
Interwoven by Bo Lu, Shan Yang, Tianjiao Yan, Ning Lin Technologies: thin-film solar, piezoelectric generators (wind harvesting through cables), kinetic energy harvesting Annual Capacity: 3,500 MWh
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I have come, after long wanderings,
To a place of cool waters,
Where the date-palms rise like sentinels,
And the tamarisks wave in the breeze.
Oasis, by Imru’ al-Qais
Stay a while in the oasis to enjoy stories of beauty and meaning from the Middle East.
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The Muqarnas of Sadu - Ghadeer Mohammad pays homage to the sublime ceiling decoration in Islamic architecture.
Without life, there is no tatreez - Wafa Ghnaim, a Palestinian dress historian, reflects on the role tatreez embroidery played in her upbringing and hopes diaspora heirlooms will eventually return to Palestine.
Laurie Paine ✿ Weaving a lost homeland - Laurie Paine draws a thread from Palestinian ancestors to a new life on the other side of the world, where she now mourns the tragedy in her homeland.
The rose perfumers of Kannauj - Dwan Kaoukji tracks the production of the most exquisite floral scent from the perfumeries of Kuwait to the traditional distillers of Uttar Pradesh
The culture we breathe - Laila Al-Hamad finds in the tight-knit communities of the Gulf a social context for the appreciation of fragrance as a medium of shared experience.
Lara Salous ✿ Palestine at home - Our May Laurel goes to Lara Salous, a furniture maker in Ramallah whose woollen screen brings Palestinian culture back home.
Take a chance on art - Liat Segal presents three bodies of work that use randomness as a creative tool.
Ran Out - Shlomit Bauman combines clay from the Negev desert with refined porcelain to embody a clash of cultures.
Al Sadu ✿ A craft tradition goes solar - Is this a future for craft traditions? Interwoven is a Chinese proposition to design a solar system that reflects the design traditions of the Al Sadu tribal rug.
Shlomit Bauman & Abed ElJaabari ✿ The earth we share - Our February laurel goes to Israeli artist Shlomit Bauman for her collaboration with Palestinian potter, Abed ElJaabari. Their combination of traditional pots and cast modern goods is a compelling use of clay as a common language.
The next Taj Mahal? - The Taj Mahal remains today as a testament to the extraordinary beauty of Persian design and craftsmanship. The skills that produced this in the seventeenth century are very much alive in Iran today.
In the Future, They Ate From the Finest Porcelain - From Dubai, an exhibition by Larissa Sansour involving an act of 'narrative terrorism' in which fake porcelain relics of an ancient Palestine are planted in a struggle for territory. Does it matter who made the plates?
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garden of stories