Issue 11
tanupri - Tasmania across the Pacific
Features
- Lost histories: Inscription and Place Peter Hughes
- Wickery and place Ray Norman
- 237 days: parallel / return Julie Gough, Francisca Moenne & Robert O'Connor
- On offer Online exhibition
- Libraries of Stone and Wood A Published Event
- Quarterly essay: Libraries of Stone and Wood A Published Event
- Building a better dome Greg Lehman
- Wicker Wonderlust, a gallery experiment Karina Clarke
- New terrain in an old world Zoë Veness
- Where the weaver left off Gwen Egg
- Craft classic: The spurtle Patrick Senior
- Slow design in wood Laura McCusker
- Holding space making place Dee Taylor-Graham and Janny McKinnon
- Art at a glance: Tasmania’s roadside gallery Lucy Hawthorne
- Proyecto “Las Fábricas” – Last words and weaves in Santiago Constanza Urrutia Wegmann
- Proyecto “Las Fábricas” Constanza Urrutia Wegmann
- Erika Diettes: Relics in amber Alasdair Foster
- Votive Horses of Poshina, Gujarat Mitraja Bais
- Water and flowers in Bali Mary Lou Pavlovic
- An ancient Good Friday all-female rite with a fashion twist Anna Battista
- Tonglen: An artist buries his life’s belongings Domenico de Clario
- The art of saving seals: April Surgent’s glass etchings Charles Littnan
- A semiotic thread: Maya Traditions Foundation’s Textiles Tour in Guatemala Ann Fuata
- Mola, molas, mola-ing with the Kuna Yala in Panama Bridget Nicholson
- Raquel Ormella and the politics of the stitch Rebecca Coates
- KUTCH: a visual identity for a radiant people Ishan Khosla
- Hyphenated: Spaces between cultures Tammy Wong Hulbert
- Offerings for absent friends: An interview with Ro Cook Mark Stiles
- Skin and stone: Craft-design collaborations in Manzil Noorjehan Bilgrami
- The story behind Wellington’s Handshake Helen Wyatt
- Yoo Pil-mu, the brush master artisan Sangeun Grace Kim
- The shape of wan Tomoko Kawakami