Many stories in Garland tell of objects that translate traditional forms into a contemporary mode.
Kinder, Küche, Kirche ✿ New mementos of the Barossa - 11 South Australian artists make works that honour the heritage crafts of the Lutheran German community from the Barossa.
China’s craft revival: The cultural shift - Drawing on her recent research, Yin Huang reflects on the increased cultural focus on crafts in China and the opportunities it opens for foreign organisations.
The re-awakening of lacquer in China today 🇨🇳 - Liu Huan reflects personally on the enduring value of lacquer in Chinese culture and project to revive its spirit for modern consumers.
Dragon reborn: The making of Bendigo’s Dai Gum Loong - Leigh McKinnon writes about the revival of skills from Hong Kong involved in the new Bendigo dragon
Why a Japanese lacquer master sought a surfing legend - Lacquer is a gift of the ancients that is largely forgotten today. Sachiko Matsuyama is convinced of its value not just for its redolent surface but also as a bond between people and nature. She finds an inspiring future for lacquer in the work of Takuya Tsutsumi, in partnership with an Australian surfboard maker.
Elisa-Jane Carmichael ✿ Weaving with ancestors - Sally Butler writes about Quandamooka artist Elisa-Jane Carmichael, who interprets her fibre tradition in stunning new forms
Collective support for architectural heritage: The workcamp movement in Liang village - Liwen Zhu tells of summers spent in a built heritage preservation workcamp with volunteers from China and France.
Tom Nicholson ✿ On repatriating an ancient mosaic - Tom Nicholson repatriates a Roman mosaic taken from Palestine in World World One
Craft revival in China: How to make an old year new again - Anying Chen outlines a project to revive New Year prints, which are posted in Chinese homes to help begin the year on a positive note.
Fresco comes to the mountain - Sarah Tomasetti has transplanted the Italian technique of fresco to create works that honour the mountains that help us find a place in the world.
The glittering costumes of Ningyo-Joruri: A puppetry revival project 🇯🇵 - Miki Hanafusa explores the costumes that would catch the eye of villagers in Japan's traditional outdoor puppet theatres.
Women’s Wealth Project: Biruko and Tuhu hoods - Sana Balai and Ruth McDougall write about the precious fibre objects, biruku and tuhu hoods, that arose from a series of workshops in Bougainville and Solomon Islands.
Ainu textiles: Cloth weighted with affection and prayer 🇯🇵 - ann-elise lewallan shares her research on the cultural context of Ainu textiles and Kaizawa Tamami explains her design practice
To carve memories: The belt of El Señor de Lázaro in Oaxaca 🇲🇽 - María del Carmen Castillo Cisneros recounts the challenge of re-making a sacred belt and how it reveals ancient Zapotec memories.
Learning from a master: Making bilas with natural dyes in PNG - Joycelin Leahy reflects on what she learned growing up with the craft experts from her village in Papua New Guinea
Weaving the feathered serpent - Yunuen Perez recounts her journey across the Pacific and the feathered serpent she takes with her.
Wickery and place - Ray Norman reveals the hidden world of wickery and its role in our musing places
Where the weaver left off - Gwen Egg discovers an ingenious fibre "needle and thread" used in traditional Tasmanian Aboriginal basket weaving
Building a better dome - Greg Lehman discovers tunapri knowledge involved in the construction of the palawa Tasmanian Aboriginal shelter
Material culture in Arabia: Bedouin women and the art of sadu weaving - Laila Al-Hamad identifies the austerity of a Bedouin life as the inspiration for Arab design
Quarterly essay: Embodied history 🎧 - In the process of reconstructing the traditional midi necklace, Lisa Hilli finds a deeper understanding of her Tolai culture.
Contemporary lei and body adornment from the Torres Strait Islands - Simone LeAmon travels to the islands of the Torres Straits to commission contemporary leis for the National Gallery of Victoria.
Kete photography - Kirsten Lyttle has developed a photography/weaving practice that reflects indigenous values of respect and reciprocity.
Taonga and Photography in the Post-Treaty Settlement Era: A Case Study of Photograms by Mark Adams and Areta Wilkinson - Damian Skinner writes about the collaboration between jeweller Areta Wilkinson and photographer Mark Adams which use photograms as a way of "capturing" taonga.
Quarterly essay – Everything Happens to Everyone: A Rodney Glick story ✿ - They’re boots. Military field boots, I’d say; they have that look about them: pugnacious toe; thick, corrugated sole; long tongue and half-laced upper; although there is an unexpected zipper along the shaft. Nor is the colour what one would expect. By rights, these boots should be blacks, greens or sands and camouflage patterned. Rob Finlayson visits Rodney Glick, a creative phenomenon who has settled in Bali. Finlayson tunes into the conversations that swirl around Glick’s world. Pervading them is a reflective humour that finds itself at home with the island’s syncretic culture. How do you transform Bali from a holiday escape into a creative base? read his quarterly essay, available to the subscribers who make Garland possible. To learn more, […]
Bridewealth of the Dayak Lundayeh - Karen Macdonald with Paulus Kadok describe a marriage ceremony in a Dayak village of Kalimantan. With help from John Boyd McDonald's photos, they show how the adat rituals involving textile and fibres crafts remain a vivid part of their cultural life.
Quarterly Essay: Remembering the string figures of Yirrkala✿ - Robyn McKenzie discovers a mysterious trove of books about string figures. To understand their meaning today, she travels to Yirrkala and learns slowly how to create these figures for herself. But it is only by making them into a static art product, through printmaking, that she is able to engage the community. What unfolds is a revelation of thinking through string.
Jwahr: New Iranian and Persian Jewellery - This exhibition is a selection of work who have shown at Aria Gallery in Tehran. The work heralds a new generation of artists in the field of global art jewellery. Their work shows the capacity of jewellery to give personal meaning to lost traditions and stories.
Quest for the lost bronze casters: A journey to Ban Pa Ao - A dinner party conversation sets Rudee Tancharoen on a quest to find the lost casters of northern Thailand. She discovers an ancient village who welcomed her visit.
The kaavad: from devotion to decoration - For Ishan Khosla, ventures forth to revive the traditional storytelling device known as the kaavad. Does it still serve its original purpose as a form of religious worship? The kaavad that results from this quest tells the story of its own evolution from sacred to social.
The kediyun: A slow turn for fast fashion - Intrigued by the kediyun, a Rabari traditional upper garment, LOkesh Ghai apprentices himself to a traditional tailor. Along the way, he learns an important lesson for contemporary fashion.
Fragile threads: Baskets reborn in north Queensland - In the first of a series of articles, Kevin Murray takes an overview of fibre practice in north Queensland. He finds a number of remarkable individuals who, despite lack of support, sustain unique fibre techniques to produce work of remarkable beauty and personal meaning.
Quarterly essay – A pomegranate’s secret: The jewels of Mehrnoosh Ganji - I had read about Mehrnoosh Ganji. She was a young talented young Iranian woman who had migrated to Australia in 2012 and had continued her passion of becoming a jewellery designer. I had seen her work in pictures, and was looking forward to seeing her and the pieces physically to try and understand more.
Revival of Rainforest Culture – interview with Napolean Oui - Peter Hylands interviews Queensland artist Napolean Oui about Djabugay culture in the Queensland rainforest. The artist reflects on his interpretation of traditional art forms, including shields.
Ott-chil (Korean lacquer): A tradition for the present - Misun Rheem reveals the complexity of lacquer craft and its significance as a link between yesterday and today.
Eunbum Lee – 법고창신, the spirit of creating the new, based on the old - Kevin Murray seeks out the spirit of celadon and discovers the gentle perseverance of Eunbum Lee.
Yilaalu – objects for carrying stories - Lucy Simpson interprets the Yuwaalaraay word 'Yilaalu' as an art installation to touch and behold.