On knot making
Embroidering pugholes - Sera Waters describes how her embroidery brings to the surface the holes dug during settlement that remained as wounds on the landscape.
Pamela Leung’s Red Line Story - Alma Studholme follows the red line and finds both hope and fear in an installation by Pamela Leung.
The Messenger Through The Twilight: A clay apocalypse - Raksit Panya introduces five Thai ceramic artists whose work foretells an archeology of the present.
Erroll Pires ✿ The master of ply-split braiding - Helen Ting and Khushbu Mathur ask Erroll Pires from Ahmedabad how a timeless textile technique became his life's work.
Kyoko Hashimoto ✿ the Musubi necklace - Kyoko Hashimoto's Musubi necklace is a striking example of how a Japanese craft technique can help us appreciate the local quality of another country, in this case the sandstone that defines the Sydney basin.
Nicole Robins ✿ It’s all in the loop - The Sydney exhibition Totes Serious…who made your bag features unique baskets from Nicole Robins, made from a common indoor plant.
Shibari on the Strathbogie Ranges: The art of Japanese rock knotting - Anne Newton recounts how the Japanese technique of knotting rocks helped her express her appreciation of the Victorian highlands.
Expanded lace: Lindy de Wijn at Bundoora Homestead - In an era of "expanded" art, we now find different textile crafts going beyond the traditional domestic setting to find a place in the world. 
Knotting culture: the muka of Rowan Panther - Tryphena Cracknell considers the way Rowan Panther has interpreted the traditional muka fibre within the technique of lace-making.
Knot Touch: From greenhouse to gallery - Jaqui Knowles explains the ways in which the NZ Maritime Museum has unraveled the potential of Jae Kang's tomato plant installation.
Knot thinking: The Boorhaman residency - Chaco Kato describes the mental benefits of knotting that she discovered during her residency at Boorhaman. 
Quarterly Essay: Remembering the string figures of Yirrkala✿ - Robyn McKenzie discovers a mysterious trove of books about string figures. To understand their meaning today, she travels to Yirrkala and learns slowly how to create these figures for herself. But it is only by making them into a static art product, through printmaking, that she is able to engage the community. What unfolds is a revelation of thinking through string.