Guardians: Tarryn Gill’s soft sentinels for the gallery  Leigh Robb

Zu design: An enduring incubator  Jane Bowden

JamFactory: A recipe for longevity  Brian Parkes

Between the quarry and paradise: Grafting rubbish onto nature  Lauren Downton

Jess Dare ✿ Handful of flowers  Loop

The Magill commission: Ceramics to savour  Loop

Alice Potter ✿ You’re more than just fruit & veg  Loop

Of uncertain value: The fragile beauty of epiphytes  Kath Inglis

The bauxite challenge: Bioregional thinking and place-based making  Kyoko Hashimoto

Embroidering pugholes  Sera Waters

Wildfire: Glimpses of art from open train doors  Joshua Nash and Tobias Nash

Kasia Tons ✿ After  Loop

Peta Kruger ✿ Weaving beauty out of waste  Loop

Primal Casting: From the outdoor studio  Sarra Tzijan

Gunybi Ganambarr ✿ Creative industrial  Loop

Kinder, Küche, Kirche ✿ New mementos of the Barossa  Loop

Sera Waters ✿ Dazzleland  Loop

Objects for the morning ritual  Loop

To have and to hold: Precious objects from a place called “home”  Sahr Bashir

Julie Blyfield and Kirsten Coelho at Gallery Funaki  Mari Gold

Paisley stands tall again: Akhtar Ismailzadeh’s patteh embroidery  Ansie van der Walt

Piecing together an ancient ceramic past, by Maggie Moy  Threads

With the tip of a needle  Melinda Rackham

Thailand residency: A string of flowers – a sequence of events  Jess Dare

The art of turban tying  Daniel Connell

Getting a handle on the making revival  Damon Moon

The Kink  JamFactory

Place matters: The success of South Australia  Susan Luckman

Learning from Nagaland  Louise Haselton

Gate 8  Workshops of the World

Quarterly essay – Still: Kirsten Coelho’s ceramics  Julie Ewington

Still: Kirsten Coelho’s ceramics  Julie Ewington