Issue 1
The Pleasure of Work - @ South Korea
Features
- Still: Kirsten Coelho’s ceramics Julie Ewington
- Editorial Garland
- Quarterly essay – Still: Kirsten Coelho’s ceramics Julie Ewington
- Ott-chil (Korean lacquer): A tradition for the present Misun Rheem
- How to present Korean craft to the world Hyeyoung Cho
- The art of polishing stones Yujin Eugénie Moon
- Simple but ethical Saemi Cho
- Yoon Jeong-won’s spiritual materialism Elaine Kim
- Wish upon Jiseung Eun Hye Kim
- Making clay precious in jewellery Hyunju Kim
- Eunbum Lee – 법고창신, the spirit of creating the new, based on the old Kevin Murray
- A Korean Sensibility: Something to Prove Tony Marsh
- Beyond Limitations Mentorship camp, ClayArch Gimhae Museum Janet DeBoos
- The Korean stone garden in Daylesford Petrus Spronk
- Joungmee Do’s Spirit of Jang-in Min-Jung Kim
- Condiment object Daehoon Kang
- Unexpected linkage Sun Woong Bang
- The Naked Tree: A tribute to Park Wan-So Jin Ah Jo
- Straighten out in Korea Kenny Son
- Yilaalu – objects for carrying stories Lucy Simpson
- Learning and sharing traditional plant knowledge Penny Algar & Lorraine Connelly-Northey
- CIAF and Ghost Net art of the Far North Sonja Anderson
- Fragments of King Marisa Molin
- An invitation to look but not touch: The Rigg Design Prize 2015 Maurizio Toscano
- Tales of Wonderland: Schmuck aus Neuseeland – jewellery from Aotearoa New Zealand Warwick Freeman
- Ruth Castle, Basket Maker Damian Skinner
- Across space and through time: glass and its value Valeria Florescano
- Geodenim ornament from the streets of Medellín Alejandra Ruiz
- Heritage Chic: The duality of tradition and innovation in the Kanjivaram silk sari of Tamilnadu, India Kala Shreen
- Pohon Budi – the Tree of Life exhibition in Malaysia Edric Ong
- Binga baskets and other treasures of Zimbabwean craft Leah Mugwagwa
- Islam on Australian shores Phillip George
- Yayasan Tafean Pah – the next weaving generation in West Timor Ruth Hadlow
- FRACTURE – show on textiles at the Devi Art Foundation Mayank Mansingh Kaul
- Online exhibition: Intimate Immensities Olivia Pinos-Lopez