Butterflies metamorphose into jewellery - Paryana Puspaputra works in partnership with a Butterfly Park to make precious jewels from the broken wings they leave behind.
Beauty from bacteria: Micro-farming batik - Nidiya Kusmaya reveals the benefits of micro-farming in ecological batik production.
long water: fibre stories - Freja Carmichael reflects on artists whose work provides a conduit for the spirit of fresh and salt water.
The case for wood - Guy Keulemans advocates for the use of timber, particularly with new technologies that preserve the structural integrity of the wood.
Peta Kruger ✿ Weaving beauty out of waste - As an act of creative resistance, Peta Kruger processes ugly plastic into fine weavings.
How dolphins guided me to rescue a suicidal girl… - Maddalena Bearzi shares a remarkable story of a circle of dolphins who led her to rescue a drowning girl, which she commemorates now as jewellery.
Bridget Kennedy ✿ A fragile beauty between the ashes - Our February Laurel goes to Sydney jeweller Bridget Kennedy, for a ring that reflects the tragedy that engulfs Australia in 2019-2020. The ring evokes the geometrical beauty of the beehive, while acknowledging the devastation wrought on the climate by use of fossil fuels.
Spider Woman’s Children: The next generation of Navajo weavers - Barbara Teller Ornelas and Lynda Teller Pete introduce us to the ancient myth and bright future of Navajo rug weaving.
Alice Whish ✿ Works from the Understory - Helen Wyatt describes some of the learnings revealed in the stunning new jewellery series by Alice Whish whose work was inspired by her Bundanon residency.
Cherokee doubleweave baskets: “The handsomest baskets I ever saw.” - Anna Fariello introduces a history of Cherokee fibre, featuring the remarkable doubleweave basket.
Al Sadu ✿ A craft tradition goes solar - Is this a future for craft traditions? Interwoven is a Chinese proposition to design a solar system that reflects the design traditions of the Al Sadu tribal rug.
He stood up! ✿ Winds of change at the Ancient Now symposium - The Ancient Now symposium heralded not only new creative pathways to China, but also a changing world view inspired by the dragons among us.
Catriona Pollard ✿ A basketmaker’s holiday - Australian fibre artists draw from the world at hand. Catriona Pollard's story shows how this adds a particular sense of place and time to the work.
Julie Ryder ✿ Hidden Sex - Canberra textile artist Julie Ryder shares her series of beautiful works that reveal the subterfuge of sea plants and parallel hidden place of women in scientific history.
Canberra’s birds in hand - Isabelle Mackay-Sim heralds a new Canberra exhibition inspired by the precious life of birds.
Baskets for lemurs ✿ An epic challenge - Our second article by Wendy Golden describes an epic fibre construction for the new lemur enclosure at Melbourne Zoo. The needs of these primates from Madagascar are met by one of the largest basket projects in Australia.
Baskets for spider monkeys ✿ Wendy Golden - Wendy Golden describes the commission to make feeding baskets for spider monkeys at the Melbourne Zoo, inspired by the teardrop nests of Oropendola birds.
Art for whales ✿ A driftwood tribute from Golden Bay - Nicola Basham describes a community project to make sculptures out of driftwood to help in efforts to save beached whales.
Louisean King ✿ Solis - Roger Saddington explores the exhibition by Louisanne King whose sculptural fabrications reflect a mourning for the loss of nature.
Daily demons and fabulous animals: In which the author finds her craftswoman but loses her cat 🎓 - Tessa Laird tracks down the maker of her treasured alebrije, a carved animal that embodies the Mexican indigenous belief in the nuhual animal spirit.
Crafting a ceramic habitat for a handfish - Not far from Hobart’s Salamanca Market, with its vendors hawking the usual arts and crafts, ceramicist Jane Bamford is creating something extraordinary.
Drawing Out the Gold – A Crown of Alfalfa by Katheryn Leopoldseder - The Melbourne jeweller Katheryn Leopoldseder manages to make epic statements out of personal adornment. Here she pays homage to a Mexican scientist was able to develop alfalfa as a non-toxic form of gold-mining.
New terrain in an old world - Zoë Veness writes about metal objects she made in homage to kunanyi / Mount Wellington
The art of saving seals: April Surgent’s glass etchings - Charles Littnan writes about April Surgent's glass etchings, dedicated to the marine life discovered during her research in the remote Northwestern Hawaiian Islands
Composing decomposition: An exhibition by Louiseann King - Clare Needham describes how Louiseann King's bronze-cast objects bring decomposition to the table.
Craft classic: Jawun - We learn from Abe Muriata about the making of the “Jawun”, a bicornual basket, which is a handsome object made from cane found in the rainforest and revered icon of Australian material culture. We also hear from Brisbane architect Christina Waterson what it is like to live with a jawun.
Nature and beyond – the artistic fashion of Grace Lillian Lee - Australian artist and designer Grace Lillian Lee’s work is inspired by ‘prawn-weaving’, a craft technique central to her Torres Strait Islander heritage. Body Sculpture is her newest collection of work centered on the technique is at the Cairns Regional Gallery as part of the Cairns Indigenous Art Far 2016
Nature craft - In what way can craft be in partnership with nature? The traditional story of craft as an art of civilisation involves controlling nature. Fibre is spun, wood is carved, metal is cast, glass is blown and clay is thrown. Making seems to involve an improvement in the otherwise formless quality of materials found in the environment. Natural substances are mastered in order to manipulate them into forms of useful beauty. So what might be a craft of the anthropocene era, where nature and human are seen to be intertwined? How does craft practice reflect an ecological relation to nature, where the process […]
Nature craft – call for works - To help extend the dialogue across the Asia Pacific and beyond, each issue of Garland features an online exhibition. This will include images of works related to a particular theme sourced from a diversity of locations. The works will be sourced by a call-out through Garland and editorial board network. In return, it is hoped that artists find this a useful way to promote their work and be engaged in a transnational dialogue. The third issue of Garland will coincide with the Cairns Indigenous Art Fair in July 2016. Nature craft The modernist Western view of nature is of a realm that needs to be controlled. What is human is defined against the wild and unregulated force of nature. “Only […]
Pohon Budi – the Tree of Life exhibition in Malaysia - Edric Ong talks about the inspiration behind the exhibition on tree of life motive, Pohon Budi, that he curated with Manjari Nirula.