Jane McKenzie ✿ Play of light
Works from the International Art Textile Biennale 2023
David Bielander ✿ Poking fun in all seriousness
Ceramics for the Autumn Takayama Festival (Hachiman Matsuri)
In the Future, They Ate From the Finest Porcelain
Please give up your seat for local design