Kuulua vuohmaan: Belonging to a mire-Ida Isak Westerberg returns to the queer space of mire in order to recover their Tornedalian identity, imprinting their tapestries with its colours.
Earth Nidus: An unnatural nature-Fan Ji seeks intimations of untamed nature in urban laneways through clay that clings to the metal grid.
Habitat: Terracotta homes for hard-working bees-Prompted by devastating bushfires, Julie Bartholomew produced cool but water-tight terracotta hives that reflect their ovoid form in nature.
Avi Amesbury ✿ Our material home-Julie Bartholomew reviews a sensory exhibition of ceramics that connects us to sand, seaweed, ash and other planetary materials.
When the land becomes a jewel-Yu-Fang Chi describes her Belgian residency when she applied her jewellery weaving technique to the land itself.
Biomater: Life hanging by a thread-Catalina Mena reflects on the exhibition in Chile by Clarisa Menteguiaga, Liliana Ojeda, and Paulina Villalobos, which witnesses the beauty of decay in the gallery.
Plant Power Sisterhood ✿ Dancing a basket-Migunberri artist Jenny Fraser shares writings from Phoenix Maimiti Valentine and Gabi Briggs in her new anthology, Plant Power Sisterhood.
The forest on my flesh-Priyanka Jain draws on ancient Sanskrit poetry and Indian miniatures to reflect a contemporary appreciation of our microbial desires.
fluxed earth ✿ Garden forage vases-Kirstie Murdoch & Rye Senjen share their daily bush walk and the vases that provide a place for what we ourselves might gather.
Humans as a custodial species-Tyson Yunkaporta explains how humans became a custodial species and their role to increase the connections within the world.
Entangled threads: Woven knowledge systems-Charlotte Haywood presents the Mnemonic Vegetables project that includes practices to help us remember the plant world in specific locations.
Heron story-Ilka White is inspired to make work in response to the bird on behalf of whom she speaks.
Chinese landscape cut-out over time-Pamela See charts the evolution of Chinese papercutting from its Daoist roots to the influence of Western landscape. From Poverty to Prosperity: Landmark Landscape Exhibition at the Huaxia Papercutting Museum in Changsha, Hunan Province, Explores the Rise of a Proletariat and their Visual Language. Over the past decade and a half, I have observed a transition in the papercuts that line the streets during the Spring Festival or Chinese New Year. Hand-cutting was supplanted by laser-cutting. Paper has been replaced with plastic. In addition to the methods of mechanical reproduction, I witnessed the position of papercutting evolve from folk to high art. Irrespective, they continue to play an integral role in this most significant of calendar observances. Introduction: From Craft to […]
Ode to Waratah: Designing mythology-Through a series of objects based on the waratah flower and its relationship to its pollinator, the honeyeater, Elliat Rich creates a mythology for understanding the poetic nature of creation.
Nature hooks-Jes John writes about earrings made by Jill Hermans for adorning yourself with a beautiful fallen leaf.
Ayvu Rapyta ✿ A selection-Andrea Ferrari presents a part of her translation of Ayvu Rapyta, the sacred myth of the Mbya people of South America, compiled in the twentieth century by Leon Cadogan
Sophie Carnell ✿ Gnat orchid-Our December laurel goes to a jeweller based in Bruny Island, Tasmania, for a silver sculpture inspired by the gnat orchid, whose elegant form clings to the land.
Butterflies metamorphose into jewellery-Paryana Puspaputra works in partnership with a Butterfly Park to make precious jewels from the broken wings they leave behind.
long water: fibre stories-Freja Carmichael reflects on artists whose work provides a conduit for the spirit of fresh and salt water.
The case for wood-Guy Keulemans advocates for the use of timber, particularly with new technologies that preserve the structural integrity of the wood.
How dolphins guided me to rescue a suicidal girl…-Maddalena Bearzi shares a remarkable story of a circle of dolphins who led her to rescue a drowning girl, which she commemorates now as jewellery.
Bridget Kennedy ✿ A fragile beauty between the ashes-Our February Laurel goes to Sydney jeweller Bridget Kennedy, for a ring that reflects the tragedy that engulfs Australia in 2019-2020. The ring evokes the geometrical beauty of the beehive, while acknowledging the devastation wrought on the climate by use of fossil fuels.
Alice Whish ✿ Works from the Understory-Helen Wyatt describes some of the learnings revealed in the stunning new jewellery series by Alice Whish whose work was inspired by her Bundanon residency.
Al Sadu ✿ A craft tradition goes solar-Is this a future for craft traditions? Interwoven is a Chinese proposition to design a solar system that reflects the design traditions of the Al Sadu tribal rug.
Catriona Pollard ✿ A basketmaker’s holiday-Australian fibre artists draw from the world at hand. Catriona Pollard's story shows how this adds a particular sense of place and time to the work.
Julie Ryder ✿ Hidden Sex-Canberra textile artist Julie Ryder shares her series of beautiful works that reveal the subterfuge of sea plants and parallel hidden place of women in scientific history.
Canberra’s birds in hand-Isabelle Mackay-Sim heralds a new Canberra exhibition inspired by the precious life of birds.
Baskets for lemurs ✿ An epic challenge-Our second article by Wendy Golden describes an epic fibre construction for the new lemur enclosure at Melbourne Zoo. The needs of these primates from Madagascar are met by one of the largest basket projects in Australia.
Baskets for spider monkeys ✿ Wendy Golden-Wendy Golden describes the commission to make feeding baskets for spider monkeys at the Melbourne Zoo, inspired by the teardrop nests of Oropendola birds.
Louisean King ✿ Solis-Roger Saddington explores the exhibition by Louisanne King whose sculptural fabrications reflect a mourning for the loss of nature.
Crafting a ceramic habitat for a handfish-Not far from Hobart’s Salamanca Market, with its vendors hawking the usual arts and crafts, ceramicist Jane Bamford is creating something extraordinary.
Drawing Out the Gold – A Crown of Alfalfa by Katheryn Leopoldseder-The Melbourne jeweller Katheryn Leopoldseder manages to make epic statements out of personal adornment. Here she pays homage to a Mexican scientist was able to develop alfalfa as a non-toxic form of gold-mining.