Ceramics stories
Timi Lantos ✿ Learning from clay in Japan - Liliana Morais writes about a Hungarian potter who moved to the legendary craft town of Mashiko to learn from its soil and people. 
The Guardian Tiger: Ancestral Protection - Nani Puspasari is able to reconnect with her ancestors through ceramic installations that evoke time with grandparents.
Steph Wallace ✿ Holding the Void - Our June Laurel has made a vessel that reflects the volcanic and mining cavities that resonate through her second home in Ballarat.
Finding Vomit Girl: A pilgrimage to the source of mộc mạc - Mai Nguyễn-Long takes on her journey to discover her lost connection to village culture in Vietnam.
The tale of Nneburube - Ngozi Omeje incarnates the matriarchal Igbo story of the circle of connections that make a community.
Nonna’s Abundant Protection from the Malocchio - Celine Babet recreates the cornicello protection charm of her Sicilian ancestors in vibrant ceramic clusters.
Data archeology in clay - Using data visualisation, Guillaume Slizewicz re-embodies archaeology back into clay fragments.
Studio Calyx Kolkata: Clay in community - Arpita Bhattacharya writes about an art space in Kolkata, West Bengal, which engages the community around clay.
Stoneware dreams of plastic memories - Liisa Nelson shares the inspiration behind her works for the exhibition at The Clay Studio.
Naga Mae Daw Serpent: Maternal energy uncoils in Myanmar - Soe Yu Nwe explains why she is drawn to the snake as inspiration for her work.
Jamnalal Kumhar ✿ The rainbow Naga - A master temple sculptor made terracotta plaques showing the evolution of the Indian Naga into the Aboriginal Rainbow Serpent.
The value of craft in fiction - D Wood describes how craft activates the fictional worlds of "Blue Caftan" and "The Healing Season of Pottery."
Kalighat Temple: A terracotta revival - Tamal Bhattacharya reflects on his work restoring the terracotta tiles of an ancient Bengali temple.
Making Memolo: Temple domes from Sitiwinangun, Cirebon - Akbar Adhi Satrio tracks the origins and future of the ceramic dome, part of Indonesia's Hindu heritage
The Andes as temple - Keka Ruiz Tagle evokes the wisdom of her ancestors contained in vessels of light.
Vipoo gives Jooyun’s teapot a new life - An exhibition at the Australian Design Centre features Vipoo Srivilasa's restorative ceramics.
Ngozi Omeje ✿ For the love and joy of it - A conversation with an important African ceramicist about her creative work and the challenge of being a clay artist in Nigeria.
Kate Fitzharris ✿ The Good Egg - Kate Fitzharris is our October laurel for delicate ceramic works that poignantly care for our fragile world.
Ceramics Southern Africa: Down to earth connections - Rosh Sewpersad finds that membership is thriving in an African ceramics organisation, thanks to exhibition opportunities.
Blumhardt Foundation: An angel of New Zealand craft - Philip Clarke explains how a generous bequest became a foundation that made a unique contribution to New Zealand craft. 
South of the River Potters Club: After 50 years, a home of its own - As Barrie-Anne Morgan argues, local government support was critical to the longevity of this legendary potters' club.
Expanding the table: Vicki Grima’s impact on the Australian ceramics community - Amelia Black writes about the way the director of the Australian Ceramics Association created a sense of community in times of adversity.
Farid Abu Shakra ✿ GROUND? - The curator Shlomit Bauman and the artist Farid Abu Shakra seek a common humanity.
Between the quarry and paradise: Grafting rubbish onto nature - Lauren Downton shares her journey from the dazzling nature of South Africa to the withered landscape of South Australia, from which has emerged hybrid porcelain forms.
Anne Nginyangka Thompson ✿ My favourite place out bush - Anne Nginyangka Thompson talks about her commitment to preserving culture and Country through her ceramic work.
Together with Montaigne’s Cat: Gyeonggi Ceramics Biennale 2024 - In 2024, South Korea's international ceramics biennale will reflect how ceramics bridges race, culture and history.
Birender Kumar Yadav ✿ Presencing the keepers of the kiln - Our March Laurel goes to Birender Kumar Yadav for his terracotta installation in homage to brick kiln workers, one of the highlights of the Indian Ceramics Triennale. 
Contemporary deities: Vipoo Srivilasa and Ramesh Mario Nithiyendran - Elena Dias-Jayasinha writes about two artists whose ceramic works invoke deities of inclusivity.
The flip side: Art protest and making ceramics - Joana Partyka explains the paradox of making expressionist ceramics while also defacing masterpieces to highlight the damage of fossil fuel projects.
Petersham Escarpment: The mountain comes to the city - Through the mysterious alchemy of the kiln, Simon Reece brings the landscape of the majestic Blue Mountains to an inner urban plaza.
Aleisa Miksad ✿ Bacchic ceramics - Our February laurel is awarded to Aleisa Miksad for a vessel that bristles with Dionysian energy.
Esther Elia ✿ An Assyrian Prayer Bowl - Our December laurel is awarded to an Assyrian living in the USA who makes prayer bowls with messages of cultural resilience.
Peter Hawkesby ✿ Building a heart basket - Lucy Hammonds writes about a New Zealand ceramicist whose work is grounded on the land he walks.
Lest we forget the skillful touch - Curtis Benzle argues for the need to appreciate the work of the hand in a digital age.
Mother’s touch: An interview with ceramicist Richilde Flavell - Yasmin Masri writes about Richilde Flavell's use of ceramics to explore the transformational experience of becoming a mother. 
Touchstones:The sensual work of studio potter Jane Sawyer - Carolyn Leach-Paholski reflects on the pleasures at hand of a slow ceramics.
Peranakan tiles: A harmony of colour, motif and texture - Ananya Mallick explores "hands on" the production of traditional tiles in Malaysia.
Stevei Houkāmau ✿ Clay as whakapapa - Zoe Black tracks the journey of Stevei Houkāmau in finding whakapapa connections through ceramics.
The sense of clay in the Anthropocene - Attracted by its smell and feel, Yuliya Makliuk has taken up clay as a cause for good in the world.
Mai Nguyễn-Long ✿ Vomit Girl - Mai Nguyễn-Long introduces her Kôgábịnô exhibition, featuring works that express the Vietnamese punk-like aesthetic of mộc mạc. 
Self Medication: Korean Ceramic Art - Choi Leeji shares her vision of Korean ceramics, as it flows out of its traditional sources.
Sarah Khan ✿ Spoons as weapons of mass creation - Our September laurel Sarah K Khan, inspired by a sixteenth-century Indian Cookbook in Persian, decorates her spoons in honor of women’s knowledge.
Strange tales from a Chinese studio: Geng Xue’s porcelain imaginary - For Luise Guest, the surreal porcelain of Geng Xue is inspired by the rich history of a Chinese imaginary.
Brisbane Art and Design Festival 2023: A vessel for diversity of creative practice - Pamela See reviews a ceramics exhibition that reveals a vibrant Brisbane scene using clay as a language of fragility
sounds of clay and me, making - Toni Warburton describes the sounds that orchestrate her work in ceramics. 
David Ray ✿ Four Treasons - Our June laurel is awarded to David Ray for his Four Treasons series of figurines that update the bucolic Staffordshire genre.
“I feel as if I’ve dropped into a secret cave”: The power of clay in recent Indian fiction - D Wood reviews two recent novels by Indian writers that evoke the allure of ceramics.
UYalezo – New Traditions - Andile Dyalvane's ceremonial ceramic works embody traditional knowledge about nature transmitted by ancestors.
Jane DuRand ✿ Walking through landscape, tile by tile - Our March laurel goes to Jane DuRand for an epic installation of tiles that evoke the myriad dimensions of the landscapes she loves to walk through.
Taste-makers: A selection of tableware made by hand today - You are invited to sample tableware by today's makers from around the world.
Chefs who make - Lee Tran Lam finds four remarkable chefs who make their own tableware, uniquely crafted for their specialist dishes.
Ajiwau: A Japanese way of savouring life - Euan Craig shares his life at the wheel in a Japanese pottery village, where he makes tableware that helps savour the food and its moment.
Cone Eleven ✿ Crafting a theatre for specialist dining - Ilona Topolcsanyi collaborates with two chefs, demonstrating the creative role of the ceramicist in specialist dining. 
The underlying delight of Japanese tableware - The Go for Kogei festival invited Brian Kennedy to dialogue with Kutani ceramicist Masaru Nakada in developing a playful set of tableware.
A gaiwan for my father - Mia Riley revisits her father's tea cabinet and resolved to use her ceramic skills to make him special traditional tea cups.
Brasilidade: Samba on a plate - Nina Coimbra’s tableware captures the feeling of “Brasildade”, the poly-sensory experience of life in Brazil.
Take a chance on art - Liat Segal presents three bodies of work that use randomness as a creative tool.
Earth Nidus: An unnatural nature - Fan Ji seeks intimations of untamed nature in urban laneways through clay that clings to the metal grid.
Simone Fraser ✿ Re-gendering ritual - Simone Fraser explains why she was drawn to ceramics as a way of feminising the rites of her childhood.
Kelly Austin ✿ Suspended decompositions - Jane Stewart writes about Kelly Austin's ceramics, whose material response to the mined landscape of Queenstown reflects the genre of still life in painting.