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  • Newsletter

  • Loop

    • Glenn Adamson ✿ The need for material intelligence

    • Tsukumogami ✿ Call for works in Garland #13 online exhibition

    • Margaret Grafton ✿ Weaving power

    • Jos Mitchell ✿ Entwined

    • The enduring appeal of k-craft

    • The People’s Library is now open

    • Josh Muir inspired by Oaxaca

    • Namako constructs a Japanese sense of place in Canberra

    • When do stories become designs?

    • Glimpses of the first Indian Ceramics Triennale

  • Tags

    Aboriginal Adelaide Aotearoa architecture Australia Bali ceramics China collaboration cover design embroidery event exhibition fashion fibre garland glass India Indonesia Iran Japan jewellery Melbourne Mexico model Māori nature New Zealand Oaxaca photography printmaking Queensland sculpture South Korea Sydney Tasmania textiles Thailand Victoria village votive weaving Western Australia wood

    • Other articles tagged Māori

    • James Tylor: Te Moana Nui: Navigating time and space  Loop

    • A considered and cordial welcome: Michael Parekowhai’s Ten Guitars and The Lighthouse  Warren Feeney

    • The Handshake journey: I am the water and the water is me  Neke Moa

    • Weaving a koha  Kohai Grace

    • Kete photography  Kirsten Lyttle

    • Taurangi  Keri-Mei Zagrobelna

    • Tears of Tāwhirimātea: carvings by Todd Couper  Karl Chitham

    • Casting shadows: Areta Wilkinson and Mark Adams at the National  Harriet Litten

    • He tupare o ka kupu (a garland of words) 🎧  Andrew Last

    • Tuhirangi writes on the sky 🎧  Michelle Montgomery

    • Tales of Wonderland: Schmuck aus Neuseeland – jewellery from Aotearoa New Zealand  Warwick Freeman

    ISBN 978-0-9875154-3-8

    Garland is a publication of World Crafts Council – Australia, a national entity of the World Crafts Council – Asia Pacific.

    This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.