Love, loss and the sea: The mermaid in Southeast Asia’s Ramayana  Chandrica Barua

Psychometry: Series of PaAo ancient casting bronze hand ornaments with AR  Loop

12 Camels: Take a seat by chance  Nanu Youttananukorn and Lidia Vajda

Other Possible Worlds: Threading together Thai communities  Luise Guest

Pui ✿ Sharing happiness with Sukhothai ceramics  Witiya Pittungnapoo

The Messenger Through The Twilight: A clay apocalypse  Raksit Panya

Kan Doenthang: Lost wax to recover a disappearing world  Loop

Phayao a Porter: A jacket from Jakkai to Vipoo  Loop

Remembering Yellow Cave can help us survive a pandemic  Loop

To catch a flower: Love triumphs in the marriage of Sang Thong  Vipoo Srivilasa and Edward Colless

What the Thai cave rescue tells us about “Mai pen rai”  Loop

Green Touch: Asia Eco Craft Design Exhibition  Loop

Garland #6 – Where’s your village?  Threads

From Prao to Melbourne – Lanna culture in the world  Nakarin Jaikla

Where is your village?  Editorial

Craft classic: Khao Tom Mud  Kanita Kaniyomwakin

Hanging issues: Collaboration between photography and Lana paper making  Rushdi Anwar

The colonisation of cute – exploring the work of Vipoo Srivilasa  Alice Pung

Quarterly essay – The colonisation of cute – exploring the work of Vipoo Srivilasa  Alice Pung

From Thailand to Turkey: Ceramics bloom in Eskişehir  Sukumarl Leksawat

The Rohingya story in Thailand, through embroidery  Jakkai Siributr

Quest for the lost bronze casters: A journey to Ban Pa Ao  Rudee Tancharoen

From gallery to temple: contemporary art for the Kra-tin ceremony  Watanya Siriwan

From Isan to Paris with silk and water hyacinth  M.l. Pawinee Sukhasvasti Santisiri

Can craft and design coexist in southeast Asia?  Sali Sasaki

The road to Kilombu crosses many borders  Cecê Nobre

Launch of Thai issue in Melbourne  Threads

For the love of Lao – Studio Naenna  Ansie van der Walt

Thailand residency: A string of flowers – a sequence of events  Jess Dare