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    • What we can learn from Zapotec culture

    • Liliana Ojeda ✿ November laurel

    • Manuela López-Mateos ✿ Como es tu enagua y tu huipil?

    • Natalia Toledo ✿ My skin bursts with the flowers etched upon my dress

    • My own private mosque ✿ Clay activation by Varuni Kanagasundaram

    • Cultural Attaché ✿ voluntary position

    • Made for Parade

    • Why do Koreans use metal chopsticks?

    • Acrylic adventures in Kazakhstan by Martina Dempf

    • Making memory ✿ The Huldremose woman today

  • Tags

    Aboriginal Adelaide Aotearoa architecture Australia Bali ceramics China collaboration cover design embroidery event exhibition fashion fibre garland glass India Indonesia Iran Japan jewellery Melbourne Mexico model Māori nature New Zealand Oaxaca photography printmaking Queensland sculpture South Korea Sydney Tasmania textiles Thailand Victoria village votive weaving Western Australia wood

    • Other articles tagged Adelaide

    • Julie Blyfield and Kirsten Coelho at Gallery Funaki  Mari Gold

    • Paisley stands tall again: Akhtar Ismailzadeh’s patteh embroidery  Ansie van der Walt

    • Piecing together an ancient ceramic past, by Maggie Moy  Threads

    • With the tip of a needle  Melinda Rackham

    • Thailand residency: A string of flowers – a sequence of events  Jess Dare

    • The art of turban tying  Daniel Connell

    • Getting a handle on the making revival  Damon Moon

    • The Kink  JamFactory

    • Place matters: The success of South Australia  Susan Luckman

    • Learning from Nagaland  Louise Haselton

    • Gate 8  Workshops of the World

    • Quarterly essay – Still: Kirsten Coelho’s ceramics  Julie Ewington

    • Still: Kirsten Coelho’s ceramics  Julie Ewington

    ISBN 978-0-9875154-3-8

    Garland is a publication of World Crafts Council – Australia, a national entity of the World Crafts Council – Asia Pacific.

    This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.