Enjoy the stories in Garland about the garland itself, a necklace of flowers that marks a special time with its brief fragrance.
For the graces, we may believe, look with greater blessing on those who’re adorned with flowers, than on those who wear no garland.
In the societies of man, the various should be strung together into a garland of unity.
Almost every culture uses a type of garland as adornment. Materials at hand, such as fresh flowers, are strung in a loop that is draped on persons or objects. They may be guests who are welcomed its perfume embrace. They may be idols who each day receive this floral offering. Or they may be victors who are wreathed in glory.
Garlands involve a double act of appreciation. We celebrate the beauty of the world at hand, which we then use to honour a valued being of our culture.
Vicki Mason ✿ Wattle it be? - Vicki Mason has created a reversible necklace that activates the bounty of wattle blossom enjoyed across the world in sprinter (late winter, early spring). Eddy Carroll ✿ A marigold journey - Eddy Carroll applies "wild patience" to the epic embroidery of a marigold garland which gathers together places of the wider world. How to make a life out of lei-making: Lauren Shearer - Our attention was caught by the work of Lauren Liana Shearer, who lives in the Hawaiian island of Maui. Our online exhibition of lei-making was limited mostly to artists working in Aotearoa New Zealand. It seemed important here to take our more grounded view of how a floral artist in Hawaii makes a life out of her work. Lei in contemporary Pacific cultural practice, by Simone LeAmon - Simone LeAmon NGV Curator of Contemporary Design and Architecture travelled through the Pacific nations of New Zealand, Tonga, Samoa and Fiji in December 2015 to meet artists and identify leis for inclusion in the exhibition Art of the Pacific, a new display from the NGV’s collection of Oceanic art. The fragrant myth of Parijat - Our special garland for #3 With Nature was devised by Tanya Dutt, who swapped an Indian summer for a bone-chilling Melbourne winter to help produce this issue. A new garland for Fiji - The garland as a symbol of welcome is particularly strong in the Pacific. The role of the broader Pacific community is especially important when someone is devastated by a natural tragedy, as occurred with Cyclone Winston on 14 February 2016. It's natural that we turn to the garland as a source of support at this time. Thailand residency: A string of flowers – a sequence of events - "The freshness of the flowers is also key to the beauty of a Phuang Malai and I was also told you should not smell the Malai as the scent is reserved for the receiver." Jess Dare takes up a residency in Thailand to understand the culture of the garland. She faces a dilemma. How can a jeweller, how makes works of lasting value, respond to the culture of the garland which is so ephemeral? Ned Kelly in bloom - Jacqui Stockdale’s photographic series for the Adelaide Biennial is a homage to the anti-hero, Ned Kelly and the folkloric narrative surrounding 19th century Australia. Happy Vasant Panchami - Garland magazine is very pleased to share this harvest celebration with some tips about how to enjoy the Vasant Panchami festival. ✿ Like the article? Make it a conversation by leaving a comment below. If you believe in supporting a platform for culture-makers, consider becoming a subscriber. Related storiesGaleecha: Cultural Textiles DesignIsolation jewels: A well-made lifeConfluence: Visualising Mumbai’s watersBombay, batik & biotechnics: Gender and nationhood in modernist textilesNarrative design - Learnings from IndiaA village delivered to your home: Report from the Selvedge World FairSherwani: The influence of British rule on elite Indian menswearErroll Pires ✿ The master of ply-split braiding
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