Issue 9
Quarterly essay: Embodied history 🎧 Lisa Hilli
Taurangi Keri-Mei Zagrobelna
Weaving a koha Kohai Grace
Knotting culture: the muka of Rowan Panther Tryphena o Rongomai Cracknell
The Handshake journey: I am the water and the water is me Neke Moa
Pearls for the people in Fiji Neke Moa
Taonga and Photography in the Post-Treaty Settlement Era: A Case Study of Photograms by Mark Adams and Areta Wilkinson Damian Skinner
Kete photography Kirsten Lyttle
Casting shadows: Areta Wilkinson and Mark Adams at the National Harriet Litten
Tears of Tāwhirimātea: carvings by Todd Couper Karl Chitham
Tending relations: Lisa Reihana’s lei epic Tessa Laird
A considered and cordial welcome: Michael Parekowhai’s Ten Guitars and The Lighthouse Warren Feeney
Tuhirangi writes on the sky 🎧 Michelle Montgomery
elinpwur Emelihter Kihleng
Na noqu salusalu: Garlands in Fiji Tarisi Vundilo
What we practise in private Ioana Gordon-Smith
My grandmother’s hands: Nina Oberg Alaifea and Stephanie Oberg Bojana Rimbovska
The lei, the garland and the daisy chain Fran Allison
A visit to TÜR Studio Jane Groufsky
I like reality. It doesn’t terrify me. Kristin D'Agostino
Knot Touch: From greenhouse to gallery Jaqui Knowles
Knot thinking: The Boorhaman residency Chaco Kato
He tupare o ka kupu (a garland of words) 🎧 Andrew Last
Island Welcome Belinda Newick
Contemporary lei and body adornment from the Torres Strait Islands Simone LeAmon
A Shanghai lei over: the plastic jewellery of Lauren Simeoni Katharine Ahern
Mala: The floral garlands of India Mitraja Bais
The beadworks of the Embera Chami tribe of Colombia Ana Maria Parada
Hellenic connections Vicky Tsaconas
And They Lived Happily Ever After: Object narratives from a land far away Sahr Bashir
Sgraffito Country: the ceramic art of Penny Evans Freja Carmichael
Anthea Boesenberg interview Mark Stiles
Creativity vs. conformity: Rethinking design education in southeast Asia Sali Sasaki
Composing decomposition: An exhibition by Louiseann King Clare Needham
Mosaic Tile Museum,Tajimi Nodoka Murayama
Gallery VOICE-Ushida Collection Tomoko Kawakami
Issue 8
Editorial Mari Gold
Quarterly essay – Everything Happens to Everyone: A Rodney Glick story ✿ Rob Finlayson
Banten jerimpen: An offering to reach the universe Mas Ruscita
Fashion electric: Two Indonesian fashion designers energise traditions Carla van Lunn
Kandura Studio: Making studio ceramics in Indonesia Fauzy Prasetya
A revolution from the kitchen at Rumah Intaran Gede Kresna
Flores: The skin of tradition William Ingram and Jean Howe
We are all leaves on the tree: Ketemu in Bali Kabul and Samantha Tio
Perhiasan = Jewellery Elizabeth Shaw
The Elephant Shark story: batik between Java and Bali Marty Hope
Bridewealth of the Dayak Lundayeh Karen Macdonald with Paulus Kadok
The plaited craft that holds a Dayak village together Stephanie Brookes
Design collaboration in Surabaya Alexandra Crosby
Complete me Annie Gobel
On history making and cooperation: Tom Nicholson’s “I was born in Indonesia” Nuraini Juliastuti
A social fabric: Tais weaving in Timor-Leste Marian Reid and Emily Lush
From Sumatra to Bellbrae: A Jenny Crompton story Kevin Murray
Charlotte Haywood: Weaving ideas Lisa Cahill
Mirror/ in vapour: Glass in Venice Rosslynd Piggott
Simon&Jacob – A union for collaboration Jessica Hutchison and Alex Jack
Helen Wyatt: Life is revealed through layers Mark Stiles
Individual elements, distant hills and a far peak Elliat Rich
Global Indigenous Runway: Lisa x Verner x Sarah Lisa Waup and Sarah Weston
The embroidered house Renata Mellão
Machiko Hashimoto: Flowers from Kyoto Sokyo Gallery
Jessica Ogden: Still Jessica Hemmings
Mitsukuni Misaki: Beginning to breathe Shoko Aono
Claudia Fernandez: Ceremonia Madeleine Kelly
Minoyaki ceramics and the mystery of kairagi Naho Yamashita and Tomoko Kawakami
Dee Zines: Textile adventures Sanaz Fotouhi
Issue 7
Editorial Garland
Quarterly Essay: Remembering the string figures of Yirrkala✿ Robyn McKenzie
Two-Ways Learning – The gift that keeps on giving Michelle Montgomery
Balnhdnhurr: a mark for others to follow Will Stubbs and Annie Studd
Bulay(i): Contemporary Yolŋu Jewellery: The Indigenous Jewellery Project meets Buku-Larrŋgay Mulka Emily McCulloch Childs
Talk of the town: How do you balance love and money? Castlemaine
Lively hood Patrick Jones
Waterfall in a box Rhyll Plant and Ann Baxter
Pink Terraces Dean Smith
Art meets life on a Sunday afternoon: Screenings at the Cantrills Tessa Laird and Camila Marambio
The power of transformative repair Penny Craswell
Hipster capitalism explained Michael Scott
The quest for hi-fi design Lou Weis
Jewellery for free Vicki Mason
Playing tag with local identity: Art development in the inner city Peter Seaton
Devalued Currencies, Metaphorical Tapestries: “Yaw Owusu – All That Glitters” Anna Battista
Loved up? A review of Love: Art of Emotion 1400-1800 Inga Walton
An invitation to create: The Deeper Voice of Textiles Tim Johnson
Bamboo Exposed: the art of Hafu Matsumoto Mari Iizuka and Shoko Aono
Weaving land and people: the Gwen Egg story Kevin Murray
The Tapestry Couch: healing and new beginnings at heart of refugee arts project Carolina Triana
Godh: in the lap of nature Mandy Ridley
Mutagenesis: Wiring up Dutch tradition Jeanette Stok
A textile selfie, with love from Rajasthan Fiona Wright
The time-honored Ashavali brocades of Gujarat Vishu Arora
Issue 6
Where is your village? Editorial
Quarterly essay – The colonisation of cute – exploring the work of Vipoo Srivilasa Alice Pung
Can craft and design coexist in southeast Asia? Sali Sasaki
Quest for the lost bronze casters: A journey to Ban Pa Ao Rudee Tancharoen
From Isan to Paris with silk and water hyacinth M.l. Pawinee Sukhasvasti Santisiri
From gallery to temple: contemporary art for the Kra-tin ceremony Watanya Siriwan
From Thailand to Turkey: Ceramics bloom in Eskişehir Sukumarl Leksawat
The Rohingya story in Thailand, through embroidery Jakkai Siributr
The road to Kilombu crosses many borders Cecê Nobre
From Prao to Melbourne – Lanna culture in the world Nakarin Jaikla
Craft classic: Khao Tom Mud Kanita Kaniyomwakin
Hanging issues: Collaboration between photography and Lana paper making Rushdi Anwar
Welcome to Kandangan, a modern craft village Singgih Susilo Kartono
Sharing silent conversations through craft with Samorn Sanixay Harriet Watts
Mutable Truths: Leeroy New bring the Philippines to Castlemaine Paul Northam
A labour of love: The Humnawa Project Sahr Bashir
From village to suburb: How Karen weavers retain their culture as art Pauline Tran
Face-to-Face Across the World Zina Burloiu and Terry Martin
Objects for today from the shards of the past: Possibilities for ceramicists in China Pamela Irving
Creative currencies in the cupboard: Cecile Williams in Denmark Kevin Murray
A clay voyage across the Pacific—Omnus Terra Shannon Garson
Return to the source: Women’s work thrives in Utopia Michelle Montgomery
Kate Hunter Remains Sonja Anderson
The 3rd Triennale of Kogei In Kanazawa Hyeyoung Cho
Workshop of the World: 1000 Degrees Bethany Wheeler
Making wood precious in Astana, Kazakhstan Martina Dempf
Issue 5
New homes for old stories Editorial
Quarterly essay – The world in a chai cup: Sandra Bowkett and a village of Indian potters Andrew Stephens
The kaavad: from devotion to decoration Ishan Khosla
Next generation patua: The Handmade Tales project Medhavi Gandhi
Patua storytelling today Sunaina Suneja
E-commerce: what is gained and lost when artisans sell online David Moorhead
The rare art of Mumbai’s Parsis Priyanka Kochar
Made in Mumbai Fiona Caulfield
Spinning a Yarn Unparalleled Gopika Nath
Letting go design in Dharavi Trent Jansen
Is Gandhi still alive? A journey to Surkhama Tanya Dutt
Indian dirt Clare Kennedy
The kediyun: A slow turn for fast fashion LOkesh Ghai
Craft classic: New moves for the old sari Malika Verma Kashyap
Barbara Mullan: A life with Gujarati textiles Ansie van der Welt
Sky’s the limit: The Cultural Textiles Rug Project Liz Williamson
Form follows dysfunction Arshad Faruqui and Sadia Salim
Unapologetic: A perspective on contemporary jewellery in Pakistan Sahr Bashir
Shelter for the solitary traveller Holly Grace
What in flame-ation! Mark Eliott
One person’s culture is not another culture’s craft Anna Varendorff
A new festival for Madagascar, the home of wild silk Indrasen Vencatachellum
Paying the school fees: Bolga baskets in Ghana Eleanor Brown
Issue 4
Editorial Garland
Quarterly essay – A pomegranate’s secret: The jewels of Mehrnoosh Ganji Sanaz Fotouhi
Isfahan’s heavenly meenakari AliReza Jamalimanesh
Place Matters: Mashhad – City of Turquoise Abdolsamad Rahimi-Moghadam
Craft Classic: The Persian carpet Mahmoud Roofeghar
Workshop of the World: Lalejin Seyedeh Fatemeh Masoumi
Contemporary Persian at Mahe Mehr Institute Ana Eghbal
Paisley stands tall again: Akhtar Ismailzadeh’s patteh embroidery Ansie van der Walt
Finding yourself: ceramics of Bankstown Koori Elders Group Eva Czernis-Ryl
The social lamellophone Gary Warner
The Craft of Ceremony Ashley Crawford
Double Happiness Pauline Tran
New Primitives in Kyneton Magali Gentric
Travelling with Iskandar Jalil Syed Muhammad Hafiz
Embracing unpredicability: The collaboration of Laxma Goud and Adil Writer Aarti Vir
Immortal flower (무궁화) Laura Carthew
Issue 38
Carving the Taniwha: Shaping sacred water spirits through Whakairo Wanda Gillespie
As the Sindh river flows: Water spirits in Indian culture Rajni Yadav and Kriti Sharma
The people fished from the sacred Eware river Kuenan Tikuna
The flow of spirits: Tales and crafts of Shandur Lake Adil Iqbal
Elysha Rei ✿ A fish out of water Pamela See
Water spirits in the form of serpents: The Ular Naga of Alor and the Phanya Naak of Laos Linda McIntosh
Jamnalal Kumhar ✿ The rainbow Naga Jamnalal Kumhar
May Day! The Giant, the Well, and the Dorset Otter-Dragon Veronica Strang and Sasha Constable
Sea legends in Hong Kong’s waters from mermaids to pirates Evelyn Wan and Alysa Ihy
Nereides: A homage to our seagrass meadows Anna Davern
Russell Jack ✿ Saving dragons Dianne Dempsey
Master Edson ✿ Creatures of the river and guardians of the forest Master Edson Monteiro & Maria Fernanda Paes de Barro
Love, loss and the sea: The mermaid in Southeast Asia’s Ramayana Chandrica Barua
A cherished Chinese tooth tradition Li Letitia Shen
The nguzunguzu-dragon Rodolfo Maggio
Wonder Reef: A fertile art installation for fish and occasional humans Pamela See
Ọ̀ṣun Òṣogbo Festival: A sacred cultural tradition thrives in Nigeria today Emmanuel Solate
Naga Mae Daw Serpent: Maternal energy uncoils in Myanmar Soe Yu Nwe
When Antaboga married Dewi Supreti, the snake goddess of kindness Dias Prabu
Snake Talk: A yarn with story-makers across the globe Tyson Yunkaporta
Hang Song: How a Lao serpent deity sprinkles blessings Tiao Nithakhong Somsanith
The loom underwater: Weaving the Selkie story Imogen Bright Moon
Issue 37
A future for which the bell tolls Anton Hasell
Messages in rice: From table to grave Angela Sim
Kalighat Temple: A terracotta revival Tamal Bhattacharya
The hidden art of flower petal bead making Shalome Lateef
Beyond the facades: Temple wood carving of Himachal Pradesh Lalita Waldia
A temple without walls David Cheah
Makers’ Tale: Craft, light and sound in a sacred space Loucia Manopoulou
Mezuzah: At the threshold between world and home Elisa Ronzoni
Gateways to the soul in Indian art and craft Kruti Dholakia and Reena Bhatia
The sacred and the spectacular: how Bengal’s Durga Puja pandals morph into temporary art galleries Aishani Gupta
The crafting of sacred spaces in Australia Pamela See
Guardians: Tarryn Gill’s soft sentinels for the gallery Leigh Robb
How ancestors guide our journeys Tiffany Singh
Joss House artifacts: Rediscovering Australia’s Chinese temples Michael Williams
Sky Temple Helen Vivian
Two rivers meet in the gallery: A connection journey Paemanu
Lucky Charms: The temple returns to the gallery Jacky Cheng
The Andes as temple Keka Ruiz Tagle
An enduring transience: Pandal hopping in Melbourne Mitraja Bais
Making Memolo: Temple domes from Sitiwinangun, Cirebon Akbar Adhi Satrio
In search of mathh, a sugar craft for ingesting a sacred spirit Kaustav Chatterjee
Modimo O Mogolo/God is Good bracelets Boitshoko Kebakile-Mashaba
Temples in Rockhampton Pamela See
Prita Tina Yeganeh ✿ My Soil Farsh فرش Lamisse Hamouda
Too serious Mark du Potiers
A new home for the gods across the Indian Ocean Kevin Murray
The Great Stupa of Universal Compassion: The work of a thousand hands ✿
Contemporary deities: Vipoo Srivilasa and Ramesh Mario Nithiyendran Elena Dias-Jayasinha
Issue 36
Center for Craft: The importance of space for collective action and belonging Stephanie Moore
South of the River Potters Club: After 50 years, a home of its own Barrie-Anne Morgan
Blumhardt Foundation: An angel of New Zealand craft Philip Clarke
Expanding the table: Vicki Grima’s impact on the Australian ceramics community Amelia Black
Art Jewelry Forum: We advocate for the field of art jewelry Nathalie Mornu
Basketmakers of Victoria: Projects with fibre Jan Chamberlain
The Australian Tapestry Workshop: A weaver’s view Chris Cochius
Loom Rescue Group: Holding the thread together Ana Petidis
Ciocârlia: A thread that binds generations Diana Roșca
Bluestone: The judgement of peers Anna Davern
A table for elements at play Mary Hackett
The Embroiderers Guild, Victoria: A haven for stitchers Gail Thexton
Tenun Yang Menubuh: Embodied weaving in Sadi village Alfred W. Djami
underFOOT: A collective for honouring the land on which they stand Nien Schwarz
Simon Gilby ✿ Figuring out the individual Richard King
Sisters of India and Indivaan: Surviving with honour Helen Ting
Smoko room Kay Abude
Swedish Crafts Centre – Konsthantverkscentrum Evelina Hedin
Creative, collaborative communities: Forms of artist and artisan organisation in historic India Rachna Shetty
JamFactory: A recipe for longevity Brian Parkes
Australian Design Centre: 60 years in the making Lisa Cahill
Zu design: An enduring incubator Jane Bowden
Hemslöjden: Craft for everyone Maria Jacobsson
artisan: Becoming, being and belonging Carmel Haugh
Lehenda: Many hands make feet fly Natalia Moravski
How to stay grounded in a big mining state June Moorhouse
Table as metaphor Damien Wright
Victorian Woodworkers Association: Joinery in real time Stephen Ziguras
The craft confederacy: Differences in common Kevin Murray
JMGA WA: A leading edge of Australian jewellery Tineke Van der Eecken & Jacquie Sprogoe
Kultura Collectiva Dias Prabu
Issue 35
Issue 34
Issue 33
Issue 32
In Libro de Tenebris Paul Schütze
Design for the nose: A brief history of olfactory objects Clara Muller
Scented adornment in North Africa and Southwest Asia Sigrid van Roode
The scented city: Incense making in Kathmandu Gary Wornell
Jewellery to cast away the evil of the world Sepideh Ghasemi
Surrounded by scent: Perfumery in the courtly cultures of early-modern South Asia Simran Agarwal, MAP Academy
The scent of Korean contemporary craft Hyeyoung CHO
The fragrant power of Dutjahn Angie Faye Martin
Dhoop-batti: The fragrance rises from the roots LOkesh Ghai
Ross Gibson ✿ Listening to Incense Kathryn Bird
Scent in 2023 Cheongju Craft Biennale KANG Jaeyoung
Lotus blooms and divine blessings: A spiritual journey through fragrance and festivity Japneet Keith
A fragrant pilgrimage to the Norbulingka Institute Japneeth Keith
Monumentalizing rituals of the Palestinian diaspora Reema Abu Hassan
Smelling is believing Liliana Ojeda
The rose perfumers of Kannauj Dwan Kaoukji
Issue 31
Issue 30
Issue 3
With nature Editorial
Quarterly essay – Objects for an Unknown Future Museum Kim Mahood
Nature and beyond – the artistic fashion of Grace Lillian Lee Michelle Boyde
Craft classic: Jawun Abe Muriata
Revival of Rainforest Culture – interview with Napolean Oui Peter Hylands
A Brighter Pattern for a Better Place – The Queensland fashion of Elisa Jane Carmichael and Carla van Lunn Peter van Lunn
Making marks on paper in the tropics Sonja Anderson
Workshops of the World: Editions Tremblay Theo Tremblay
Mary Gole Face Pot Ruth McDougall
DIY Apprenticeship Richard Stride and Clare Kennedy
In Ernabella, doors open for Aboriginal jewellery Indigenous Jewellery Project
Worn Land Nicky Hepburn and Pennie Jagiello
Aesthetics in a time of emergency Simon Gregg
Chilean horsehair jewellery across the Pacific Trinidad Estay
For the love of Lao – Studio Naenna Ansie van der Walt
The wonder of rattan in Vietnam Sarah Thomas
I am Bugis: An Interview with Zai Kuning Bala Starr
Remembering Kamaladevi Jasleen Dhamija
Looking at Craft: Upside Down, Backwards, and Inside Out Glenn Adamson
Fragile threads: Baskets reborn in north Queensland Kevin Murray
Issue 29
Vivalto Lungo: Espresso bridal jewellery Annika Karskens
Artifice as allegory: Sylvia Nakachi investigates evolving Indigeneity in the Torres Strait Pamela See
The bauxite challenge: Bioregional thinking and place-based making Kyoko Hashimoto
Spacecraft ✿ A future from what remains Kevin Murray
Unmining: Returning metals to earth Charly Blackburn
The life cycle of steel Lindy McSwan
Jaffa Lam ✿ Chasing an Elusive Nature Caroline Ha Thuc
The tree-bird: An alchemy of the heart Reihane Raei
Roof top alchemy: Gilding statues in Nepal Gary Wornell
The meaning of yellow Helen Ting
The robot embroiderer Anying Chen
Take a chance on art Liat Segal
The Dirge and the Vital Heat Nicole Polentas
Kuulua vuohmaan: Belonging to a mire Ida Isak Westerberg
Of uncertain value: The fragile beauty of epiphytes Kath Inglis
Composite bouquet: A plastic heirloom for the future Vicki Mason
Bird, fish or somewhere in between Sofia Björkman, Karin Roy Andersson and Monica Blind Påve
Tack Skogen: Beauty in the blemish MADAM Snickeri
Beyond the screen: Glass bodies in making Nadège Desgenétez
Damsko Srce: Heritage hanging by a thread Jacqueline Stojanović
Plunging into batik with Zahir Widadi Carla van Lunn
Issue 28
Victor Meertens: Off Cuts Gregory Pryor
Ropework: Soft garniture for life Finn McCahon-Jones
Walking, thinking, making: A weaver in the world Sara Lindsay
Earth Webs: Weaving into the land Rina Peleg
place of not-knowing: on Arrernte Country pattie beerens
Devoted: Adding weight to weaving Ana Petidis
Spinning as meditation YuddhavirSingh Jadeja
What is a knife? Arlo Davis
Wood carving in Nepal: How Buddha emerges every day Ratnamani Bramhacharya
A copper glass engraving wheel: The quest for the perfect tool Peter Cummings
Deborah Kelly: Cutting with the past to create a new order Pamela See
12 Camels: Take a seat by chance Nanu Youttananukorn and Lidia Vajda
Ran Out Shlomit Bauman
The creative spark: Mexican heritage by hand today Raquel Bessudo
Other Possible Worlds: Threading together Thai communities Luise Guest
Julia Gutman ✿ Muses Elyse Goldfinch
MAOTA: Five yarn dyed colours, inspired by Aizome Alisa Ota Tietboehl
Habitat: Terracotta homes for hard-working bees Julie Bartholomew
Maker mythologies: Classical origin stories for the crafts Patrick Webb
Şevket the puppeteer finds freedom in a prison cell Songül ARAL
Issue 27
Art protects us and our shared world: Two messages from Indigenous Brazil Arassari Pataxó and Kulikyrda “Stive” Mehinaku
Australia or Bandaiyan? Aunty Munya Andrews
How we reached the estuary Garland
dhurrung wurruki nyayl ngarrp – kunang Tammy Gilson
Tonantsintlalli: Our Mother Earth Desiree Ibinarriaga and David Marcelino Cayetano
Goahten: At home with Sámi Katarina Spik Skum
Treasures from Marege: Yolŋu-Makassan trade today Diane Moon and Will Stubbs
Omar Musa blends words and the wood carving of Borneo to explore beauty, rage and history Kevin Brophy
Embroidering pugholes Sera Waters
Assegai: A spear of light across the Indian Ocean Adam Markowitz
Martin Hill and Philippa Jones: Encircling the world Alasdair Foster
The Svord Peasant Knife: Thanks to “Heavenly Blue Sky” Bryan Baker
Garrapara: Deep waters and the cycle of life and death Will Stubbs
Jenni Kemarre Martiniello’s Freshwater Saltwater Weave Mel George
The Bung Yarnda Observatorium Josephine Jakobi
A feed of sacred lotus – Nelumbo nucifera Gary Warner
Raci’s mangrove apple: A batik message from the coast of Pasuruan to the fashion catwalk Lauren Veronica Sidarsono
The Outback through Afghan eyes Jahan Rezakhanlou
Tea with Abbas: Tibetan jewellery in Nepal Gary Wornell
Pui ✿ Sharing happiness with Sukhothai ceramics Witiya Pittungnapoo
Manong Ernesto: Carving history in Baguio Stella Maria de Guia
Chechia: The little red hat that symbolises Tunisia Leila Ben-Gacem
Samuel Tupou’s Low Resolution Dreamz: Memory in hand-crafted pixels Miranda Hine
Issue 26
Heirlooms for distant generations Clare Hooper
On joining the NFT art mania: Creative liberation or lotacracy Abdullah M.I. Syed
NFT: Hype, new reality or just a giant con? Rye Senjen
Chroma: A mechanical translation of Nahuatl textiles Ismael Rodríguez
Yarn ni Yatra: Crafts as a board game Mridushi Singhal
Inner Traces: A dance of three rings Michaela Pegum
When the land becomes a jewel Yu-Fang Chi
Late Muhammad Nawaz: The unsurpassable master potter from Harappa, Pakistan Noorjehan Bilgrami and J. Mark Kenoyer
Dancing with stars: From light to dark from dark to light Sebastian Blackie and Tom Hall
Imagining a nostalgic future: The cosmic ceramics of Douglas Black Liliana Morais
My pots from Pakistan and the memories they keep alive Owen Rye
The use of function Rob Barnard
The box: A magic object of objects Bic Tieu
Glimpses through glass of worlds recently lost Holly Grace
Abdullah’s lullaby of lost looms Songül ARAL
Wrapping the present within the past Janine Combes
Oceans in a tea cup Alma Studholme
Silk thangka: An unbroken thread Gary Wornell
Wildfire: Glimpses of art from open train doors Joshua Nash and Tobias Nash
Rediscovering the salt of the earth in COVID times Pamela See (Xue Mei-Ling)
Katsugi: Female divers of Japan come up for art Zoe Devenport
Issue 25
The currency basket: Investing in a shared world Bridget Kennedy
Let’s go back to the campfire: The lesson of mingei Liliana Morais
Utsuwa: The extraordinary is every day in Japan Kylie and Tiffany Johnson
Kangri: The dilemma of the Kashmiri portable heater Irfan Ahmed and Saima Andleeb
The Macanas of Gualaceo: Ecuadorian ikat Berenice Cárdenas
A head start for heritage: The Kastamonu hat museum 🇹🇷 Songül ARAL
Juukan Tears Offcuts Melissa Cameron
Ghost objects: Crafting the poetry of the everyday honor freeman
iQweqwe: Towards the ancestors Madoda Fani
Ivana Taylor ✿ Wrapped with care Guy Keulemans
Piña: Weaving Filipino fibre into the world Alfredo and Isabel Aquilizan
Kyungsook Park ✿ The craft of conviviality Misun Rheem
The Messenger Through The Twilight: A clay apocalypse Raksit Panya
Vide Poche: A timeless dish for every day use Henry Wilson
Bilums and bilas: From bags to jewels in PNG Jessica Cassell
Silk from San Pedro Cajonos: Artisans weaving new connections through the web Raquel Bessudo
A cloudy day collecting clay among the gullies and the gums Cassy McArthur
Alchemy in Japanese traditional craft: Forging and polishing the spiritual world Sachiko Tamashige
Polishing: An overlooked craft Jahan Rezakhanlou
To steal a golden earring: In search of the chola in the mountains of Himachal Pradesh LOkesh Ghai
How deities are born: Bronze casting in Nepal Gary Wornell
Eyes for Chile 👁️👁️ Ojos Para Chile Liliana Ojeda and Aranda Feres Ojeda
Biomater: Life hanging by a thread Catalina Mena
Kishōtenketsu: Kawase Shinobu’s celadon journey Bonnie B. Lee
Issue 24
Colour thrives: The lokta paper makers of Kathmandu Gary Wornell
Shedding, dwelling, making: The artist collective We Must Get Together Some Time Gregory Pryor
Yangon Alley Garden: A trail of paper flowers between Myanmar and Fremantle Marina Lommerse
That significant freedom: The idea of Indian Ocean craft John Mateer
Pesh boro: Epic weaving from Afghanistan Khadim Ali
Remembering Kala Pani: Presencing memory objects Arif Satar & Audrey Fernandes-Satar
The Curious Five Go Surfing: A collaboration across the Indian Ocean Susie Vickery & Bappaditya Biswas
Exile from the Forest: Craft collaboration in the time of COVID Ishan Khosla
The world in a tea towel: Weaving cartographic abstractions Nien Schwarz
Nalda Searles ✿ Re-gifted in red Sandra Murray and Andrew Nicholls
From Japan to Brazil: The ceramics of Shoko Suzuki Liliana Morais
The gate is open: Guan Wei and Jayne Dyer in China Pamela See (Xue Mei-Ling)
East and west, warp and weft Blake Griffiths
Eastern glazes: The provenance of celadon, tenmoku and shino Sandra Bowkett
Water, Wood and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town – review D Wood
How the dye was cast on the road back to Laos Samorn Sanixay
Shaabook silver jewellery in Oman: A secret currency of adornment Amal Al-Ismaeli
In search of the keys: The chola regional over-garment, from the mountains of Himachal Pradesh LOkesh Ghai
Zhuizi: An ordinary dog’s tale Helen Ting
Indonesia’s generation Z takes up shibori Janet Teowarang
The soul of Feng Huang: An art of contemporary batik pesisir pattern Enrico Ho
Jember Batik: The dragon rises Geraldus Sugeng
Ikebana: A flower arrangement in search of poetry Shoso Shimbo
The forest on my flesh Priyanka Jain
“Things from before”: Baskets in Gorongosa Frances Potter
Kumbharwada: Make in Dharavi Nidhi Agrawal
The Fidan doll: A bridge between Turkey and Japan Songül ARAL
A future for waste: Upcycling fashion for Gen Z in Indonesia Janet Teowarang
Made in Indonesia: The globalisation of Indonesia’s footwear industry and the legacy of shoemaking Rahayu Budhi Handayani
Issue 23
Cantarino: Reanimating the whistling bottles of the Andes Francisca Gili and Marilú Ortiz de Rozas
Tender cloths Michele Elliot
Make the Qanats flow: Women revive a patriarchal tradition Nina Aminzadeh Goharrizi
A tribute to my mother Saad Hani Al-Qaddumi
Dr Ghada’s orange knife: A life dedicated to the world of craft Kevin Murray
Whakahoki: Returning to the lunar cycle in Māori culture Keri-Mei Zagrobelna
Woven walls, threaded horizons: Traditional architecture in the modern urban fabric of Papua New Guinea Rosemarie Rusch
Singing our life journeys: Rekindling the Vaihoho song-poems of Timor-Leste Ildefonso da Silva, Daniel Valentim Pereira and Nelinha Pereira
Tongan designs for a safe pandemic voyage Angus Gillies
Devotional flower offerings of Luang Prabang Linda McIntosh and Tiao Nith
Ryndia silk of the Khasi Hills, Meghalaya Nisa Lyndem
Kuyu Kuyu: A place for weaving stories and cultural resilience Delissa Walker
Heirloom: a celebration of herstories 🇵🇱 Grace Pundyk
Mending collective memory: Eleni Gouga’s Bread-skirt Project Lydia Matthews and Evren Uzer
The craft heritage revival in downtown Hong Kong Kenneth WONG and Jaffa LAM
Tepelikler: My Anatolian grandmother’s headdress Songül Aral
The Red Dress in Chiapas Kirstie Macleod
Moitará: An exchange between São Paulo and the village of Kaupüna Maria Fernanda Paes de Barros
Closing the circuit: Thinker-Maker residency at Substation 33 Pamela See
Looking at the past, creating the future: The forgotten role of the museum Michael Nathaniel Kurniawan
Sindhu – The river line: A dialogue Pallavi Arora and Shirley Bhatnagar
“I treat her like a queen”: Chilean embroidery with attitude Daniela Lara Espinoza
Augmented reality: From the art of intervention to the craft of public engagement Pamela See
Tecuil Alessia: Preserving the heart of the prehispanic kitchen Raquel Bessudo
Vipoo Srivilasa: Will my heart remember? Aaron Bradbrook
Judith Crispin ✿ Picturing the gentleness of death Alasdair Foster
Issue 22
How Bundjil the Eagle created the world we now need to protect Cassie Leatham
The eel as a totem and symbol of resilience Jules Christian
Nature hooks Jes John
When the lorikeets call Elisa Jane Carmichael
Following nature’s rhythm: a season on the field as a Linen Steward Melanie Bomans
A healing walk: The Lake Bolac Eel Festival story Neil Murray
The path we took: Stewardship Pathfinders
Mother Whale and the creation of Nerrm: A Bunwurrang women’s dreaming story Aunty Gail Koonwarra Dawson
Quarterly essay: putiya makara wingani Greg Lehman and Camila Marambio
Humans as a custodial species Tyson Yunkaporta
A custodian object from the Murrumbidgee Hape Kiddle
The Material Passport: A model for responsible construction Thomas Rau and Sabine Oberhuber
Heron story Ilka White
Employing circular economy principles when creating craft products Joseph Lo
The Biji-biji Initiative: Circular economy for the community Zhi Yee Teh
Biophilia: The craft and love of life Helen Ting
Tracing trees: Processing land clearing through a jewellery practice Cara Johnson
Ode to Waratah: Designing mythology Elliat Rich
Decay is beautiful Samorn Sanixay
Entangled threads: Woven knowledge systems Charlotte Haywood
Imaginary Animals, Auspicious Companions Moon Yujin
The Lontar basketry of Palu’e Island (eastern Indonesia) Stefan and Magnus Danerek
Chinese landscape cut-out over time Pamela See
Senryu: Three little words make many objects Sayumi Yokouchi
Issue 21
Te Hosek’en Harw: The Edge of the World Sol Contardo
The Kaikai of Rapanui Marcela Garrido Díaz
Ayvu Rapyta ✿ A selection Mbya Guarani
Translating the Ayvu Rapyta: For the love of a rainforest and its word-souls Andrea Ferrari
Pillan: The spirit of the volcano Celeste Painepan Nicul
Made with lava in Chile Great Things to People
Reborn in the Wenumapu: The meaning of the eclipse in Mapuche culture Luis Catricura
Mapuche hybrid identify furnished from the periphery Rodrigo Castro Hueche
Wenu Pelón: On curating ancient craft objects of present indigenous cultures Lucía Nieves Cortés
Kamaquen: Ceramics powered by Andean energy Keka Ruiz-Tagle
Circular heritage: Textile legacy in the Andes Daniela Contreras Flores
New Kashpij: Sailing spirits in deep time from the end of the world Rita Soto Ventura
Heirs of Llalliñ: Mapuche women weavers find the end of the rainbow Pilar Navarrete
Cupinzeiros: Back in touch with childhood Lidia Lisbôa
Paola Moreno ✿ Rhythms of Chile Kevin Murray
Forging alliances with nature: Atlas Botánico de Chile en Joyería Lucía Nieves Cortés
Charazani Project: Inca weaving revived Constanza Urrutia Wegmann
Time makes beauty: Jewellery in the senescent field Liliana Ojeda
Pilwas: Knotting Lafkenche narratives in Puerto Saavedra Magdalena Cattan-Lavin
Especies Acuñadas: Divesting colonial currency Milena Moena Moreno
The Afro-Peruvian cajón: Reclaiming a humble percussion crate as one’s own Aromica Bhattacharya
¡Bravo Joya Brava! Liliana Ojeda
The shoemaker and the goat breeder Carolina Hornauer
Cielo rojo (red sky) Caco Honorato and Mariela Vicencio
The garden of Gildásio Heloisa Pireslima
Australia Phoenix: A Cosmology Susan Purdy
Country sees you: A Bapang among Yolngu Damien Wright
The Earth and its elements: Wood, fire, earth metal and water Georgia Wallace-Crabbe
Blood moon: Ceramics for a fragile planet Jane Sawyer
Issue 20
Naga Kacip: A snake god at work Linda S. McIntosh
Quarterly essay ✿ Batik journeys between the three worlds: Here, there and everywhere Elly Kent
DiTenun: Artificial intelligence technology for Indonesian traditional Weaving Nancy Margried
Designers Dispatch Service: Traditional artisans connect to the global market Eugenio Hendro
Beauty from bacteria: Micro-farming batik Nidiya Kusmaya
The fragrant tuberose: Collaborative eco-printing by batik artisans from Pasuruan Regency in East Java Janet Teowarang
iWareBatik: Decoding the DNA of Indonesian batik Puspita Ayu Permatasari
Academic and weaver join head and hand in Bandung Sabrina Sakina
Butterflies metamorphose into jewellery Paryana Puspaputra
Sanggar Batik Batara in Baujeng Village Janet Teowarang
Brahma Tirta Sari: At home with nature and ancestors Agus and Nia Ismoyo
Ulos through the viewfinder Dewi Sartika Bukit
Zahir Widadi ✿ Fine batik for an intricate blue world Hanny Kusumawati
Flag Project (2006-2020) Arahmaiani Feisal
Savu island: Greater and Lesser Blossoms will prevail Geneviève Duggan and Icesarlince Tededara
Fibres for a foodie Sabrina Sakina
The case for wood Guy Keulemans
A house of style in Surabaya Carla van Lunn
Kandangan village: A rich harvest of innovation for pandemic response Alexandra Crosby
Jumaadi’s garden of shadows Kevin Murray
Batik exchange: Wahyu Subiyantoro Soediro Carla van Lunn
From canting to extrusion: The proliferation of technology from the Indonesian archipelago Pamela See
A bridge to Indonesia, my second home Cassandra Lehman
Mansae balhada ✿ Cheongju’s ancient technology now Eunjin Ko
Finding Taketa: Serendipitous discovery and reflection in practice research Jo McCallum
long water: fibre stories Freja Carmichael
Issue 2
Editorial Garland
Quarterly essay – Reclaiming the Lost Embroidered Garden Gopika Nath
The Kink JamFactory
Gate 8 Workshops of the World
Place matters: The success of South Australia Susan Luckman
Getting a handle on the making revival Damon Moon
With the tip of a needle Melinda Rackham
The art of turban tying Daniel Connell
Thailand residency: A string of flowers – a sequence of events Jess Dare
We are all Merantau: Macassan journeys Abdul-Rahman Abdullah
Learning from Nagaland Louise Haselton
Ned Kelly in bloom Jacqui Stockdale
The night Heather B. Swann
The quest for contemporary pacific art Susan Cochrane
Dear Adelaida Tessa Laird
The Bolga basket: Ahmedabad comes to Accra Frances Potter
Issue 19
Wissa-Sophy: Back to the woven garden Passent Nossair
Fulu Muziki ✿ Kinshasa noisicians + eco-culturists Gary Warner
Isifociya: The revival of Zulu adornment that protects and beautifies Khanya Mthethwa
Urgent Adornment in South Africa Beverley Price
Ordentelikheid: South African baroque jewellery Taryn Sadé Joseph
New Zulu beads to be worn with pride Mbuso Zondi
I wear letters from the past Lara Daryl Landsberg
The Eastern Cape made visible through jewellery Joani Groenewald
Litema, the pride of a Mosotho woman’s home ‘Matsooana Sekokotoana
Quarterly Essay ✿ Moffat Takadiwa: The art of small things Jenan Taylor
Iziqhaza: Designs that open your ears Hlengiwe Dube
My father was an elephant: Clay dreams in Nigeria Ngozi Omeje
“Only room for one in the house”: My Ankyianpoma language sticks from Ghana Claire Dale
Simb, or the rise and fall of the Fake Lion in Senegal Joseph Ndione
Ndomo: Beauty from mud in Mali Rebecca Hoyes
Egypt reclaims niello: A craft for kings and sultans Passent Nossair
Kultur-All Makaan: A cool place for African warmth Jude Anderson
Muhubo Suleiman ✿ A home within a home Kevin Murray
Life in a boma Stephanie Brookes
Stepping out: Africa Fashion Week Middle East Ansie van der Walt
Issue 18
The angels of Dhadhampatti Julia Raath
Mata & Grifo: Portals into a Sicilian love story Antonio Aricò
Anbin nimiththam: For the sake of love Manasee Jog
Sundar Sari: A reverie of past loves Pooja Kaul
How Jewish embroidery is sustained by an Indian Muslim Bony Thomas
Love in a time of colonisation Shirley Bhatnagar
Never on Tuesdays: How the Padma Saliyar weave auspiciousness into wedding saris Aarti Kawlra
A gift of song: The melody of making Kediyun LOkesh Ghai
The Pappanji of Kochi Daniel Connell
Primal Casting: From the outdoor studio Sarra Tzijan
Saga Dawa: The blessing of the scriptures Shruti Agrawal
Prachanda Shakya: A champion for Nepalese craft traditions Kriti Bhuju
Safed: The beauty of simplicity Sayali Goyal
To catch a flower: Love triumphs in the marriage of Sang Thong Vipoo Srivilasa and Edward Colless
A kirpan for bride power Eina Ahluwalia
With the blessing of Gods and families: A Mauritian Tamil wedding Veemanda Curpen
Pistachio dog: Indian clothes tailored for the world Lela Kulkani
Embroideries with love from Mauritius Palmesh Cuttaree
The nine-yard sari: Bolts of love in clay Varuni Kanagasundaram
Vessels of love: Darug weaving that connects generations, community and country Jules Christian
From Brunswick to Ahmedabad: The Hand/Eye Project Alasdair Mackinnon and Eddy Carroll
Curiosity and rituals of the everyday: The upcoming Indian Ocean Craft Triennial Maggie Baxter
The rules of the game: Weaving Durries in Rajasthan Kaamya Sharma
The Shadow Theatre of Anaphoria Island Gary Warner
Responsible crafts tourism in Kutch Ruth Clifford
Many stitches in time: the work of Annabelle Collett Stephanie Radok
Issue 17
Quarterly essay: Dancing with the anvil Michael Winkler
Dear Grandma, Thank you for being a maker: A Cowichan story Damara Jacobs-Morris
Ruth Woodbury ✿ A Māori-Salish encounter featuring salmon and cedar cloaks ✿
Spider Woman’s Children: The next generation of Navajo weavers Barbara Teller Ornelas and Lynda Teller Pete
Crafting hope from the rings of the black ash Kelly Church and Cherish Parish
Cherokee doubleweave baskets: “The handsomest baskets I ever saw.” Anna Fariello
Tania Larsson ✿ Hide uncovers the hidden matt lambert
Maureen Gruben ✿ Delta Trim Tarah Hogue
Presha’s Coverlet Jeffrey Keith
Gratitude in the archives Genevieve Weber
Visiting Tomaquag: The feel of wampum between your fingers Lela Kulkarni
Ayudha Puja: Time to thank the things on which we depend Kshitija Mruthyunjaya
Our Paiwan wedding: The importance of a dowry Dremedreman Curimudjuq (Liao Min) and Daniel C. Moore
Pots in Action: The ceramics project that made Instagram sparkle Ayumi Horie
A decade of yarn bombing Mandy Moore and Leanne Prain
Catharine Ellis and the journey of True Colors Keith Recker
Cracking the colour code: The Maiwa-Khatri partnership Charllotte Kwon and Abdul Jabbar Khatri
The fabric of memory: Story cloth as art and history for Hmong in USA Vincent Her and Mary Louise Buley-Meissner
Grunge and graffiti repair Lela Kulkarni
Tying down art in my own public Idaho Lily Martina Lee
Katie Miller ✿ Seattle lightscapes Melissa Cameron
To rescue a world on the wane: A clarion call to woodworkers D Wood
Beyond pink: The moment is the haven Anna Taylor
Issue 16
Quarterly Essay ✿ The long and winding Silk Road Christina Sumner
Shyrdak: A sunny day in Kyrgyzstan Dinara Chochunbaeva
Dekh Magar Pyaar Say: Meanderings into the sublime Sahr Bashir
Five fingers full of skill: Four artisans from Tajikistan Ikromi Nigina
Keste: Kazakhstan embroidery that celebrates nature Raushan Kargabekova
Why the copy of a Turkmen wedding dress is better than the original Hermann E. Rudolph
“Forty hunar are not enough”: Craft and community in Uzbekistan Kevin Murray
From Samarkand to Kütahya: A Silk Road of shared skills Kevin Murray
Alisher Nazirov ✿ Gifts of skill connect Uzbekistan and Japan Kevin Murray
Aziz Murtazaev ✿ Why I returned from London Kevin Murray
“If you want to know about us, examine our buildings”: A Journey through Uzbekistan Mary Jose
The tree of life extends its branches from Iran to France Leila Fazeneh
Uzbekistan and the promise of apple trees Layla Walter
Good news from Afghanistan: Hadya starts her own business Roshan Safi
Carlier Makigawa ✿ Delirious in Uzbekistan Helen Britton
When nomads come to town: Sustaining weaving traditions on the Ladakhi Changthang Plateau Catherine Allie
Shaping the divine in the lanes of Kumartuli Ananya Hazarika
Culture, craft and cuisine in West Bengal Liz Wauchope
A journey shared, India dared and why I take tours… Julia Raath
Finding the spirit of clay in Rajasthan Serena Rosevear
In search of the elusive Baluchari in Bengal Swadha Sonu
Saori weaving: Striving for irregularity Kaz Madigan
Weaving Pang Jai: In search of old Hong Kong Eloise Rapp
Postcards from Home: Tapestries of Sri Lanka Cresside Collette
A perfect red: The tale of a dye Eric Mindling
Guildhouse, The Ghan and gumnut earrings Lauren Simeoni
Carried Away: A bag of the month Grace Lai
Layerscapes: Colonial history on a thread Sera Waters
Museum of emotion: Artefacts of separation and memory 🎓 Lesley O’Gorman
Issue 15
Interpreting China through an art jewellery practice Gussie van der Merwe
Collective support for architectural heritage: The workcamp movement in Liang village Liwen Zhu
Are you hungry? Jewellery learnings from Shanghai Vicki Mason
Negotiating authenticity in the Jianfu Palace Garden restoration Sharon Tsang-de Lyster
Quarterly essay ✿ “Drifters” in Jingdezhen: Past meets present in the porcelain capital Luise Guest
Craft revival in China: How to make an old year new again Anying Chen
Hand it to Scotland: Weaving firegrass with the Lisu and Yi communities of Yunnan Province Janis Embleton
The Kam blues: Indigo-dyed textiles of the Kam/Dong minority in China Marie Anna Lee
Remembering people and places past/passed: Ceramics by Ah Xian, Ai Weiwei, Sin-ying Ho and Liu Jianhua Alex Burchmore
Robin Best ✿ A tea journey in silver and blue Antonia Harrison
Deep and shallow time meet in Jingdezhen Pie Bolton
Dragon reborn: The making of Bendigo’s Dai Gum Loong Leigh McKinnon
The ladybird garden of Chen Ping Jan Hogan
Terracotta Warriors of Castlemaine Dale Cox
A rainbow serpent theory of time Tyson Yunkaporta
From earth grew rice, from rice grew the Warli art LOkesh Ghai
How I learned coppersmithing in Gaziantep Shireen Taweel
Elisa-Jane Carmichael ✿ Weaving with ancestors Sally Butler
Why a Japanese lacquer master sought a surfing legend Sachiko Matsuyama
Rainbow Serpent art from Pormpuraaw Syd Bruce Short Joe, John & Eileen Coleman and Paul Jakubowski
Tom Nicholson ✿ On repatriating an ancient mosaic Kevin Murray
Very peaceful for the ancestors: Chinese memories in the Lambing Flats Folk Museum Sharon Peoples
Issue 14
Quarterly essay ✿ Going to hell (and back) in a handbasket… Tracey Clement
The worldly currency of Abdullah Syed Zoe Ghani
Reflection pods: Yolŋu weavers create a thinking space in Sydney CBD Lucy Simpson
Biculturalism at hand: The Australian-Malay quilt Soraya Abidin
Yirran Miigaydhu Aboriginal Women Weavers Phyllis Stewart
21st century chinoiserie: A journey from Zibo to Sydney Yixuan Geng
Linda Brescia: Holding Up The Sky Kath Fries
Pathways through The Social Outfit Eloise Rapp
Creating sanctuary through beading: The South Sudanese Elders group Caroline Lenette
An orchid in the desert – the lacquer journey of Bic Tieu Kevin Murray
Re-locating traditions: Ethiopian crafts in Moorooka, Brisbane Melanie Gupta
To have and to hold: Precious objects from a place called “home” Sahr Bashir
Nations unravelled and re-woven Sanne Vaassen
Fresco comes to the mountain Sarah Tomasetti
Crafting a city, crafting a life, from matter and memory Peter Emmett
For Peter Emmett, objects speak Gary Warner
Crafting a community – A year of time, 2017-2018 Bridget Kennedy
The Hayman jug Ben Edols and Kathy Elliott
Crafting the city: The re-emergence of handmade Sydney Lisa Cahill and Penny Craswell
Local colour: The search for a plant dye industry in Sydney Cove Liz Williamson
Flamboyance and intensity: Contemporary ceramics of Peter Cooley Eva Czernis-Ryl
The panggals of Kambot and Wom villages: A journey down the Keram river Natalie Wilson
The delight of embroidery now – 2018 Chaozhou International Embroidery Art Biennale Valerie Kirk
Kevin Millward: The pleasure of anonymous artifice Ezra Shales
Re-Threading the tapestry of an arid topography: A return to Kutch with Maggie Baxter Gopika Nath
Issue 13
Quarterly Essay ✿ Of time and the city Kathryn Bird and Ross Gibson
Kougie now – Craft experience at Hotel Kanra Kyoto Shingo Yamasaki
Intuitive Thread: The Beauty of Process in Japanese Textiles Eloise Rapp
Itohen universe: A new generation textiles workshop Namiko Tatezaki
Swords of Kyoto: How weapons became cultural treasures Sachiko Tamashige
The glittering costumes of Ningyo-Joruri: A puppetry revival project 🇯🇵 Miki Hanafusa
走泥社のオブジェ焼き：京都からオーストラリアへ ケビンホワイト
Sodeisha: Object ceramics from Kyoto to Australia 🇯🇵 Kevin White
New models for craft sustainability: Engaging with the “experience” economy 🇯🇵 Kevin Murray
工芸存続のニューモデル：経験経済の事例を考える ケビンマレー
From Venice to Kyoto: Glass reflections of obi under the moonlight Shoko Aono
Ainu textiles: Cloth weighted with affection and prayer 🇯🇵 ann-elise lewallan and Kaizawa Tamami
アイヌの手仕事：愛と祈りの布作り アンエリーゼルワラン
Kōgei Hackathon: Toyama transforms craft Sari Hayashiguchi
Shimenawa: Hidden meanings behind the twisted ropes at Izumo Taisha Sayumi Yokouchi
Journey to Teshima Gary Warner
Itazu Litho-Grafik (板津石版画工房): The Stone Letter Project Neilton Clarke
Remembering when the world came to Kyoto in 1978 OHI Toshio Chozaemon XI and Merran Esson
Ceramic art from Gallery VOICE Tomoko Kawakami
Full of emptiness: The wonder of Hagi ware Yoko Akama and Yoko Ozawa
Folding Indigo: Keiko Amenomori-Schmeisser Caren Florance
Works never seen before in this world Mitsuo Shoji
Why you should drink saké hot Masahiro and Yumi Takahashi
Plant and punk and Zen and Slow Art Chaco Kato
Wara art from Niigata to York: Japan-inspired hay sculptures 🇯🇵 Jenny Garroun and Ilsa Bennion
ヨークに渡った新潟のわらアート：日本に学ぶ干し草彫刻 ジェニー・ギャロウンとイルサ・ベニオン
From Kyoto to Brunswick: The Mr Kitly story Bree Claffey
Shibari on the Strathbogie Ranges: The art of Japanese rock knotting Anne Newton
From Brazil to Japan: In search of the unknown craftsperson Silvia Sasaoka
Throwing shadows from the sun: Spacecraft’s botanical prints Eugenia Lim
太陽が作りし影 ユージニア・リム
Women’s Wealth Project: Biruko and Tuhu hoods Sana Balai and Ruth McDougall
Louisean King ✿ Solis Roger Saddington
Eucalypt meets indigo in Kanazawa – with gold leaf Siri Hayes
Issue 12
Working with things: An exploration of materiality in the puppet theatre 🎓 Lynne Kent
A public offering to the dead in Puebla 🇲🇽 Alonso Pérez Fragua
Papel y pasión para recordar a los muertos Alonso Pérez Fragua
Labrar memorias: La faja del señor de lázaro en Oaxaca María del Carmen Castillo Cisneros
Joyería oaxaqueña: el legado de Monte Albán Alberto Rojas Calvo
Quarterly Essay ✿ Daily demons and fabulous animals Tessa Laird
To carve memories: The belt of El Señor de Lázaro in Oaxaca 🇲🇽 María del Carmen Castillo Cisneros
Oaxacan jewellery: The legacy of Monte Albán 🇲🇽 Alberto Rojas Calvo
Ollas de barro y mezcal – Pots of clay and mezcal 🇲🇽 Rion Toal
Ollas de barro y mezcal Rion Toal
A glass bridge across the Pacific Diego Vides Borrell
Celebrating the huipil – From past to present Ehren Seeland
Slow made tradition in Oaxaca Ehren Seeland
Dolores Porras and her creative atelier Johanna Ángel Reyes
Remembering Oaxaca Mario Licón Cabrera
An ink route from Oaxaca city to Phnom Penh 🇲🇽 Fernando Aceves Humana
Una ruta de tinta desde la ciudad de Oaxaca a Phnom Penh Fernando Aceves Humana
The tinsmith and I shared no language Claire McArdle
Who is the author? Oaxacan wood carvers in global economies of ethnic art Alanna Cant
Woven histories of Chiapas and Oaxaca Ansie van der Walt
Después de Frida: Then comes the border complex Jesús Macarena-Ávila
Mexico: A love I can never quite shake Damian Smith
Weaving the feathered serpent Yunuen Perez
Elizabeth Marruffo ✿ The pomegranate Siân Boucherd
The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island Joseph Sciorra
Pakistani craft takes off at Islamabad airport Noorjehan Bilgrami
Can Suzhou Embroidery be contemporary art? CHEN Anying
The values of craft: Towards an economics of the common good Priyatej Kotipalli
Thanks giving in Australia: Eva Heiky Olga Abbinga’s Rajah Quilt Kevin Murray
Gamu-Keub Keub: The Indigenous Jewellery Project meets Gab Titui Emily McCulloch Childs
Learning from a master: Making bilas with natural dyes in PNG Joycelin K. Leahy
The linking object: A textile mourning ritual Mary Burgess
The quest for the vintage “card basket” Meredith Peach
Updates from Gifu Tomoko Kawakami & TACHIBANA Akira
Issue 11
Lost histories: Inscription and Place Peter Hughes
Wickery and place Ray Norman
237 days: parallel / return Julie Gough, Francisca Moenne & Robert O'Connor
Quarterly essay: Libraries of Stone and Wood A Published Event
Building a better dome Greg Lehman
Wicker Wonderlust, a gallery experiment Karina Clarke
New terrain in an old world Zoë Veness
Where the weaver left off Gwen Egg
Craft classic: The spurtle Patrick Senior
Slow design in wood Laura McCusker
Holding space making place Dee Taylor-Graham and Janny McKinnon
Art at a glance: Tasmania’s roadside gallery Lucy Hawthorne
Proyecto “Las Fábricas” – Last words and weaves in Santiago Constanza Urrutia Wegmann
Proyecto “Las Fábricas” Constanza Urrutia Wegmann
Erika Diettes: Relics in amber Alasdair Foster
Votive Horses of Poshina, Gujarat Mitraja Bais
Water and flowers in Bali Mary Lou Pavlovic
An ancient Good Friday all-female rite with a fashion twist Anna Battista
Tonglen: An artist buries his life’s belongings Domenico de Clario
The art of saving seals: April Surgent’s glass etchings Charles Littnan
A semiotic thread: Maya Traditions Foundation’s Textiles Tour in Guatemala Ann Fuata
Mola, molas, mola-ing with the Kuna Yala in Panama Bridget Nicholson
Raquel Ormella and the politics of the stitch Rebecca Coates
KUTCH: a visual identity for a radiant people Ishan Khosla
Hyphenated: Spaces between cultures Tammy Wong Hulbert
Offerings for absent friends: An interview with Ro Cook Mark Stiles
Skin and stone: Craft-design collaborations in Manzil Noorjehan Bilgrami
The story behind Wellington’s Handshake Helen Wyatt
Yoo Pil-mu, the brush master artisan Sangeun Grace Kim
The shape of wan Tomoko Kawakami
Issue 10
A silent conversation with Jimmy Poland Helena Bogucki
Smile for the embroidery: Abdul Abdullah and DGTMB Abdul Abdullah
Washed ashore: Art works from the Indian Ocean Gopika Nath
Quarterly essay – Ngurra: Finding our way home Glenn Iseger-Pilkington
The Nullians Sharyn Egan
Purgatory on the Broome Peninsula: the art of Clare Peake Gemma Weston
Fibre to metal: Mudlark Jilinbirri Metals from Carnarvon Antoinette Roe and Sarah Trant
Conjured from the ocean, hand-made from steel Gary Warner
From glass beads to smoke water: Investigating the vocabulary of loss and renewal in the landscapes of the Yilgarn Craton Gregory Pryor
Sheoak voices Holly Story
Full circle: Tjanpi, Polyglot and FORM’s Manguri Wiltja project Andrew Nicholls
“Who’s Nalda?” The influence of Eileen Keys and Pantjiti Mary McLean 🎧 Kevin Murray
Sustainable housing for artists and creatives: A new cooperative model in Fremantle Koral Ward
Archipelagos of the decolonised mind: Two Indian Ocean exhibitions John Mateer
Vahana: An Indian-Australian cross-cultural ceramic experience Bernard Kerr
Accessing the heart of hand-stitch: Merging tradition and innovation on the Indian sub-continent Trish Bygott and Nathan Crotty
Looking in looking out: Yogic practice and public art in Western Australia Maggie Baxter
Perth Mosque: A cultural structure strengthening collective identity Qassim Saad
Call Them Home Marziya Mohammedali
Alistair Rowe’s Chandni Chowk: One Altered Move Andrew Varano
It begins with a pomegranate: Sirjan kilims by Mahjabin Ilkhanipour Mahjabin Ilkhanipour
Wakuwal: Threads of reconciliation Peter Botsman
Ankara print histories alive in the streets of Johannesburg Belinda Cook
Developing fabric designs at Ikuntji Artists Chrischona Schmidt
Where did all the flowers go? Tamil festivals in Mauritius Veemanda Curpen
Baluk Arts: Storied objects tied to Country Tallara Gray and Neil Aldum
Batik and tenun as sustainable textiles in East Java Janet Teowarang
The dark glow of the mirror in Santiago Carbonell’s mural, Mexico City Madeleine Kelly
They remember those who do not speak: Madhvi Subrahmanian’s recent ceramic works Nancy Adajania
Making Retronesia: Modern Dutch architecture in Indonesia Tariq Khalil
Material culture in Arabia: Bedouin women and the art of sadu weaving Laila Al-Hamad
Her Journey and our empty cups: Fiona Gavino in Escolta Dayang Yraola
No touching – A curatorial reading of contemporary ceramics on Instagram Yasmin Masri
Becoming visible: the Mojawharat jewellery project for migrants Vicky Tsaconas
From the Top End down: An Adrienne Kneebone story Kevin Murray
Issue 1
Editorial Garland
Quarterly essay – Still: Kirsten Coelho’s ceramics Julie Ewington
Ott-chil (Korean lacquer): A tradition for the present Misun Rheem
How to present Korean craft to the world Hyeyoung Cho
The art of polishing stones Yujin Eugénie Moon
Simple but ethical Saemi Cho
Yoon Jeong-won’s spiritual materialism Elaine Kim
Wish upon Jiseung Eun Hye Kim
Making clay precious in jewellery Hyunju Kim
Eunbum Lee – 법고창신, the spirit of creating the new, based on the old Kevin Murray
A Korean Sensibility: Something to Prove Tony Marsh
Beyond Limitations Mentorship camp, ClayArch Gimhae Museum Janet DeBoos
The Korean stone garden in Daylesford Petrus Spronk
Joungmee Do’s Spirit of Jang-in Min-Jung Kim
Condiment object Daehoon Kang
Unexpected linkage Sun Woong Bang
The Naked Tree: A tribute to Park Wan-So Jin Ah Jo
Straighten out in Korea Kenny Son
Yilaalu – objects for carrying stories Lucy Simpson
Learning and sharing traditional plant knowledge Penny Algar & Lorraine Connelly-Northey
CIAF and Ghost Net art of the Far North Sonja Anderson
Fragments of King Marisa Molin
An invitation to look but not touch: The Rigg Design Prize 2015 Maurizio Toscano
Tales of Wonderland: Schmuck aus Neuseeland – jewellery from Aotearoa New Zealand Warwick Freeman
Ruth Castle, Basket Maker Damian Skinner
Across space and through time: glass and its value Valeria Florescano
Geodenim ornament from the streets of Medellín Alejandra Ruiz
Heritage Chic: The duality of tradition and innovation in the Kanjivaram silk sari of Tamilnadu, India Kala Shreen
Pohon Budi – the Tree of Life exhibition in Malaysia Edric Ong
Binga baskets and other treasures of Zimbabwean craft Leah Mugwagwa
Islam on Australian shores Phillip George
Yayasan Tafean Pah – the next weaving generation in West Timor Ruth Hadlow
FRACTURE – show on textiles at the Devi Art Foundation Mayank Mansingh Kaul