The Body Layer; Semblance and Self - Simon Cottrell presents a curated exhibition of contemporary jewellery that touches on the life of the wearer.
Tepelikler: My Anatolian grandmother’s headdress - Songül Aral recreates the traditional Anatolian gold and silver headdress that connects with her ancestors.
Whakahoki: Returning to the lunar cycle in Māori culture - Keri-Mei Zagrobelna evokes an ancestor spirit to protect against the chaos of the new moon
Kimiagar wire jewellery - Mehrdad Kolagar writes about his decision to move from architecture to wire jewellery.
Mary Curtis ✿ The wood between our fingers slows us down - Mary Curtis explains how she has primed her jewellery to provide a tool for medication.
Senryu: Three little words make many objects - Sayumi Yokouchi, Mari Ishikawa and Mikiko Minewaki are inspired by the short Japanese poetry of Senryu to make beautiful jewellery.
Tracing trees: Processing land clearing through a jewellery practice - Cara Johnson makes adornment that embodies the complex settler entanglement with the land.
Nature hooks - Jes John writes about earrings made by Jill Hermans for adorning yourself with a beautiful fallen leaf.
Atefe Sadat Mirsane ✿ Marquetry to wear - An Iranian jeweller makes precious adornment out of pieces leftover from the traditional wood mosaic craft of khatam.
Sitaben ✿ A narrative of courage - LOkesh Ghai profiles a bead artisan whose beautiful work reflects an epic commitment to her craft.
Sophie Carnell ✿ Gnat orchid - Our December laurel goes to a jeweller based in Bruny Island, Tasmania, for a silver sculpture inspired by the gnat orchid, whose elegant form clings to the land.
The Heart of the Necklace: A reverse Sleeping Beauty story – 20 December - Listen to stories by Gauri Raje about the bead jewellery by Sitaben Chavda, a unique maker from Ahmedabad.
Pillan: The spirit of the volcano - The Mapuche silversmith Celeste Painepan Nicul tells how she acquired her cosmovision.
Forging alliances with nature: Atlas Botánico de Chile en Joyería - Lucía Nieves Cortés shares a series of jewellery objects that activate a relationship between humans and plants in her adopted country.
Māreikura: Exploring the goddess in Māori women - Neke Moa, adornment and object artist, describes how she explored the role and importance of wāhine (women) in the spiritual and physical world for her latest solo exhibition.
New Kashpij: Sailing spirits in deep time from the end of the world - Rita Soto Ventura makes horsehair jewellery inspired by the folklore of the Yagan peoples from Tierra del Fuego
Especies Acuñadas: Divesting colonial currency - Milena Moena Moreno seeks to deconstruct the symbolic capital associated with the colonisation of Mapuche in Chile.
Time makes beauty: Jewellery in the senescent field - Liliana Ojeda's "new" work reflects the beauty of old age, making "contemporary" jewellery more than a celebration of youth.
Cielo rojo (red sky) - Caco Honorato and Mariela Vicencio create fragile objects inspired by the poetry of broken wings.
¡Bravo Joya Brava! - Liliana Ojeda writes about the creation of an art guild in Chile that over ten years has given meaning to the art form of
Isolation jewels: A well-made life - Vicki Mason "makes" the most of her time during 14-day quarantine, showing how a garland can invite imagination and create joy.
Kastellorizian Jewellery: A Dispersed Archive of a Past Culture - Kathryn N. Couttoupes reviews a book about jewellery from a small island whose craft heritage far exceeds its size.
Roseanne Bartley ✿ be in touch - Our August Laurel is awarded to artist-jeweller Roseanne Bartley for a process of making signal rings that embody common thoughts around our current condition.
Enkarewa: The Maasai gift of gifts - Denis Odinga Okiya and John Kamanga share their knowledge of the magnificent Maasai beaded necklace.
How dolphins guided me to rescue a suicidal girl… - Maddalena Bearzi shares a remarkable story of a circle of dolphins who led her to rescue a drowning girl, which she commemorates now as jewellery.
New Zulu beads to be worn with pride - Mbuso Zondi's commitment to his Zulu culture is reflected in his project to create new beads that use more traditional materials that those imported in the past.
Mel Young ✿ Mapping the tideline - Mel Young uses jewellery as a way to attach herself to the coast during the lockdown.
Iziqhaza: Designs that open your ears - Hlengiwe Dube recounts the elaborate Zulu tradition of earplugs that inspired her baskets.
Urgent Adornment in South Africa - Beverley Price explains the creative principle of her expedited jewellery and how it is grounded in South African life.
Izandla Zethu: Fine jewellery with what’s at hand - Izandla Zethu involves gathering materials at hand in a South African township to craft jewellery that combines honesty and elegance.
I wear letters from the past - Lara Daryl Landsberg re-creates letters from her Oupa to create a jewellery series that reconnects with her childhood.
The Eastern Cape made visible through jewellery - Joani Groenewald reflects how her jewellery is drawn from the South African landscape in which she is embedded.
Isifociya: The revival of Zulu adornment that protects and beautifies - Khanya Mthethwa transforms the traditional Zulu girdle into a fashion item for proud South Africans
Hand Medal Project: Taking care of caregivers - Garland actively supports the Hand Medal Project, which bestows caregivers with handmade metal tokens of respect and gratitude.
David Bielander ✿ Poking fun in all seriousness - Eli Giannini finds parallels between jewellery and architecture in the poetry of David Bielander's very particular objects.
A kirpan for bride power - Eina Ahluwalia reflects on the impact of her Wedding Vows collection that presented a powerful response to violence against women.
Bridget Kennedy ✿ A fragile beauty between the ashes - Our February Laurel goes to Sydney jeweller Bridget Kennedy, for a ring that reflects the tragedy that engulfs Australia in 2019-2020. The ring evokes the geometrical beauty of the beehive, while acknowledging the devastation wrought on the climate by use of fossil fuels.
Alice Whish ✿ Works from the Understory - Helen Wyatt describes some of the learnings revealed in the stunning new jewellery series by Alice Whish whose work was inspired by her Bundanon residency.
Tania Larsson ✿ Hide uncovers the hidden - matt lambert interviews a Canadian jewellery artist about the process of making hide in Gwich’in culture
Visiting Tomaquag: The feel of wampum between your fingers - Lela Kulkarni learns how to make a wampum shine at the Tomaquag Museum.
Guildhouse, The Ghan and gumnut earrings - Lauren Simeoni gets her jewellery on track with a workshop that travels along the legendary Ghan railway.
Carlier Makigawa ✿ Delirious in Uzbekistan - The Melbourne jeweller Carlier Makigawa was inspired by the Islamic architecture of Uzbekistan and produced necklaces that relfect a geometric intricacy of colour and form. Helen Britton adds her analysis of the work.
Sheraz Faisal ✿ Art becomes jewellery in Lahore - Asad Hayee documents a project with Sheraz Faisal to create jewellery interpretations of artworks.
Zoë Veness ✿ Wayfaring - As our September Laurel, Zoë Veness applies the most delicate of muslin textile to hard metal and produces a texture of trails that weaves a landscape in brass.
Melissa Cameron ✿ Jewellery at our feet - The use of found materials can focus our minds on the world at our feet. Melissa Cameron's new work, Marfa TX, turns this moment into singular jewellery.
Philip Noakes ✿ Silver from the West - The history of West Australian jewellery is well served by Dorothy Erickson, who has just published another substantial book on one of its leading exponents.
Are you hungry? Jewellery learnings from Shanghai - Vicki Mason reflects on the remarkable support during her time with SanW Gallery and Yiwei Foundation in humid Shanghai.
Interpreting China through an art jewellery practice - Gussie van der Merwe writes about foreign art jewellers like herself, Moniek Schrijer and Lavinia Rossetti are inspired by working in Shanghai.
Mehrnoosh Ganji ✿ Soul Star Pendant 📽️ - A film by Mark Newbound captures the quiet focus and skill involved in the jewellery craft of Mehrnoosh Ganji. Soul Star Pendant reflects the spiritual values underlying its production.
Emily Beckley ✿ A romantic side of the Torres Strait - The Garland journey has coincided with the evolution of the Indigenous Jewellery Project. Emily McCulloch Childs writes about the solo exhibition by Emily Beckley, demonstrating the potential of this important project.
Manami Aoki ✿ Kushi-ireru-ki (hair of wood) - Our laurel for March 2019 goes to emerging Tokyo jeweller Manami Aoki for her work "Hair of wood".
21st century chinoiserie: A journey from Zibo to Sydney - Yixuan Geng traces a journey through jewellery that connects her Chinese heritage to creative life in Sydney.
“Ea” the goddess of the goldsmiths (jewellers) in Mesopotamia - Iranian jewellers draw inspiration from the female goddess figures that constitute the complex palimpsest of Persian culture. Here Roohollah Shamsizadeh (Aria Gallery) writes about one goddess who has special relevance to jewellery.
Generational transfer ✿ Helen Aitken-Kuhnen and Mio Kuhnen - Nola Anderson writes about mother and daughter Helen Aitken-Kuhnen and Mio Kuhnen who share a deep knowledge of the language of materials to express the world around us.
Liliana Ojeda ✿ November laurel - The November laurel goes to Chilean jewellery artist, Liliana Oleada. Her bold work uses her facility with materials to imagine internal forms within our body, making beauty from our hidden life forms.
The tinsmith and I shared no language - Melbourne jeweller Claire McArdle ventures into the workshop of a tinsmith in Oaxaca.
Oaxacan jewellery: The legacy of Monte Albán 🇲🇽 - Alberto Rojas Calvo recounts the unique qualities of Oaxacan jewellery
Bin Dixon Ward ✿ Adding digital to the jeweller’s bench - Melbourne jeweller Bin Dixon Ward is fascinated by the relationship between digital technology, jewellery and its maker. She discusses the development of 3D printed jewellery including her own work in this field.
Greybilly ✿ Opal for the anthropocene - While Australia has the world's richest opal deposits, its potential as an artistic medium has been relatively unexplored. An exhibition at Nishi Gallery curated by Yasmin Masri takes a sideways look at opal from a post-mining boom perspective.
Drawing Out the Gold – A Crown of Alfalfa by Katheryn Leopoldseder - The Melbourne jeweller Katheryn Leopoldseder manages to make epic statements out of personal adornment. Here she pays homage to a Mexican scientist was able to develop alfalfa as a non-toxic form of gold-mining.