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Garland Magazine

The stories behind
what we make

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Other articles tagged revival

  • James Tylor ✿ In search of mai  Caitlin Eyre

  • Late Muhammad Nawaz: The unsurpassable master potter from Harappa, Pakistan  Noorjehan Bilgrami and J. Mark Kenoyer

  • To steal a golden earring: In search of the chola in the mountains of Himachal Pradesh   LOkesh Ghai

  • Kan Doenthang: Lost wax to recover a disappearing world  Loop

  • New Spring, Old Gods: Adornment for the people of the bear  Loop

  • Tangimoe Clay ✿ Crafting the world on a string  Loop

  • “Things from before”: Baskets in Gorongosa  Frances Potter

  • Shaabook silver jewellery in Oman: A secret currency of adornment  Amal Al-Ismaeli

  • Song brocade: The lost past and the promising future in Chinese crafts  Loop

  • Anying CHEN: Craft revivals in today’s China  Loop

  • Make the Qanats flow: Women revive a patriarchal tradition  Nina Aminzadeh Goharrizi 

  • Tepelikler: My Anatolian grandmother’s headdress  Songül Aral

  • Sindhu – The river line: A dialogue  Pallavi Arora and Shirley Bhatnagar

  • Heirloom: a celebration of herstories 🇵🇱  Grace Pundyk

  • Mending collective memory: Eleni Gouga’s Bread-skirt Project  Lydia Matthews and Evren Uzer

  • Cantarino: Reanimating the whistling bottles of the Andes  Francisca Gili and Marilú Ortiz de Rozas

  • Azadeh Yasaman ✿ A disorderly beauty  Loop

  • iThongo: Messages from the ancestors  Loop

  • Pillan: The spirit of the volcano  Celeste Painepan Nicul

  • Pilwas: Knotting Lafkenche narratives in Puerto Saavedra  Magdalena Cattan-Lavin

  • Māreikura: Exploring the goddess in Māori women  Neke Moa

  • Mapuche hybrid identify furnished from the periphery  Rodrigo Castro Hueche

  • Heirs of Llalliñ: Mapuche women weavers find the end of the rainbow  Pilar Navarrete

  • Te Hosek’en Harw: The Edge of the World  Sol Contardo

  • The Afro-Peruvian cajón: Reclaiming a humble percussion crate as one’s own  Aromica Bhattacharya

  • Charazani Project: Inca weaving revived  Constanza Urrutia Wegmann

  • Kamaquen: Ceramics powered by Andean energy  Keka Ruiz-Tagle

  • James Tylor ✿ Kaurna tool kit  Loop

  • In lockdown, a Bulgarian recreates the past  Lachlan Blain

  • [Re:]Entanglements in Nigeria  ✿

  • Isifociya: The revival of Zulu adornment that protects and beautifies  Khanya Mthethwa

  • Wissa-Sophy: Back to the woven garden  Passent Nossair

  • Taipei Biennial 2020 ✿ Aruwai Kaumakan  Lachlan Blain

  • The rise of “craftship”: The Organization of Craft Work: Identities, Meanings, and Materiality  Garland

  • Finding Mahtab and starting a new life  Loop

  • Tania Larsson ✿ Hide uncovers the hidden  matt lambert

  • Our Paiwan wedding: The importance of a dowry  Dremedreman Curimudjuq (Liao Min) and Daniel C. Moore

  • Kamunez ✿ How the kiekie girdles Moana  Loop

  • Nikau Hindin ✿ A star compass that makes history  Loop

  • Kyoko Hashimoto ✿ the Musubi necklace  Loop

  • Liziqi ✿ China’s craft princess  Loop

  • Weaving Pang Jai: In search of old Hong Kong  Eloise Rapp

  • Lessons learned from a duck herder’s gamelan 🎵  Rosie Cook

  • Luo Wanxing ✿ A life’s hard labour for sweet reward  Loop

  • Mikio Toki ✿ Edo kites keep hope afloat  Loop

  • Kinder, Küche, Kirche ✿ New mementos of the Barossa  Loop

  • China’s craft revival: The cultural shift  Loop

  • The re-awakening of lacquer in China today 🇨🇳  Liu Huan

  • Dragon reborn: The making of Bendigo’s Dai Gum Loong  Leigh McKinnon

  • Negotiating authenticity in the Jianfu Palace Garden restoration  Sharon Tsang-de Lyster

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Garland is a partner of World Crafts Council – Australia, a national entity of the World Crafts Council – Asia Pacific.

Issues 19-33 are supported by the Australia Council for the Arts.

Issues 30-33 are supported by Creative New Zealand.

ISBN 978-0-9875154-3-8