Features
- A bush alembic: To distil the scent of the land Forest Keegel
- Monkō (聞香): The Japanese way of listening to incense Sachiko Tamashige
- Traffic Island Oasis Sharon Massey and Sean Derry
- Taste-makers: A selection of tableware made by hand today Online exhibition
- Performing muggu: Art where home and street meet Kaustav Chatterjee
- The hidden art of flower petal bead making Shalome Lateef
- Sound is as much in the dirt as it is in the air Vicky Browne
- Muslin: The unbearable lightness of being Saiful Islam
- Pine water jug: Imbibing the Taurus mountains Songül ARAL
- The world at our feet: Shoemakers of Dehradun LOkesh Ghai
- A shadow on the evil eye: The displaced idol makers of Dehradun LOkesh Ghai
- Estudio Trindade and Rondinelly Santos ✿ Brazilian for life Maria Fernanda Paes de Barro
- James Tylor ✿ In search of mai Caitlin Eyre
- Nature hooks Jes John
- Colour thrives: The lokta paper makers of Kathmandu Gary Wornell
- Songs of steel and glass: The Osaka World Expo ’70 Baschet sound sculptures Gary Warner
- Vivalto Lungo: Espresso bridal jewellery Annika Karskens
- Creative Conservation: Art for nature Chrissy Wickes and Sonia Frimmel
- Bamboo bridges: Firman Djamil’s Seni Lingkungan Caitlin Hughes
- Phoenix: A forest reborn in jewellery Bahareh Zaman
- Washed ashore: Art works from the Indian Ocean Gopika Nath
- Toro Atua: Sentinels for living well on the land ✿
- Working with things: An exploration of materiality in the puppet theatre 🎓 Lynne Kent
- When the lorikeets call Elisa Jane Carmichael
- The fragrant power of Dutjahn Angie Faye Martin
- Petersham Escarpment: The mountain comes to the city Simon Reece
- Beyond the facades: Temple wood carving of Himachal Pradesh Lalita Waldia
- Music of the looms Garland
- That significant freedom: The idea of Indian Ocean craft John Mateer
- A City Canvas for refugees in Hong Kong Sharon Tsang-de Lyster
- Staining lips red for centuries: The heart-shaped betel leaf Niyati Dave, MAP Academy
- Nikki Hind ✿ A feel for fashion Nikki Hind
- The Andes as temple Keka Ruiz Tagle
- Crafting sonic uncertainty in objects, events and installations Gary Warner
- Orkney Boreray Community: Fellows of the flock Jane Cooper
- In Libro de Tenebris Paul Schütze
- A temple without walls David Cheah
- FLOAT ✿ Lakeside with an arts residency on water, a feral MBA and a float-keeper Andrea Lane, Gary Yelen, Josephine Jakobi and Isaac Carne
- artisan: Becoming, being and belonging Carmel Haugh
- Bringing gamelan to the west Neil McLachlan
- Foraging among the ruins of satoyama in rural Japan Daniela Kato
- Dhoop-batti: The fragrance rises from the roots LOkesh Ghai
- Nation Building practices in an on-going colonial era Jules and Jayne Christian
- Make the Qanats flow: Women revive a patriarchal tradition Nina Aminzadeh Goharrizi
- A silent conversation with Jimmy Poland Helena Bogucki
- The Kaikai of Rapanui Marcela Garrido Díaz
- Pesh boro: Epic weaving from Afghanistan Khadim Ali
- Weaving to the beat Sara Lindsay
- Duncan Meerding ✿ A light touch Garland
- Measuring up: Public art in Queensland through a craft lens Pamela See
- Rhonda Murray ✿ The shoes of strangers ✿
- An enduring transience: Pandal hopping in Melbourne Mitraja Bais
- Craft tours on offer ✿
- Ceramics Southern Africa: Down to earth connections Rosh Sewpersad
- Te Moana a nui a Kiwa: A sōlevu Luisa Tora
- Making Memolo: Temple domes from Sitiwinangun, Cirebon Akbar Adhi Satrio
- The Song of the actinomycetes Priyanka Jain
- The Big Build: Industry by needlepoint Jessie Deane
- Industry relief: The Newport Railway Workshop Project Geoff Hogg
- Chefs who make Lee Tran Lam
- making jewellery for the land Melinda Young
- Tender cloths Michele Elliot
- Ross Gibson ✿ Listening to Incense Kathryn Bird
- Round and round we go: Echoes of protest in sound and weaving Jan Nelson
- Design for the nose: A brief history of olfactory objects Clara Muller
- The new Majapahit art: Craft or artefact? Tod Jones
- A “bin chicken” redemption Kevin Murray
- Lehenda: Many hands make feet fly Natalia Moravski
- Scent in 2023 Cheongju Craft Biennale KANG Jaeyoung
- Loom Rescue Group: Holding the thread together Ana Petidis
- Shedding, dwelling, making: The artist collective We Must Get Together Some Time Gregory Pryor
- In search of mathh, a sugar craft for ingesting a sacred spirit Kaustav Chatterjee
- Holding walnuts, like life, in the palm of their hands Yunmeng Jia
- Australia or Bandaiyan? Aunty Munya Andrews
- Contemporary deities: Vipoo Srivilasa and Ramesh Mario Nithiyendran Elena Dias-Jayasinha
- Aeolian harps in an acoustic sanctuary Ros Bandt
- Secret(ion)s from an occasionally scented jewellery practice Melinda Young
- Makers’ Tale: Craft, light and sound in a sacred space Loucia Manopoulou
- Reclaiming the Lost Embroidered Garden: The Bagh and Phulkari Embroideries of Punjab Gopika Nath
- sounds of clay and me, making Toni Warburton
- Healing Country & the five senses Francesca Bussey
- The underlying delight of Japanese tableware Brian Kennedy
- Crafting entrails to recover forgotten worlds Dana Falcini
- Street Sweepers: Adornment for outside care Anke Kindle
- Joyería oaxaqueña: el legado de Monte Albán Alberto Rojas Calvo
- Naga Kacip: A snake god at work Linda S. McIntosh
- Ciocârlia: A thread that binds generations Diana Roșca
- Rongoāoro: The healing sounds of Taonga Pūoro Karen Leef
- Kokrobitey ✿ Ghanaian paradise regained Renée C. Neblett
- Blended imaginaries: In conversation with Gina Zupsich, tea art director Ben Lignel
- Mezuzah: At the threshold between world and home Elisa Ronzoni
- Lest we forget the skillful touch Curtis Benzle
- Modimo O Mogolo/God is Good bracelets Boitshoko Kebakile-Mashaba
- Lotus blooms and divine blessings: A spiritual journey through fragrance and festivity Japneet Keith
- Nepalese street art: Democracy at the wall Gary Wornell
- Still: Kirsten Coelho’s ceramics Julie Ewington
- The healing wall Jane du Rand
- The Kalange ✿ Local knowledge created from recycled denim and clay Katesi Jacqueline Kalange
- O-choko or wine glass? Recent changes in sake consumption Roberto Maxwell
- Forging connection: An interview with master coppersmith Eldin Sprečo Yasmin Masri
- A public offering to the dead in Puebla 🇲🇽 Alonso Pérez Fragua
- Notes on Sound and Making: 03 On Noise Gary Warner
- A fragrant pilgrimage to the Norbulingka Institute Japneeth Keith
- Candles & Sticks Manon van Kouswijk
- Voicing the winds: Kōea O Tāwhirimātea – Weather Choir Phil Dadson
- Bluestone: The judgement of peers Anna Davern
- A kimono for food: Hikibaku chopsticks for honoured guests Serendouce Crafts
- Artifice as allegory: Sylvia Nakachi investigates evolving Indigeneity in the Torres Strait Pamela See
- Mother’s touch: An interview with ceramicist Richilde Flavell Yasmin Masri
- Ayvu Rapyta ✿ A selection Mbya Guarani
- Crafting a canon: Change through scholarship D Wood
- Bonyi ✿ A seasonal gathering of weavers on Country Freja Carmichael
- A table for elements at play Mary Hackett
- Monumentalizing rituals of the Palestinian diaspora Reema Abu Hassan
- Long dance to home Dominic White
- Papel y pasión para recordar a los muertos Alonso Pérez Fragua
- Notes on sound and making: 01 – Listening to making Gary Warner
- A wall of dreams from southern Bahia Maria Fernanda Paes de Barros
- Time travelers: Gadgets that made heirlooms Priyanka Kochar
- The Protest Banner Lending Library: Democracy in the making ✿
- Russell “Wossy” Davey ✿ Carving stories, protecting Country ✿
- The Hanging Studio Table: For the many and the few Adam Markowitz
- Erika Kobayashi ✿ A tea ceremony for Brazil Liliana Morais
- Chloë Waddell ✿ Make a dream home Chloë Waddell
- Between the quarry and paradise: Grafting rubbish onto nature Lauren Downton
- Gateways to the soul in Indian art and craft Kruti Dholakia and Reena Bhatia
- Poi: The mesmerising sound of living taonga Isaac Te Awa
- Following nature’s rhythm: a season on the field as a Linen Steward Melanie Bomans
- Smelling is believing Liliana Ojeda
- Tactile stations at the Seoul Museum of Craft Art Soo Jeong Kim
- Art of meditation: Attitudes to nature in Japanese gardens & Ikebana Shoso Shimbo
- The World returns to Charters Towers ✿
- The path we took: Stewardship Pathfinders
- Mother Whale and the creation of Nerrm: A Bunwurrang women’s dreaming story Aunty Gail Koonwarra Dawson
- Temples in Rockhampton Pamela See
- The Embroiderers Guild, Victoria: A haven for stitchers Gail Thexton
- A gaiwan for my father Mia Riley
- The angels of Dhadhampatti Julia Raath
- Crafting sonic uncertainty in objects, events and installations Gary Warner
- Breathe, together Maegen Black
- Scented adornment in North Africa and Southwest Asia Sigrid van Roode
- The sacred and the spectacular: how Bengal’s Durga Puja pandals morph into temporary art galleries Aishani Gupta
- The colonisation of cute – exploring the work of Vipoo Srivilasa Alice Pung
- Prita Tina Yeganeh ✿ My Soil Farsh فرش Lamisse Hamouda
- Heirlooms for distant generations Clare Hooper
- Sound Before Sound I: One and Three Scores David Chesworth
- Whiria: Twisting together Karl Chitham
- The rose perfumers of Kannauj Dwan Kaoukji
- Michelle Hamer helps us all slow down Kevin Murray
- Upside-down: The land is the limit to the sky Salome Katamadze
- Marta Figueiredo ✿ Elementary Abacus Marta Figueiredo
- Tenun Yang Menubuh: Embodied weaving in Sadi village Alfred W. Djami
- Chitral shu: Resisting climate change Adil Iqbal
- Table as metaphor Damien Wright
- Yangon Alley Garden: A trail of paper flowers between Myanmar and Fremantle Marina Lommerse
- Manchay P’uytu del Mapocho: A proposal to decolonise listening Francisca Gili
- Fulu Muziki ✿ Kinshasa noisicians + eco-culturists Gary Warner
- The scented city: Incense making in Kathmandu Gary Wornell
- Interpreting China through an art jewellery practice Gussie van der Merwe
- Chozetsugiko ✿ The transcendent technique of Meiji craftsmanship reimagined Sachiko Tamashige
- Dancing with the anvil Michael Winkler
- Cerdeira: An artist village of stone and wood Tatiana Simões
- Unruly voices: Sonia Leber and David Chesworth’s Space-Shifter Sonia Leber
- Ajiwau: A Japanese way of savouring life Euan Craig
- Make and bring your own chopsticks Vipun Chanchlani
- Too serious Mark du Potiers
- Hortus Malabaricus: How the garden of Malabar travelled the world Rachna Shetty, The MAP Academy
- A new energy in world craft: Professional Crafts Association in Saudi Arabia Mashail Alfaqeeh
- Victorian Woodworkers Association: Joinery in real time Stephen Ziguras
- The culture we breathe Laila Al-Hamad
- Hugs and Bugs: Everything is on the street Sveta Dorosheva
- A gift of song from the valley Maria Fernanda Paes de Barros
- What could happen if we could smell the past?: Olfactory archeology in Pompei Sissel Tolaas
- Mavis Warrngilna Ganambarr ✿ A guiding light Louise Hamby
- Fabric for a Feast: The story of Textiles Sydney Jane Théau
- underFOOT: A collective for honouring the land on which they stand Nien Schwarz
- The crafting of sacred spaces in Australia Pamela See
- A new home for the gods across the Indian Ocean Kevin Murray
- 237 days: parallel / return Julie Gough, Francisca Moenne & Robert O'Connor
- A wooden spoon: How to make life special Eli Beke
- Handedness Robyn McKenzie
- Guardians: Tarryn Gill’s soft sentinels for the gallery Leigh Robb
- Subtle cuts: New word sculptures from Ally McKay Miranda Hine
- Nature craft Tanya Dutt
- Rabindra Shakya ✿ Gleaming Nepali repoussé Gary Wornell
- The Uuseum of the white desert: A showcase of Kutchi crafts Aashka Jadeja
- Cardamom is forever: Jewellery for the Sri Lankan diaspora Inoka Samarasekara
- My lockdown Tonbak: A homemade industrial musical heritage Jahan Rezakhanlou
- Taste and rongoā Māori: The art of experience Arihia Latham
- Center for Craft: The importance of space for collective action and belonging Stephanie Moore
- Anne Nginyangka Thompson ✿ My favourite place out bush Anne Nginyangka Thompson
- Victor Meertens: Off Cuts Gregory Pryor
- Kamaladevi Chattopadhyay on “the right kind of spoon” Kamaladevi Chattopadhyay
- Simon Gilby ✿ Figuring out the individual Richard King
- Capybara comes home Yolanda Pocetti
- How ancestors guide our journeys Tiffany Singh
- Collective support for architectural heritage: The workcamp movement in Liang village Liwen Zhu
- Touching art Jane Théau
- 25,000 knots: The hands that make Baba Tree baskets ✿
- Nanamu as Tongan sense of smelling: A tāvāist philosophical critique Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina, Kolokesa Uafā Māhina-Tuai and Tavakefai‘ana, Sēmisi Fetokai Kulīha‘apai Moahehengiovava‘ulahi Potauaine
- South of the River Potters Club: After 50 years, a home of its own Barrie-Anne Morgan
- Forest of Craft ✿ A map of nature’s treasures Robin Agemi
- Brasilidade: Samba on a plate Nina Coimbra
- Er Pavilion: On Country at the beach Melissa Cameron
- Peter Hawkesby ✿ Building a heart basket Lucy Hammonds
- The Dreamhome paradox Inga Walton
- The Great Stupa of Universal Compassion: The work of a thousand hands ✿
- Blumhardt Foundation: An angel of New Zealand craft Philip Clarke
- Makers and Menders: Many hands make good Heather Saltmarsh
- Gamelan is character building Embie Tan Aren
- Fragrant memories from Minas Gerais Lena Emediato
- Walking light: A bush journey suspended in glass Holly Grace
- The flip side: Art protest and making ceramics Joana Partyka
- A healing walk: The Lake Bolac Eel Festival story Neil Murray
- Vakr ✿ A fluid touch Devyani Gupta
- The craft confederacy: Differences in common Kevin Murray
- Jayanto Tan ✿ Delights for every palette Pamela See
- Common Element: Workshop6 celebrates 30 wild years Mia Straka
- How to stay grounded in a big mining state June Moorhouse
- Chod Damaru: Summoning the energy of a Tantric princess Gary Wornell
- Blurred lines: Threshold floor drawings and their mediation between private and public Alolika De, The MAP Academy
- The life of a rosemary distiller Bridget Nicholson
- Stevei Houkāmau ✿ Clay as whakapapa Zoe Black
- You Stir the Pot: Recipes for change Victoria Manganiello
- Te Hosek’en Harw: The Edge of the World Sol Contardo
- Sisters of India and Indivaan: Surviving with honour Helen Ting
- The piaçava revival: Afro-indigenous crafts save a local tree species Egnaldo Rocha da Silva
- Expanding the table: Vicki Grima’s impact on the Australian ceramics community Amelia Black
- Joss House artifacts: Rediscovering Australia’s Chinese temples Michael Williams
- A pomegranate’s secret: The jewels of Mehrnoosh Ganji Sanaz Fotouhi
- Art protects us and our shared world: Two messages from Indigenous Brazil Arassari Pataxó and Kulikyrda “Stive” Mehinaku
- Ropework: Soft garniture for life Finn McCahon-Jones
- Smile for the embroidery: Abdul Abdullah and DGTMB Abdul Abdullah
- Jewellery to cast away the evil of the world Sepideh Ghasemi
- Smoko room Kay Abude
- Objects for an Unknown Future Museum Kim Mahood
- Notes on sound and making: 02 On hearing and listening Gary Warner
- The sensory archive Nina Finigan
- Komboloi: A solution at hand for worried times Kombologadiko
- Walking in the expanded field of jewellery Roseanne Bartley
- Xianhong Zheng ✿ Leaf weaving in Linggen Sheng Mi
- Weaving song, work and memory in Indian culture MAP Academy
- Swedish Crafts Centre – Konsthantverkscentrum Evelina Hedin
- JMGA WA: A leading edge of Australian jewellery Tineke Van der Eecken & Jacquie Sprogoe
- Quarterly essay: putiya makara wingani Greg Lehman and Camila Marambio
- Cone Eleven ✿ Crafting a theatre for specialist dining Cone Eleven
- Alpaca shawls: A love woven from life on land Douglas Brodie & Louiseann King
- Terra ferment: Three recipes Ilka White
- Art Jewelry Forum: We advocate for the field of art jewelry Nathalie Mornu
- A future for which the bell tolls Anton Hasell
- Sky Temple Helen Vivian
- Parched: An artist research residency about drought in regional Victoria Jacqueline Millner
- On offer Online exhibition
- Negotiating authenticity in the Jianfu Palace Garden restoration Sharon Tsang-de Lyster
- Creative, collaborative communities: Forms of artist and artisan organisation in historic India Rachna Shetty
- Peranakan tiles: A harmony of colour, motif and texture Ananya Mallick
- Kultura Collectiva Dias Prabu
- Surrounded by scent: Perfumery in the courtly cultures of early-modern South Asia Simran Agarwal, MAP Academy
- Ka rongo au: In response to senses Rangimarie Sophie Jolley and Sian Montgomery-Neutze
- A spoon a day Ana Sincu
- Lost histories: Inscription and Place Peter Hughes
- Bamboo looms and floating fibers: How Nepali weavers manage their environment Viola Bordon
- Basketmakers of Victoria: Projects with fibre Jan Chamberlain
- Rēwena bread: A nourishing food with its own whakapapa Keri-Mei Zagrobelna
- JamFactory: A recipe for longevity Brian Parkes
- Labrar memorias: La faja del señor de lázaro en Oaxaca María del Carmen Castillo Cisneros
- Touchstones:The sensual work of studio potter Jane Sawyer Carolyn Leach-Paholski
- Two rivers meet in the gallery: A connection journey Paemanu
- Toha: A harp to summon the return of the sociable weaver birds Victor Gama
- Cabramatta: The nostalgic poetry of Asian shops Bic Tieu
- Japanese knotweed with a silver lining Maxwell Fertik
- Kampoeng Dolanan: The game must go on Janet Teowarang
- Dancing bodies, moving touch: Textiles, materiality and touch in Indian dance MAP Academy
- Messages in rice: From table to grave Angela Sim
- The herb that must not be named Divya N
- Towards an Indigenous Australian Iranian cuisine Jahan Rezakhanlou
- Cantarino: Reanimating the whistling bottles of the Andes Francisca Gili and Marilú Ortiz de Rozas
- Australian Design Centre: 60 years in the making Lisa Cahill
- Mata & Grifo: Portals into a Sicilian love story Antonio Aricò
- The Australian Tapestry Workshop: A weaver’s view Chris Cochius
- Are you hungry? Jewellery learnings from Shanghai Vicki Mason
- Through the garden gate: Litrahb Perfumery and the world of synaesthesia Chloé Wolifson
- Wickery and place Ray Norman
- Wissa-Sophy: Back to the woven garden Passent Nossair
- Jeepney through the (y)ears Dayang Yraola
- Wayne Martin Maranganji ✿ Painting culture, painting country Angie Faye Martin
- Mike Crawford ✿ Facing South Lucy Hammonds
- Gilty: Consuming contemporary jewellery Claire McArdle
- Biohacking a fermented community Jahan Rezakhanlou
- The Listening Biennial Second Edition, inter-Asia plus Dayang Yraola
- Vginmary: A Madonna of street art Emma Cieslik
- Zu design: An enduring incubator Jane Bowden
- Decolonising the manza xylophones of Azande Adilia On-ying YIP
- How Bundjil the Eagle created the world we now need to protect Cassie Leatham
- The sense of clay in the Anthropocene Yuliya Makliuk
- Alpana: A Hindu craft that flourishes in a Muslim village Mohammad Shahnewaz Khan
- The scent of Korean contemporary craft Hyeyoung CHO
- Kalighat Temple: A terracotta revival Tamal Bhattacharya
- The sounds of a geography Kraig Grady
- Syd Bruce Shortjoe & Bernard Singleton ✿ Men of Country Jack Wilkie-Jans
- Sensing resonance: Interview with Marikuku Wirrpanda yiḏaki maker Marikuku Wirrpanda and János Kerekes
- Lucky Charms: The temple returns to the gallery Jacky Cheng
- Ruby Ghuznavi ✿ The “indigo lady” Saiful Islam
- The Selkirk House commission: Drawing is knowing Bren Luke
- The eel as a totem and symbol of resilience Jules Christian
- Hemslöjden: Craft for everyone Maria Jacobsson
- Mann-o-Salwaa: Savouring the food of the heavens Sahr Bashir
- How we reached the estuary Garland
- Jewellery in hand Brune Boyer
- The Purun Project: Fashion offers hope for peatland communities Myra Suraryo
- Editorial Garland
- Ngurra: Finding our way home Glenn Iseger-Pilkington
- Editorial ✿
- Editorial Garland
- Editorial Mari Gold
- Editorial – A story of skill ✿
- Walking, thinking, making: A weaver in the world Sara Lindsay
- The bauxite challenge: Bioregional thinking and place-based making Kyoko Hashimoto
- Editorial ✿
- On joining the NFT art mania: Creative liberation or lotacracy Abdullah M.I. Syed
- Where is your village? Editorial
- dhurrung wurruki nyayl ngarrp – kunang Tammy Gilson
- Editorial: ᏍᎩ ✿
- With nature Editorial
- Editorial Garland
- The path we took, between past and future ✿
- editorial ✿
- putiya makara wingani (can’t stop feeling) Greg Lehman and Camila Marambio
- Quarterly Essay ✿ Of time and the city Kathryn Bird and Ross Gibson
- उपहार – Uphaar ✿
- Quarterly essay – Still: Kirsten Coelho’s ceramics Julie Ewington
- Editorial: Pembaharu ✿
- New homes for old stories Editorial
- Humans as a custodial species Tyson Yunkaporta
- Editorial Garland
- Remembering the string figures of Yirrkala Robyn McKenzie
- Going to hell (and back) in a handbasket… Tracey Clement
- Quarterly essay – The world in a chai cup: Sandra Bowkett and a village of Indian potters Andrew Stephens
- Quarterly essay – Everything Happens to Everyone: A Rodney Glick story ✿ Rob Finlayson
- Quarterly essay ✿ “Drifters” in Jingdezhen: Past meets present in the porcelain capital Luise Guest
- A custodian object from the Murrumbidgee Hape Kiddle
- Spacecraft ✿ A future from what remains Kevin Murray
- Quarterly essay: Dancing with the anvil Michael Winkler
- Quarterly Essay ✿ The long and winding Silk Road Christina Sumner
- Libraries of Stone and Wood A Published Event
- Quarterly essay – Reclaiming the Lost Embroidered Garden Gopika Nath
- A tribute to my mother Saad Hani Al-Qaddumi
- Dancing with the anvil Michael Winkler
- Quarterly essay – The colonisation of cute – exploring the work of Vipoo Srivilasa Alice Pung
- Quarterly Essay: Remembering the string figures of Yirrkala✿ Robyn McKenzie
- The world in a chai cup: Sandra Bowkett and a village of Indian potters Andrew Stephens
- Everything Happens to Everyone: A Rodney Glick story 🎧 Robert Finlayson
- Quarterly essay – Objects for an Unknown Future Museum Kim Mahood
- Quarterly essay: Objects of wealth, power and love: An inquiry into Chettiar material culture Mitraja Bais
- Quarterly essay: Embodied history 🎧 Lisa Hilli
- “Drifters” in Jingdezhen: Past meets present in the porcelain capital Luise Guest
- Objects of wealth, power and love: An inquiry into Chettiar material culture Mitraja Bais
- Quarterly essay: Libraries of Stone and Wood A Published Event
- Ott-chil (Korean lacquer): A tradition for the present Misun Rheem
- NFT: Hype, new reality or just a giant con? Rye Senjen
- Quarterly essay ✿ Batik journeys between the three worlds: Here, there and everywhere Elly Kent
- Quarterly essay – A pomegranate’s secret: The jewels of Mehrnoosh Ganji Sanaz Fotouhi
- Of Time and the City Kathryn Bird and Ross Gibson
- Embodied history: Remaking and returning the midi to the Tolai 🎧 Lisa Hilli
- The long and winding Silk Road: My quest to uncover treasures from Central Asia Christina Sumner
- Quarterly essay – Ngurra: Finding our way home Glenn Iseger-Pilkington
- Quarterly essay ✿ Going to hell (and back) in a handbasket… Tracey Clement
- Can craft and design coexist in southeast Asia? Sali Sasaki
- Chroma: A mechanical translation of Nahuatl textiles Ismael Rodríguez
- Quest for the lost bronze casters: A journey to Ban Pa Ao Rudee Tancharoen
- Nature and beyond – the artistic fashion of Grace Lillian Lee Michelle Boyde
- Dr Ghada’s orange knife: A life dedicated to the world of craft Kevin Murray
- Tonantsintlalli: Our Mother Earth Desiree Ibinarriaga and David Marcelino Cayetano
- Earth Webs: Weaving into the land Rina Peleg
- Craft classic: Jawun Abe Muriata
- Isfahan’s heavenly meenakari AliReza Jamalimanesh
- How to present Korean craft to the world Hyeyoung Cho
- The Kink JamFactory
- From Isan to Paris with silk and water hyacinth M.l. Pawinee Sukhasvasti Santisiri
- Ka Taka Te Wā – Time Passed Areta Wilkinson
- Place Matters: Mashhad – City of Turquoise Abdolsamad Rahimi-Moghadam
- Yarn ni Yatra: Crafts as a board game Mridushi Singhal
- place of not-knowing: on Arrernte Country pattie beerens
- The kaavad: from devotion to decoration Ishan Khosla
- Gate 8 Workshops of the World
- A stick is never too long or too short Silje Figenschou Thoresen
- The art of polishing stones Yujin Eugénie Moon
- Devoted: Adding weight to weaving Ana Petidis
- From gallery to temple: contemporary art for the Kra-tin ceremony Watanya Siriwan
- The Material Passport: A model for responsible construction Thomas Rau and Sabine Oberhuber
- Place matters: The success of South Australia Susan Luckman
- Revival of Rainforest Culture – interview with Napolean Oui Peter Hylands
- Simple but ethical Saemi Cho
- Craft Classic: The Persian carpet Mahmoud Roofeghar
- Goahten: At home with Sámi Katarina Spik Skum
- Earth Nidus: An unnatural nature Fan Ji
- Inner Traces: A dance of three rings Michaela Pegum
- Kougie now – Craft experience at Hotel Kanra Kyoto Shingo Yamasaki
- When the land becomes a jewel Yu-Fang Chi
- Unmining: Returning metals to earth Charly Blackburn
- Workshop of the World: Lalejin Seyedeh Fatemeh Masoumi
- From Thailand to Turkey: Ceramics bloom in Eskişehir Sukumarl Leksawat
- Next generation patua: The Handmade Tales project Medhavi Gandhi
- A Brighter Pattern for a Better Place – The Queensland fashion of Elisa Jane Carmichael and Carla van Lunn Peter van Lunn
- Getting a handle on the making revival Damon Moon
- Yoon Jeong-won’s spiritual materialism Elaine Kim
- Spinning as meditation YuddhavirSingh Jadeja
- Patua storytelling today Sunaina Suneja
- The Rohingya story in Thailand, through embroidery Jakkai Siributr
- Contemporary Persian at Mahe Mehr Institute Ana Eghbal
- Wish upon Jiseung Eun Hye Kim
- The life cycle of steel Lindy McSwan
- Shyrdak: A sunny day in Kyrgyzstan Dinara Chochunbaeva
- E-commerce: what is gained and lost when artisans sell online David Moorhead
- Making marks on paper in the tropics Sonja Anderson
- With the tip of a needle Melinda Rackham
- Workshops of the World: Editions Tremblay Theo Tremblay
- Paisley stands tall again: Akhtar Ismailzadeh’s patteh embroidery Ansie van der Walt
- The art of turban tying Daniel Connell
- From Prao to Melbourne – Lanna culture in the world Nakarin Jaikla
- Making clay precious in jewellery Hyunju Kim
- Jaffa Lam ✿ Chasing an Elusive Nature Caroline Ha Thuc
- Trading Tales Jasmine
- The road to Kilombu crosses many borders Cecê Nobre
- Eunbum Lee – 법고창신, the spirit of creating the new, based on the old Kevin Murray
- Craft classic: Khao Tom Mud Kanita Kaniyomwakin
- Finding yourself: ceramics of Bankstown Koori Elders Group Eva Czernis-Ryl
- Dekh Magar Pyaar Say: Meanderings into the sublime Sahr Bashir
- Mary Gole Face Pot Ruth McDougall
- The rare art of Mumbai’s Parsis Priyanka Kochar
- Thailand residency: A string of flowers – a sequence of events Jess Dare
- Sheraz Faisal ✿ Art becomes jewellery in Lahore Asad Hayee
- Quarterly Essay ✿ Daily demons and fabulous animals Tessa Laird
- Banten jerimpen: An offering to reach the universe Mas Ruscita
- Late Muhammad Nawaz: The unsurpassable master potter from Harappa, Pakistan Noorjehan Bilgrami and J. Mark Kenoyer
- Building a better dome Greg Lehman
- Hanging issues: Collaboration between photography and Lana paper making Rushdi Anwar
- Heron story Ilka White
- Taurangi Keri-Mei Zagrobelna
- DIY Apprenticeship Richard Stride and Clare Kennedy
- Batik journeys between the three worlds: Here, there and everywhere Elly Kent
- Daily demons and fabulous animals: In which the author finds her craftswoman but loses her cat 🎓 Tessa Laird
- Remembering Kala Pani: Presencing memory objects Arif Satar & Audrey Fernandes-Satar
- The social lamellophone Gary Warner
- Translating the Ayvu Rapyta: For the love of a rainforest and its word-souls Andrea Ferrari
- The currency basket: Investing in a shared world Bridget Kennedy
- Made in Mumbai Fiona Caulfield
- Anbin nimiththam: For the sake of love Manasee Jog
- A Korean Sensibility: Something to Prove Tony Marsh
- Intuitive Thread: The Beauty of Process in Japanese Textiles Eloise Rapp
- The Nullians Sharyn Egan
- Spinning a Yarn Unparalleled Gopika Nath
- Beyond Limitations Mentorship camp, ClayArch Gimhae Museum Janet DeBoos
- The Craft of Ceremony Ashley Crawford
- 唤醒中国物感——大漆的品牌化发展 欢欢
- Let’s go back to the campfire: The lesson of mingei Liliana Morais
- The worldly currency of Abdullah Syed Zoe Ghani
- Isifociya: The revival of Zulu adornment that protects and beautifies Khanya Mthethwa
- Welcome to Kandangan, a modern craft village Singgih Susilo Kartono
- Sundar Sari: A reverie of past loves Pooja Kaul
- Dear Grandma, Thank you for being a maker: A Cowichan story Damara Jacobs-Morris
- We are all Merantau: Macassan journeys Abdul-Rahman Abdullah
- A revolution from the kitchen at Rumah Intaran Gede Kresna
- What is a knife? Arlo Davis
- Whakahoki: Returning to the lunar cycle in Māori culture Keri-Mei Zagrobelna
- Craft revival in China: How to make an old year new again Anying Chen
- Treasures from Marege: Yolŋu-Makassan trade today Diane Moon and Will Stubbs
- Wicker Wonderlust, a gallery experiment Karina Clarke
- Dancing with stars: From light to dark from dark to light Sebastian Blackie and Tom Hall
- Letting go design in Dharavi Trent Jansen
- The tree-bird: An alchemy of the heart Reihane Raei
- The re-awakening of lacquer in China today 🇨🇳 Liu Huan
- In Ernabella, doors open for Aboriginal jewellery Indigenous Jewellery Project
- Fashion electric: Two Indonesian fashion designers energise traditions Carla van Lunn
- Pillan: The spirit of the volcano Celeste Painepan Nicul
- Kandura Studio: Making studio ceramics in Indonesia Fauzy Prasetya
- The Curious Five Go Surfing: A collaboration across the Indian Ocean Susie Vickery & Bappaditya Biswas
- Itohen universe: A new generation textiles workshop Namiko Tatezaki
- Swords of Kyoto: How weapons became cultural treasures Sachiko Tamashige
- Flores: The skin of tradition William Ingram and Jean Howe
- Utsuwa: The extraordinary is every day in Japan Kylie and Tiffany Johnson
- Omar Musa blends words and the wood carving of Borneo to explore beauty, rage and history Kevin Brophy
- Wood carving in Nepal: How Buddha emerges every day Ratnamani Bramhacharya
- How Jewish embroidery is sustained by an Indian Muslim Bony Thomas
- Made with lava in Chile Great Things to People
- Worn Land Nicky Hepburn and Pennie Jagiello
- Learning from Nagaland Louise Haselton
- Exile from the Forest: Craft collaboration in the time of COVID Ishan Khosla
- The Korean stone garden in Daylesford Petrus Spronk
- Imagining a nostalgic future: The cosmic ceramics of Douglas Black Liliana Morais
- Double Happiness Pauline Tran
- Is Gandhi still alive? A journey to Surkhama Tanya Dutt
- Woven walls, threaded horizons: Traditional architecture in the modern urban fabric of Papua New Guinea Rosemarie Rusch
- Ruth Woodbury ✿ A Māori-Salish encounter featuring salmon and cedar cloaks ✿
- Reflection pods: Yolŋu weavers create a thinking space in Sydney CBD Lucy Simpson
- Urgent Adornment in South Africa Beverley Price
- Reborn in the Wenumapu: The meaning of the eclipse in Mapuche culture Luis Catricura
- Roof top alchemy: Gilding statues in Nepal Gary Wornell
- Purgatory on the Broome Peninsula: the art of Clare Peake Gemma Weston
- Biculturalism at hand: The Australian-Malay quilt Soraya Abidin
- Mapuche hybrid identify furnished from the periphery Rodrigo Castro Hueche
- Yirran Miigaydhu Aboriginal Women Weavers Phyllis Stewart
- New terrain in an old world Zoë Veness
- Kangri: The dilemma of the Kashmiri portable heater Irfan Ahmed and Saima Andleeb
- A copper glass engraving wheel: The quest for the perfect tool Peter Cummings
- Fibre to metal: Mudlark Jilinbirri Metals from Carnarvon Antoinette Roe and Sarah Trant
- Love in a time of colonisation Shirley Bhatnagar
- The Elephant Shark story: batik between Java and Bali Marty Hope
- What makes the cotton made by TaiLeu so good? Emi Weir
- Singing our life journeys: Rekindling the Vaihoho song-poems of Timor-Leste Ildefonso da Silva, Daniel Valentim Pereira and Nelinha Pereira
- Izandla Zethu: Fine jewellery with what’s at hand ✿
- The world in a tea towel: Weaving cartographic abstractions Nien Schwarz
- My pots from Pakistan and the memories they keep alive Owen Rye
- Aesthetics in a time of emergency Simon Gregg
- Embroidering pugholes Sera Waters
- We are all leaves on the tree: Ketemu in Bali Kabul and Samantha Tio
- New Primitives in Kyneton Magali Gentric
- The meaning of yellow Helen Ting
- Perhiasan = Jewellery Elizabeth Shaw
- Indian dirt Clare Kennedy
- Conjured from the ocean, hand-made from steel Gary Warner
- Assegai: A spear of light across the Indian Ocean Adam Markowitz
- Ned Kelly in bloom Jacqui Stockdale
- Bridewealth of the Dayak Lundayeh Karen Macdonald with Paulus Kadok
- Ordentelikheid: South African baroque jewellery Taryn Sadé Joseph
- 21st century chinoiserie: A journey from Zibo to Sydney Yixuan Geng
- Where the weaver left off Gwen Egg
- Wenu Pelón: On curating ancient craft objects of present indigenous cultures Lucía Nieves Cortés
- Nalda Searles ✿ Re-gifted in red Sandra Murray and Andrew Nicholls
- The robot embroiderer Anying Chen
- Tongan designs for a safe pandemic voyage Angus Gillies
- Joungmee Do’s Spirit of Jang-in Min-Jung Kim
- Hand it to Scotland: Weaving firegrass with the Lisu and Yi communities of Yunnan Province Janis Embleton
- The use of function Rob Barnard
- 淡路・阿波人形浄瑠璃の衣裳が生きていた景色 花房美紀
- Sharing silent conversations through craft with Samorn Sanixay Harriet Watts
- The kediyun: A slow turn for fast fashion LOkesh Ghai
- The Macanas of Gualaceo: Ecuadorian ikat Berenice Cárdenas
- Chilean horsehair jewellery across the Pacific Trinidad Estay
- Travelling with Iskandar Jalil Syed Muhammad Hafiz
- The glittering costumes of Ningyo-Joruri: A puppetry revival project 🇯🇵 Miki Hanafusa
- Take a chance on art Liat Segal
- Sodeisha: Object ceramics from Kyoto to Australia 🇯🇵 Kevin White
- A head start for heritage: The Kastamonu hat museum 🇹🇷 Songül ARAL
- The plaited craft that holds a Dayak village together Stephanie Brookes
- Condiment object Daehoon Kang
- The night Heather B. Swann
- Never on Tuesdays: How the Padma Saliyar weave auspiciousness into wedding saris Aarti Kawlra
- Deborah Kelly: Cutting with the past to create a new order Pamela See
- Kamaquen: Ceramics powered by Andean energy Keka Ruiz-Tagle
- 走泥社のオブジェ焼き:京都からオーストラリアへ ケビンホワイト
- New Zulu beads to be worn with pride Mbuso Zondi
- Mutable Truths: Leeroy New bring the Philippines to Castlemaine Paul Northam
- Martin Hill and Philippa Jones: Encircling the world Alasdair Foster
- Linda Brescia: Holding Up The Sky Kath Fries
- For the love of Lao – Studio Naenna Ansie van der Walt
- Craft classic: The spurtle Patrick Senior
- The Kam blues: Indigo-dyed textiles of the Kam/Dong minority in China Marie Anna Lee
- Devotional flower offerings of Luang Prabang Linda McIntosh and Tiao Nith
- Embracing unpredicability: The collaboration of Laxma Goud and Adil Writer Aarti Vir
- Spider Woman’s Children: The next generation of Navajo weavers Barbara Teller Ornelas and Lynda Teller Pete
- Ryndia silk of the Khasi Hills, Meghalaya Nisa Lyndem
- From glass beads to smoke water: Investigating the vocabulary of loss and renewal in the landscapes of the Yilgarn Craton Gregory Pryor
- Defining studio furniture down under D Wood
- The Svord Peasant Knife: Thanks to “Heavenly Blue Sky” Bryan Baker
- The wonder of rattan in Vietnam Sarah Thomas
- I wear letters from the past Lara Daryl Landsberg
- Circular heritage: Textile legacy in the Andes Daniela Contreras Flores
- Slow design in wood Laura McCusker
- Pathways through The Social Outfit Eloise Rapp
- The Dirge and the Vital Heat Nicole Polentas
- Craft classic: New moves for the old sari Malika Verma Kashyap
- Barbara Mullan: A life with Gujarati textiles Ansie van der Welt
- Immortal flower (무궁화) Laura Carthew
- Design collaboration in Surabaya Alexandra Crosby
- Unexpected linkage Sun Woong Bang
- Sky’s the limit: The Cultural Textiles Rug Project Liz Williamson
- Sheoak voices Holly Story
- Complete me Annie Gobel
- The Naked Tree: A tribute to Park Wan-So Jin Ah Jo
- Holding space making place Dee Taylor-Graham and Janny McKinnon
- The quest for contemporary pacific art Susan Cochrane
- I am Bugis: An Interview with Zai Kuning Bala Starr
- Creating sanctuary through beading: The South Sudanese Elders group Caroline Lenette
- New Kashpij: Sailing spirits in deep time from the end of the world Rita Soto Ventura
- 工芸存続のニューモデル:経験経済の事例を考える ケビンマレー
- New models for craft sustainability: Engaging with the “experience” economy 🇯🇵 Kevin Murray
- Form follows dysfunction Arshad Faruqui and Sadia Salim
- From Venice to Kyoto: Glass reflections of obi under the moonlight Shoko Aono
- Remembering Kamaladevi Jasleen Dhamija
- Full circle: Tjanpi, Polyglot and FORM’s Manguri Wiltja project Andrew Nicholls
- On history making and cooperation: Tom Nicholson’s “I was born in Indonesia” Nuraini Juliastuti
- “Who’s Nalda?” The influence of Eileen Keys and Pantjiti Mary McLean 🎧 Kevin Murray
- Straighten out in Korea Kenny Son
- Dear Adelaida Tessa Laird
- The art of repair: Keiko Ikoma’s subtle kintsugi Ryan Leahey
- An orchid in the desert – the lacquer journey of Bic Tieu Kevin Murray
- Heirs of Llalliñ: Mapuche women weavers find the end of the rainbow Pilar Navarrete
- Art at a glance: Tasmania’s roadside gallery Lucy Hawthorne
- A social fabric: Tais weaving in Timor-Leste Marian Reid and Emily Lush
- Cupinzeiros: Back in touch with childhood Lidia Lisbôa
- Looking at Craft: Upside Down, Backwards, and Inside Out Glenn Adamson
- Sustainable housing for artists and creatives: A new cooperative model in Fremantle Koral Ward
- Archipelagos of the decolonised mind: Two Indian Ocean exhibitions John Mateer
- Unapologetic: A perspective on contemporary jewellery in Pakistan Sahr Bashir
- Yilaalu – objects for carrying stories Lucy Simpson
- The Bolga basket: Ahmedabad comes to Accra Frances Potter
- Fragile threads: Baskets reborn in north Queensland Kevin Murray
- Second Home Camila Marambio
- Kuyu Kuyu: A place for weaving stories and cultural resilience Delissa Walker
- Proyecto “Las Fábricas” – Last words and weaves in Santiago Constanza Urrutia Wegmann
- Proyecto “Las Fábricas” Constanza Urrutia Wegmann
- From Sumatra to Bellbrae: A Jenny Crompton story Kevin Murray
- Ainu textiles: Cloth weighted with affection and prayer 🇯🇵 ann-elise lewallan and Kaizawa Tamami
- A gift of song: The melody of making Kediyun LOkesh Ghai
- Embellish: Creative refuge in a crowded world Omid Shiva
- Vahana: An Indian-Australian cross-cultural ceramic experience Bernard Kerr
- Kuulua vuohmaan: Belonging to a mire Ida Isak Westerberg
- Learning and sharing traditional plant knowledge Penny Algar & Lorraine Connelly-Northey
- Remembering people and places past/passed: Ceramics by Ah Xian, Ai Weiwei, Sin-ying Ho and Liu Jianhua Alex Burchmore
- アイヌの手仕事:愛と祈りの布作り アンエリーゼルワラン
- Shelter for the solitary traveller Holly Grace
- A labour of love: The Humnawa Project Sahr Bashir
- Employing circular economy principles when creating craft products Joseph Lo
- From village to suburb: How Karen weavers retain their culture as art Pauline Tran
- Five fingers full of skill: Four artisans from Tajikistan Ikromi Nigina
- From Japan to Brazil: The ceramics of Shoko Suzuki Liliana Morais
- Re-locating traditions: Ethiopian crafts in Moorooka, Brisbane Melanie Gupta
- Juukan Tears Offcuts Melissa Cameron
- 12 Camels: Take a seat by chance Nanu Youttananukorn and Lidia Vajda
- Two-Ways Learning – The gift that keeps on giving Michelle Montgomery
- Kōgei Hackathon: Toyama transforms craft Sari Hayashiguchi
- Robin Best ✿ A tea journey in silver and blue Antonia Harrison
- Paula do Prado ✿ My abuela’s hands ✿
- Garrapara: Deep waters and the cycle of life and death Will Stubbs
- Of uncertain value: The fragile beauty of epiphytes Kath Inglis
- Accessing the heart of hand-stitch: Merging tradition and innovation on the Indian sub-continent Trish Bygott and Nathan Crotty
- DiTenun: Artificial intelligence technology for Indonesian traditional Weaving Nancy Margried
- The Biji-biji Initiative: Circular economy for the community Zhi Yee Teh
- CIAF and Ghost Net art of the Far North Sonja Anderson
- Face-to-Face Across the World Zina Burloiu and Terry Martin
- The gate is open: Guan Wei and Jayne Dyer in China Pamela See (Xue Mei-Ling)
- Charlotte Haywood: Weaving ideas Lisa Cahill
- To carve memories: The belt of El Señor de Lázaro in Oaxaca 🇲🇽 María del Carmen Castillo Cisneros
- Crafting hope from the rings of the black ash Kelly Church and Cherish Parish
- The box: A magic object of objects Bic Tieu
- What in flame-ation! Mark Eliott
- The Pappanji of Kochi Daniel Connell
- Ghost objects: Crafting the poetry of the everyday honor freeman
- Paola Moreno ✿ Rhythms of Chile Kevin Murray
- Erika Diettes: Relics in amber Alasdair Foster
- Keste: Kazakhstan embroidery that celebrates nature Raushan Kargabekova
- To have and to hold: Precious objects from a place called “home” Sahr Bashir
- Weaving a koha Kohai Grace
- One person’s culture is not another culture’s craft Anna Varendorff
- Balnhdnhurr: a mark for others to follow Will Stubbs and Annie Studd
- East and west, warp and weft Blake Griffiths
- Why the copy of a Turkmen wedding dress is better than the original Hermann E. Rudolph
- Jenni Kemarre Martiniello’s Freshwater Saltwater Weave Mel George
- Simon&Jacob – A union for collaboration Jessica Hutchison and Alex Jack
- Composite bouquet: A plastic heirloom for the future Vicki Mason
- Fragments of King Marisa Molin
- Objects for today from the shards of the past: Possibilities for ceramicists in China Pamela Irving
- Ollas de barro y mezcal – Pots of clay and mezcal 🇲🇽 Rion Toal
- Shimenawa: Hidden meanings behind the twisted ropes at Izumo Taisha Sayumi Yokouchi
- iQweqwe: Towards the ancestors Madoda Fani
- Designers Dispatch Service: Traditional artisans connect to the global market Eugenio Hendro
- The Eastern Cape made visible through jewellery Joani Groenewald
- Ollas de barro y mezcal Rion Toal
- Cherokee doubleweave baskets: “The handsomest baskets I ever saw.” Anna Fariello
- Mirror/ in vapour: Glass in Venice Rosslynd Piggott
- Oaxacan jewellery: The legacy of Monte Albán 🇲🇽 Alberto Rojas Calvo
- Ran Out Shlomit Bauman
- Looking in looking out: Yogic practice and public art in Western Australia Maggie Baxter
- Heirloom: a celebration of herstories 🇵🇱 Grace Pundyk
- Votive Horses of Poshina, Gujarat Mitraja Bais
- Knotting culture: the muka of Rowan Panther Tryphena o Rongomai Cracknell
- Glimpses through glass of worlds recently lost Holly Grace
- Deep and shallow time meet in Jingdezhen Pie Bolton
- Primal Casting: From the outdoor studio Sarra Tzijan
- Nations unravelled and re-woven Sanne Vaassen
- Litema, the pride of a Mosotho woman’s home ‘Matsooana Sekokotoana
- Mending collective memory: Eleni Gouga’s Bread-skirt Project Lydia Matthews and Evren Uzer
- Moffat Takadiwa: The art of small things Jenan Taylor
- Bird, fish or somewhere in between Sofia Björkman, Karin Roy Andersson and Monica Blind Påve
- Journey to Teshima Gary Warner
- Bulay(i): Contemporary Yolŋu Jewellery: The Indigenous Jewellery Project meets Buku-Larrŋgay Mulka Emily McCulloch Childs
- The Bung Yarnda Observatorium Josephine Jakobi
- Eastern glazes: The provenance of celadon, tenmoku and shino Sandra Bowkett
- Biophilia: The craft and love of life Helen Ting
- Quarterly Essay ✿ Moffat Takadiwa: The art of small things Jenan Taylor
- Helen Wyatt: Life is revealed through layers Mark Stiles
- A glass bridge across the Pacific Diego Vides Borrell
- Ivana Taylor ✿ Wrapped with care Guy Keulemans
- Perth Mosque: A cultural structure strengthening collective identity Qassim Saad
- Water and flowers in Bali Mary Lou Pavlovic
- A new festival for Madagascar, the home of wild silk Indrasen Vencatachellum
- Abdullah’s lullaby of lost looms Songül ARAL
- Up in a wool bag: Moving material in the Navajo Nation Emily Winter
- Creative currencies in the cupboard: Cecile Williams in Denmark Kevin Murray
- The creative spark: Mexican heritage by hand today Raquel Bessudo
- Beauty from bacteria: Micro-farming batik Nidiya Kusmaya
- Fresco comes to the mountain Sarah Tomasetti
- “Forty hunar are not enough”: Craft and community in Uzbekistan Kevin Murray
- Water, Wood and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town – review D Wood
- A clay voyage across the Pacific—Omnus Terra Shannon Garson
- Celebrating the huipil – From past to present Ehren Seeland
- Slow made tradition in Oaxaca Ehren Seeland
- Talk of the town: How do you balance love and money? Castlemaine
- A feed of sacred lotus – Nelumbo nucifera Gary Warner
- Itazu Litho-Grafik (板津石版画工房): The Stone Letter Project Neilton Clarke
- Tania Larsson ✿ Hide uncovers the hidden matt lambert
- The craft heritage revival in downtown Hong Kong Kenneth WONG and Jaffa LAM
- Other Possible Worlds: Threading together Thai communities Luise Guest
- Pearls for the people in Fiji Neke Moa
- An invitation to look but not touch: The Rigg Design Prize 2015 Maurizio Toscano
- The fragrant tuberose: Collaborative eco-printing by batik artisans from Pasuruan Regency in East Java Janet Teowarang
- iWareBatik: Decoding the DNA of Indonesian batik Puspita Ayu Permatasari
- Individual elements, distant hills and a far peak Elliat Rich
- Call Them Home Marziya Mohammedali
- Paying the school fees: Bolga baskets in Ghana Eleanor Brown
- The Handshake journey: I am the water and the water is me Neke Moa
- Iziqhaza: Designs that open your ears Hlengiwe Dube
- An ancient Good Friday all-female rite with a fashion twist Anna Battista
- Saga Dawa: The blessing of the scriptures Shruti Agrawal
- Piña: Weaving Filipino fibre into the world Alfredo and Isabel Aquilizan
- Tepelikler: My Anatolian grandmother’s headdress Songül Aral
- Tonglen: An artist buries his life’s belongings Domenico de Clario
- Prachanda Shakya: A champion for Nepalese craft traditions Kriti Bhuju
- Lively hood Patrick Jones
- How the dye was cast on the road back to Laos Samorn Sanixay
- Global Indigenous Runway: Lisa x Verner x Sarah Lisa Waup and Sarah Weston
- Kete photography Kirsten Lyttle
- Academic and weaver join head and hand in Bandung Sabrina Sakina
- Maureen Gruben ✿ Delta Trim Tarah Hogue
- Wrapping the present within the past Janine Combes
- Taonga and Photography in the Post-Treaty Settlement Era: A Case Study of Photograms by Mark Adams and Areta Wilkinson Damian Skinner
- Kyungsook Park ✿ The craft of conviviality Misun Rheem
- Tales of Wonderland: Schmuck aus Neuseeland – jewellery from Aotearoa New Zealand Warwick Freeman
- [Re:]Entanglements in Nigeria ✿
- Forging alliances with nature: Atlas Botánico de Chile en Joyería Lucía Nieves Cortés
- Tack Skogen: Beauty in the blemish MADAM Snickeri
- Raci’s mangrove apple: A batik message from the coast of Pasuruan to the fashion catwalk Lauren Veronica Sidarsono
- Butterflies metamorphose into jewellery Paryana Puspaputra
- Julia Gutman ✿ Muses Elyse Goldfinch
- Alistair Rowe’s Chandni Chowk: One Altered Move Andrew Varano
- From Samarkand to Kütahya: A Silk Road of shared skills Kevin Murray
- Return to the source: Women’s work thrives in Utopia Michelle Montgomery
- Remembering when the world came to Kyoto in 1978 OHI Toshio Chozaemon XI and Merran Esson
- Waterfall in a box Rhyll Plant and Ann Baxter
- The Outback through Afghan eyes Jahan Rezakhanlou
- Kate Hunter Remains Sonja Anderson
- Making the cut: The effects of the introduction of Computer Numerical Control (CNC) on the Chinese papercutting 2006-2018 Pamela See
- Dolores Porras and her creative atelier Johanna Ángel Reyes
- My father was an elephant: Clay dreams in Nigeria Ngozi Omeje
- Alisher Nazirov ✿ Gifts of skill connect Uzbekistan and Japan Kevin Murray
- Oceans in a tea cup Alma Studholme
- The Messenger Through The Twilight: A clay apocalypse Raksit Panya
- Charazani Project: Inca weaving revived Constanza Urrutia Wegmann
- The Red Dress in Chiapas Kirstie Macleod
- Sanggar Batik Batara in Baujeng Village Janet Teowarang
- Ruth Castle, Basket Maker Damian Skinner
- Casting shadows: Areta Wilkinson and Mark Adams at the National Harriet Litten
- Citizens of Craft: The inspiring Canadian model ✿
- Preliminary notes on relationships between Chinese Ge Ba textiles and the walls of Amateur Architecture Studio 中国格巴纺织品与业余建筑工作室墙壁的关系初探 Peta Carlin
- Safed: The beauty of simplicity Sayali Goyal
- The art of saving seals: April Surgent’s glass etchings Charles Littnan
- The 3rd Triennale of Kogei In Kanazawa Hyeyoung Cho
- Across space and through time: glass and its value Valeria Florescano
- Dragon reborn: The making of Bendigo’s Dai Gum Loong Leigh McKinnon
- The ladybird garden of Chen Ping Jan Hogan
- Pink Terraces Dean Smith
- Time makes beauty: Jewellery in the senescent field Liliana Ojeda
- Aziz Murtazaev ✿ Why I returned from London Kevin Murray
- Workshop of the World: 1000 Degrees Bethany Wheeler
- “If you want to know about us, examine our buildings”: A Journey through Uzbekistan Mary Jose
- Tears of Tāwhirimātea: carvings by Todd Couper Karl Chitham
- Tending relations: Lisa Reihana’s lei epic Tessa Laird
- Geodenim ornament from the streets of Medellín Alejandra Ruiz
- Art meets life on a Sunday afternoon: Screenings at the Cantrills Tessa Laird and Camila Marambio
- Heritage Chic: The duality of tradition and innovation in the Kanjivaram silk sari of Tamilnadu, India Kala Shreen
- The tree of life extends its branches from Iran to France Leila Fazeneh
- Closing the circuit: Thinker-Maker residency at Substation 33 Pamela See
- Moitará: An exchange between São Paulo and the village of Kaupüna Maria Fernanda Paes de Barros
- Brahma Tirta Sari: At home with nature and ancestors Agus and Nia Ismoyo
- Rame Rame Online exhibition
- Uzbekistan and the promise of apple trees Layla Walter
- Pilwas: Knotting Lafkenche narratives in Puerto Saavedra Magdalena Cattan-Lavin
- A considered and cordial welcome: Michael Parekowhai’s Ten Guitars and The Lighthouse Warren Feeney
- Ceramic art from Gallery VOICE Tomoko Kawakami
- The power of transformative repair Penny Craswell
- Full of emptiness: The wonder of Hagi ware Yoko Akama and Yoko Ozawa
- Terracotta Warriors of Castlemaine Dale Cox
- To catch a flower: Love triumphs in the marriage of Sang Thong Vipoo Srivilasa and Edward Colless
- Pohon Budi – the Tree of Life exhibition in Malaysia Edric Ong
- Jwahr: New Iranian and Persian Jewellery Aria Gallery
- Tracing trees: Processing land clearing through a jewellery practice Cara Johnson
- The embroidered house Renata Mellão
- An ink route from Oaxaca city to Phnom Penh 🇲🇽 Fernando Aceves Humana
- It begins with a pomegranate: Sirjan kilims by Mahjabin Ilkhanipour Mahjabin Ilkhanipour
- Castlemaine Currency: Towards a grounded economy Dale Cox and Jodi Newcombe
- Una ruta de tinta desde la ciudad de Oaxaca a Phnom Penh Fernando Aceves Humana
- A semiotic thread: Maya Traditions Foundation’s Textiles Tour in Guatemala Ann Fuata
- Crafting a city, crafting a life, from matter and memory Peter Emmett
- A rainbow serpent theory of time Tyson Yunkaporta
- Remembering Oaxaca Mario Licón Cabrera
- A kirpan for bride power Eina Ahluwalia
- Especies Acuñadas: Divesting colonial currency Milena Moena Moreno
- From earth grew rice, from rice grew the Warli art LOkesh Ghai
- Tuhirangi writes on the sky 🎧 Michelle Montgomery
- Beyond the screen: Glass bodies in making Nadège Desgenétez
- The tinsmith and I shared no language Claire McArdle
- Islam on Australian shores Phillip George
- Pistachio dog: Indian clothes tailored for the world Lela Kulkani
- Presha’s Coverlet Jeffrey Keith
- Vide Poche: A timeless dish for every day use Henry Wilson
- Good news from Afghanistan: Hadya starts her own business Roshan Safi
- Silk thangka: An unbroken thread Gary Wornell
- “Only room for one in the house”: My Ankyianpoma language sticks from Ghana Claire Dale
- Ulos through the viewfinder Dewi Sartika Bukit
- Hipster capitalism explained Michael Scott
- Folding Indigo: Keiko Amenomori-Schmeisser Caren Florance
- MAOTA: Five yarn dyed colours, inspired by Aizome Alisa Ota Tietboehl
- With the blessing of Gods and families: A Mauritian Tamil wedding Veemanda Curpen
- Ode to Waratah: Designing mythology Elliat Rich
- Shaabook silver jewellery in Oman: A secret currency of adornment Amal Al-Ismaeli
- Binga baskets and other treasures of Zimbabwean craft Leah Mugwagwa
- For Peter Emmett, objects speak Gary Warner
- Mola, molas, mola-ing with the Kuna Yala in Panama Bridget Nicholson
- Tea with Abbas: Tibetan jewellery in Nepal Gary Wornell
- Looking at the past, creating the future: The forgotten role of the museum Michael Nathaniel Kurniawan
- Embroideries with love from Mauritius Palmesh Cuttaree
- Wildfire: Glimpses of art from open train doors Joshua Nash and Tobias Nash
- Yayasan Tafean Pah – the next weaving generation in West Timor Ruth Hadlow
- Habitat: Terracotta homes for hard-working bees Julie Bartholomew
- Decay is beautiful Samorn Sanixay
- Machiko Hashimoto: Flowers from Kyoto Sokyo Gallery
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